Sentences with phrase «radical use of material»

Her works continue to inform his artistic formal language as well as his radical use of material objects and inquiries into the meaning of art.

Not exact matches

Second, a consistent acceptance of process generalizations about how things go in the world can provide the material for the radical reconception, of what can be affirmed about that reality greater than humankind or nature — about God, to use the traditional word for that reality.

The radical response to these facts is to restrict our own consumption of goods and services, our own material standard of living, either in order to share more of our wealth with those in need, or in order to serve God better by using our time to work for justice and peace or by sharing the lot of the poor.

But he used these materials to raise a question about the work of the Niebuhrian generation that was just as radical as Altizer's.

A good deal of the material out of New York, Geneva, and the denominational headquarters on the church and ministry reflects this promising line, and a good many religious sociologists and radical religious leaders on the race issue tend to use Bonhoeffer and religionlessness in this way.

In the exhibition's catalogue Bernice Rose states: «Chamberlain's is a radical step in this [modernism's] history: the translation of de Kooning's inherently sculptural continued... brushstroke from a soft material used for the creation of visual illusions and illusionary spaces into a hard, thin, and three - dimensional substance that could be considered as a support for those illusions.»

Using a process that recalls radical forms of art that employ detritus and everyday found materials, Jones reveals the social discrimination at play in how value is assigned to different cultures and the objects that represent them.»

The Austrian - born Pop artist's radical uses of new materials to explore the body, relationality and technology were prescient, intersecting with emerging discourses about feminism and appropriation.

Work on this series would then continue with a radical shift in scale and using different materials and entirely different physical dimensions: a visitor to the Museum of Modern Art in New York in recent years can hardly have missed the great battle that United Enemies continue to wage in the sculptural garden.»

Renowned for his technical experimentation, Degas (French, 1834 — 1917) exhibited just one sculpture during his lifetime, the controversial Little Dancer, Aged Fourteen, which startled visitors to the 1881 Impressionist exhibition with its unidealized physiognomy and radical use of real materials such as silk slippers and a wig made from human hair.

The exhibition focuses on his work in 1967 and 1968, the years in which the artist became associated with the phenomenon of Arte Povera, the radical trend in Italian art towards using everyday materials in resonant and seemingly unambiguous combinations.

Over the last twenty - five years he has revitalized the human image in sculpture through a radical investigation of the body as a place of memory and transformation, using himself as subject, tool, and material.

In the 1960s, Boezem discovered that he could use elusive elements such as air, weather, wind and light as visual materials and made a name with radical, immaterial works that were far ahead of their time.

Chakaia Booker, One Way, 2008 Rubber tires and stainless steel 96 x 45 x 65 inches On loan courtesy of Marlborough Gallery, New York Referred to as a «radial radical,» the African American contemporary artist Chakaia Booker used tires as her primary material in constructing these large - scale sculptures on loan from Marlborough Gallery, Chelsea, N.Y. Spiky, dark, imposing and beautiful, these works interact with the museum's peaceful, minimalist sculpture garden in new ways.

11 For Judd, Rauschenberg's interest in «the unrectangular and unflat format, the use of found and simply existing materials and the casualness are three of Rauschenberg's radical aspects.»

ARTnews: One theme running through South of Pico is how these artists related to the materials they used in an attempt to transfigure objects that had been neglected or disused — and how radical such a choice was at the time.

Inspired by Matisse and his cutouts, she started using her shredded paintings as raw materials for a body of powerful, emotive collages, transforming the shreds of her failures into a radical new direction in her oeuvre.

His radical investigations of the body as a place of memory and transformation use his own corpus as subject, tool and material.

Using their bodies as medium and material — often pushing the limits of their physical stamina — the artists in Radical Presence may experience pain, draw the attention of onlookers, or access otherworldly states.

Using the logic of radical material transformation, lightweight panels lean flat against the wall, while others, warped by the application of water - based paint, stand independently in space.

The museum will use these materials to show the development of his innovative and radical conceptualization of the future roles of communication technologies in the expanding global media culture.

Linked by the use of simple, poor and occasionally throwaway materials that are magically and marvellously transfigured, the famous artists of Arte Povera are unique: on one side for their techniques all different, but all far from the painting tradition; on the other side for a radical and happy transformation and metamorphosis.

She infused a completely new set of materials: those she concocted and heavily documented in the laboratory of her studio — such as tinted polyester resin and polyurethane expanding foam — creating a post-human form of lamps that used casts made directly from her lips, to every day resources — pantyhose, newspaper clippings, photographs, with straw and resin, grass and foam — resulting in distinctly radical hybrids of the organic and inorganic.

Similarly, since only 1 % of of our products are still in use six months after they are purchased, wouldn't redesign of the products to last a radical 12 whole months essentially halve the energy and materials used by industry?