Sentences with phrase «range of abstract artists»

There are perhaps some common abstract principles that connect a range of abstract artists such as Ad Reinhardt, Camille Graeser, Simon Hantai, Agnes Martin and Norwegian artist Anna - Eva Bergman, who I would say have a shared connection in what I would call the «transformative surface».

Not exact matches

Each of the 17 essays in this collection explores an individual artist, ranging from Géricault and Delacroix to Magritte and Barnes» personal friend, British abstract painter Howard Hodgkin.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

In curating this exhibition, Liu Wei and Bowen Li have selected the work of seven young artists, all born in Mainland China, whose practices range from performance to abstract sculpture.

For MoMA's first contemporary painting survey in recent memory, curator Laura Hoptman pulled together work by 17 artists, most of whom work with various abstract formal vocabularies ranging from the expressionistic to the starkly minimal.

Reacting to the range of works on view, which included a selection from the artist's Concorde series (1997), still lifes, portraits, and abstract works created using dye or developing fluid on light sensitive paper, Morton noted «what makes Tillmans's best work sing: the ability, through looking a little, and loving a little, to turn events in our visual lives into vivid, everyday poetry, with all the pleasure and knotty exegesis that implies.

«Functioning as a survey of recent developments in abstract painting, the show spans a diverse range of work culled from 25 New York - based artists.

Luiz Zerbini is one of Brazil's most established contemporary artists, known for his vivid works on canvas which draw on a range of themes from the abstract to landscapes, cityscapes, and domestic scenes using a range of techniques and styles.

They were selected as artists of distinction, representing the range and complexity, and the vitality and potential of abstract painting today.»

Over fifty exhibited artists range from formally concerned Ann Veronica Janssens and Joëlle Tuerlinckx; abstract painters Olivier Mosset and Otto Zitko; politically engaged projects by Boris Mikhailov and Wael Shawky; to pillars of postwar art Bruce Nauman, Joseph Beuys, Katharina Fritsch, and Wolfgang Tillmans.

To explore this question, Matter & Light is hosting a broad - ranging group show of established and emerging artists whose spiritual concerns have motivated them to work in an abstract vein.»

Throughout this process a distinct distillation of choices developed for each artist that is wide - ranging but particular: both figurative and abstract, sculptures and some works on paper have been selected in addition to paintings, and historical as well as contemporary works, are juxtaposed.

The shows in Building 4 range from the rough - and - tumble «In the Abstract,» where 11 artists explore abstract art's potential for political expression, to the refinement of Elizabeth King's obsessively made, sometimes animatronic half - size figures and limbs; from Steffani Jemison's often arcane explorations of the connections among writing, autonomy and race (including an excellent sound piece), to the accessible Conceptualism of Tanja Hollander's «Are You Really My Friend?

Based on four artists represented in the Berardo Collection — Malevich, Mondrian, Josef Albers and Ad Reinhardt — this exhibition aims to analyse abstract art, and the vast range of actions and expressive possibilities it gave rise to, through the tension that exists between its various branches (non-objective, non-figurative, absolute and concrete).

With local photographers featured alongside international abstract artists, the gallery seeks to appeal to a diverse range of tastes and backgrounds.

Artist Statement Sharon Ascher aka Sascha's language of forms is not realistic, but it abstracts from nature the essence of what it is to be a stone, a tree, a range of mountains or a patch of sky.

It is our main focus to exhibit an expansive range of artwork from talented abstract artists through the most eloquent and efficient means possible.

This class focuses on developing each artist's inclination to make abstract art through a range of activities, studying in particular how to explore one's inspiration and ideas vis - à - vis process and using a language specific to each artist to develop coherent abstract images.

Constructive Spirit examines the connections, both conceptual and personal, among abstract artists, suggesting parallels that cut across time, national borders, and a range of media, including paintings, sculptures, prints, photographs, -LSB-...]

The artist's barbershop paintings from 2007 - 2009 are shot with color, and range from figurative to completely abstracted, color - blocked canvases referencing the architectural perspective of the space.

This class focusses on developing each artists passion to make abstract art through a range of activities, studying in particular how to explore one's inspiration and ideas via process and using a language specific to each artist to develop coherent abstract images.

Brooklyn artist Andisheh Avini's abstract works are influenced by a fascinating range of references, from art history and Andy Warhol to traditional Persian pattern and craft.

This show presents work by more than a dozen artists (all of whom are also curators, and / or have run or currently run spaces of their own) in a range of media that covers several bases: conceptual and abstract art, figural painting and drawings, and political pieces.

Probably benefiting from the buzz around the New Museum's current exhibition Trigger: Gender as a Tool and a Weapon (until 21 January 2018), which features some of the same artists, Engender shows how contemporary painters are complicating identity and the body with a range of abstract and figurative strategies.

Highlights this year range from Barbara Hepworth's polished abstract sculpture Six Forms on a Circle (1967) at Osborne Samuel (the modernist sculptor is the subject of a major retrospective at Tate Britain this June) and On Kawara's I WENT at mfc - michèle didier — a great example of the obsessive conceptual cataloguing for which the artist is famous.

The show is impressive with a full range of the artists» oeuvre; geometric abstracts merge into gestural hybrid geometric paintings.

Inscape — the Inner Nature of Things contrasts twelve artists» diverse approaches to expressing emotion through abstraction, ranging from basic forms combined with loose, expressive lines in paintings by Louisa Chase, Mary Heilmann, and Perle Fine; to pure abstract gesture that governs the work of Friedel Dzubas, John Ferren, Hans Hofmann, Raymond Parker, and Esteban Vicente.

The artwork can range from realism to surrealism to abstraction and all 2D and 3D artists over the age of 18, regardless of location or experience, are encouraged to submit their best representational or abstract «Cityscapes» art and photography.

Inventing Downtown presents works from fourteen of these crucibles of experimentation, highlighting artists» efforts to create new exhibition venues for innovative works of art — ranging from abstract and figurative painting, assemblage, sculpture, and works -LSB-...]

Curated by Pat Swanson, Another Story examines the range of conceptual, abstract, and figurative approaches that artists use when the book or its surrogate is at the heart of their investigations.

These artists used familiar scenes to engage a wide range of audiences with fine art, in contrast to the popularity of European trends in abstract painting among other American painters of their generation.

Of course, artists continued working in representative styles, but the buzz of the day now ranged from Kandinski's first purely abstract works to surrealism's fantastical compositions and Picasso's sometimes bizarre and fractured subjectOf course, artists continued working in representative styles, but the buzz of the day now ranged from Kandinski's first purely abstract works to surrealism's fantastical compositions and Picasso's sometimes bizarre and fractured subjectof the day now ranged from Kandinski's first purely abstract works to surrealism's fantastical compositions and Picasso's sometimes bizarre and fractured subjects.

Utilizing a range of media including photography, sculpture, sound, and video, the artist flattens historical and everyday records of violence, obsession, and desire in order to render them abstract.

The ease with which he can unearth archetypal images out of abstract shapes, and his ability to create associations that range from the frivolous to the sublime, have made him an artist's artist.

By including seventy - one abstract works from 1905 to 1968, by fifty American and European artists, the exhibition attempted to give aesthetic content to the science of biology, specifically to the study of organisms which lie beyond the range of unaided vision.

Among America's leading abstract artists, Dan Christensen was devoted over the course of forty years to exploring the limits, range, and possibilities of paint and pictorial form.

A.F.A was unique in that it operated as an anti-conventional commercial gallery where de Land presented a broad range of artists whose practices spanned from large - scale installation to institutional critique, video, and abstract painting.

Visual artist and independent curator Aaron Skolnick has assembled an exhibition that explores, challenges, and pushes the boundaries of the medium, which includes works ranging from classically rendered silverpoint portraits to vividly colored abstract collages.

Pop Art offered a clear contrast to abstract expressionism, then the dominant movement in American art and artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and others of their generation challenged a whole range of assumptions about what fine art should be.

Their striking imagery — ranging from abstract compositions to scenes of everyday life — drew the attention of artists such as Edward Weston and László Moholy - Nagy.

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

Tate Modern, London, until 9 August 2015 Sonia Delaunay's first retrospective in Britain throws into relief the abstract artist's deft use of colour across a wide range of media, from painting to textiles design.

French artist Marie Angeletti uses the repetition and re-presentation of photographic images to capture a range of subjects and abstracted objects.

Spanning a wide range of mediums, the exhibition features more traditional studies of light — such as the delicate landscape paintings of English artist LS Lowry RA, and more abstract works such as Anish Kapoor RA's reflective installations.

Other works in the show range from the luminous marble of Carrara — long beloved by artists and architects as well as abstract sculptors such as Sergio Camargo — to concrete, which offers the artist new and entirely different plastic possibilities thanks to the interplay of cement and steel armatures.

Although the six artists in this installation — Walead Beshty, Daniel Gordon, Leslie Hewitt, Carter Mull, Sterling Ruby, and Sara VanDerBeek — represent diverse points of view, working methods, and pictorial modes ranging from abstract to representational, their images all begin in the studio or the darkroom and result from processes involving collection, assembly, and manipulation.

And while Hoffman and Frankenthaler might be known for abstract expressionism, Hodgkin for a more semi-abstraction related to making objects instead of two - dimensional works (painting into and around the frames), and Stockholder for her range of two - dimensional and installation work, the fact remains that the finished work from these artists often reveals a trace, or truckload, of the process the artist used to get there.

His small - scale, brightly - colored abstract sculptures pack a powerful punch, suggesting a range of moods from comic to surreal and ranking him as one of the best American artists of his generation.

Lee Bontecou, (born January 15, 1931, Providence, Rhode Island, U.S.), American artist whose work ranged from dark, dramatic abstract constructions to softer, transparent natural forms, evoking a correspondingly broad range of response.

All four artists mentioned portray altered visions of reality that range from the allegorical to the abstract to the horrific.