Sentences with phrase «range of artistic approaches»

Taking in a range of artistic approaches and media, the exhibition aims to consider how geometry relates to contemporary connectivity and imagination.

The exhibition offers an overview of the broad spectrum of developments and the wide range of artistic approaches to the medium of film.

In order to visualize the range of artistic approaches based on lettering, the exhibition will also present several sculptural works.

The exhibition represents a diverse range of artistic approaches and many are works in progress.

Featured works represent a diverse range of artistic approaches.

This catalogue of outstanding paintings, sculptures, drawings and prints from Edward R. Broida's recent gift of 175 contemporary works from his collection to The Museum of Modern Art reflects a wide range of artistic approaches.

Each of the sculptures in «Floresco» was created using 12 - inch bright common spikes, the largest nail commercially available, and demonstrates the range of artistic approaches Bisbee uses to give shape to his work; «A nail, like a line, can and will do almost anything,» explains the artist.

This diversity reflects the creative energy of a burgeoning cohort of international young artists; even within a given medium, the pieces chosen by van Hagen reflect a wide range of artistic approaches.

Reflecting the broad range of artistic approaches, the literal positions taken include a range from precarious to stable, and the kind of details varies from carefully detailed to highly abstracted and expressive.

Every year it is my unique opportunity to witness the development of these new works which celebrate a range of artistic approaches to ballet.

Although he was primarily a street photographer, his archive encompasses a wide range of artistic approaches and subjects, including portraiture and abstraction.

The program exposes students and the public to a range of artistic approaches, and fosters discussion about contemporary art and ideas.

Not exact matches

Catholic Studies programs must be interdisciplinary, offering students an encounter with «the imaginative tradition of the faith, its approach to beauty, the great - souled works of literature [and] deep artistic traditions of Catholicism, its understanding of the human person and of the range and limits of politics.»

Writer / director Emer Reynolds has taken a straightforward but also subtle and artistic approach to this film, that outlines the subject matter in excellent technical detail and then colors it in with the full range of thoughts and emotions of those who were involved.

Rather than pose a definitive historical trajectory, the exhibition embraces a ruminative and introspective approach, winding through time and place to touch on situations and themes ranging from the sociopolitical to the deeply personal, all through the lens of artistic observation.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

Active in the Post-Sense Sensation events from the late 1990s, his work has explored a wide range of mediums from painting to film, installation and sculpture as he gradually shaped a unique artistic approach that has garnered increasing acclaim across the world.

Essays take a range of approaches, drawing on personal recollections of artistic collaborations and friendships; focusing on individual objects, groups of works, or Conner's materials and process; or contemplating and interpreting the artist's inimitable and ever - changing methods through a thematic lens.

The exhibition brings together a great range of artistic practices and languages (photography, video, painting, sculpture, installation...), cultures, geographic origins, generations and experiences, to establish a tension between extremely different artistic approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body as sculpture, effigy or fragment of its symbolic substitute.

The huge range of practices on display demonstrates the variety of artistic approaches being developed across the world.

These may include solo presentations by an individual artist, juxtapositions and thematic exhibits from artists representing a range of cultures, generations and artistic approaches.

His art is characterized by the dynamic artistic process and creative approach to mundane objects of our environment that once transformed through his paintings and installations capture a range of social atmospheres.

Jensen's intricate methodology reflects a distinctive approach to painting, refining his wide - ranging studies of science, math, and philosophy — such as Goethe colour theory, Pythagorean mathematics, the Mayan calendar, the I Ching — into a personal artistic vernacular.

The dual nature of this approach provides the museum with a diverse range of holdings and opportunities to display histories of recent artistic practice that are disparate, divergent, and reflective of the broader range of identities, disciplines, and forms that give shape to an idea of contemporary life.

«Ida is fascinating not only because of the dynamics within her famous artistic family but also for the distinct approach of her work, which reflects a range of contemporary influences, such as American Modernism and Regionalism.»

Showcasing Mel Chin's malleable and wide - ranging approaches to his artistic practices, the pieces on view were drawn from nearly four decades of his career alongside four newly commissioned projects: «Flint Fit,» «Soundtrack,» «Unmoored» and «Wake.»

With an approach that ranges from the singular to the plural, the exhibition aims to provide a plastic and visual narrative about artistic creation from aspects of thematic, biographical, sociological and anthropological character.

The wide spectrum of his artworks — ranging in media and entangling different temporalities and geographies — unveils an intimate portrait of the artist as a polymath, whose artistic work is an integral part of a larger, holistic approach to life.

From the digital highly detailed images to a more painterly approach of the brushes on canvas, these artists will present a broad range of artistic mediums and personal styles, highlighting the versatility of the movement.

Syllabus IV aims to reach artists with a range of practices and artistic approaches and bring together individuals from across the UK.

The wide spectrum of his artworks ranging in media and entangling different temporalities and geographies, unveils an intimate portrait of the artist as a polymath, whose artistic work is an integral part of a larger, holistic approach to life.

This survey of local artists was selected from an open call and encompasses a range of approaches to artistic practice, from self - taught artists to full time makers, from academics and educators to collaborative teams.

The book as a whole proves the range of his artistic curiosity, which challenges itself, the viewer and the medium of painting with its ever - evolving approach.

Swing Space was designed to address short - term space needs for a wide range of projects and to encourage creative, experimental, and collaborative approaches to artistic practice in unconventional spaces.

The integrity of this approach consists primarily in the diversity of its modern artistic vision, ranging from the conceptual geometry of the universal communications of Peter Halley to the integral paraphrases of Archimboldo in the energetic baroque images of Vik Muniz, and from the paradoxical clones of Tony Matelli to the idealized human constructions of Antony Gormley.

Five films from 2009 to 2016 representing the artist's cross-platform thinking will be shown in the gallery, drawing from a diverse range of approaches in her artistic practice, from her intensely haptic works that involve fluids and stains of all sorts, to her more recent ruminations on film and memory.

The book «provides a new approach to understanding the range and impact of this artist's practice, as well as its complex relationship to several key artistic and ideological debates of the late 20th century, including the instability of identity, the role of appropriation, and the boundaries of expressionism.»

Featuring a diverse range of work spanning several years of her artistic career, the exhibition highlights Alshaibi's conceptual approach to photography and the layered and collapsing signs that are integral to her distinctive aesthetic, particularly her use of the body as a metaphor for spatial and temporal transgressions.

The projects presented in this exhibition will display the range of approaches she has taken to subject matter, historical narrative, artistic media and technique, and the complexities and ambiguities of racial and historical representation.

The exhibition will span nearly four decades of Chin's malleable and wide - ranging approach to artistic practice.