Since the late 60s, Bruscky has committed to an experimental approach which has combined his own performance and
radical public interventions, with conceptual strategies of documentation and communication through collage, sculpture, artist books, «poetic objects», classified and mail artworks, visual music and poetry.
Not exact matches
Documenting «rich, bold and
radical practice» and «live and lively» performances, the publication traces a 50 - year through line of works —
public interventions, studio actions, and performances before live audiences, photographers and video cameras.
Together, in their
radical openness to
interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a
public, an artwork itself.
Currently the
public favors the EPA regulations by 67 to 29 percent so there appear to be many possible recipients for better information if we are to succeed in avoiding the future that
radical environmentalists want to impose on our country through unjustified Federal
intervention in still another vital sector of the economy.