Sentences with phrase «radical works ever»

Manzoni's Le socle du Monde (Base of the World)(1961) is one of the most radical works ever produced: it conceptually redefines the essence of sculpture and our being in the world.

Not exact matches

Ceding eight goals in only three matches is more than enough evidence that «three at the back» is no longer working and that there needs to be a radical re-boot if we are ever to get this season back on track.

Voters in the 19th Congressional district are being offered a choice between longtime resident John Faso with a proven track record of cutting budgets, lowering taxes, and working with lawmakers from both sides of the aisle and a radical New York City academic, with no roots in the district, who supports higher taxes, the Iran Nuclear Deal, and ever larger government in Washington.

Unfortunately, many bad things happened to Free Radical studios ever since, but ultimately they were put in the hands of Crytek (known for Crysis and Far Cry), where, as rumors suggest, they continue to work on the long - awaited TimeSplitters 4.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Among an ever expanding (and as Karen Barad might say, «entangled») list, I am inspired by the complex and contradictory city I live in (the city of Chicago) and the incredible community of hard working, sincere, talented artists who I am surround by and have the privilege of working alongside and in collaboration with every day (too many and to diverse to name individually here) / / by mentors A. Laurie Palmer and Claire Pentecost and Anne Wilson and Ben Nicholson / / by Simon Starling and Andrea Zittel and Mark Dion and Sarah Sze and Phoebe Wasburn and Mierele Laderman Ukeles and Joseph Beuys and Eva Hesse and Hans Haacke and Robert Smithson / / by writers and philosophers Karen Barad and Jane Bennett and Rebecca Solnit and Italo Calvino and Steward Brand and the contributors to The Whole Earth Catalog (of which my father gave me his copies) and Ken Issacs and Carl Sagan and Neil deGrasse Tyson and William Cronon and Bruno Latour and Deluze and Guttari and Jack Burnham / / by ideas of radical intimacy and transformation and ephemerality and experimentation and growth and agency and mobility and nomadicism and balance and maintenance and survival and change and subjectivity and hylozoism and living structures / / by mycelium and soil and terracotta and honey and mead and wild yeast and beeswax and fat and felt and salt and sulfur and bismuth and meteorites and microbes and algae and oil and carbon and tar and water and lightening and electricity and oak and maple / / by exploration and navigation and «the Age of Wonder» and the Mir Space Station and the Deep Tunnel Project / / by Lake Michigan and the Chicago River and waterways and canals and oceans and puddles... to name a few.

Jeffrey Deitch once called Vega's work «the toughest and most radical art I had ever seen.»

«Danger to The System» focuses on events highlighting artists of color, queer, and other marginalized intersections of artists whose work deals with time, space, histories, new media, cultural diaspora, erasure, patriarchy, white supremacy, the internet, recorded and performed sound works, live performance, and the intersectionality of histories, cultural trauma, healing strategies and the ever changing radical climate in America, 2016, as well as specifically Oakland, CA.

No less than three exhibitions of the Austrian artist's work are currently showing around Europe and in America, respectively, while Egon Schiele: The Radical Nude, opens at the Courtauld Gallery in London next week, and is claimed be the first ever museum show in the UK devoted entirely to the artist.

Arbus shocked in that way, and, right now, in an era where obsession with identity politics, self - discovery and radical self - assertion (Cosey Fanni Tutti's vagina photographs or Vito Acconci's masturbation under the stairs play up the «I» of experience in a way that seems far less potent right now, in the era of youtube, file - sharing and self - exposure opportunities galore) has begun to seem stale, her work feels more poignantly, exquisitely relevant than ever.