Sentences with phrase «range of studio practices»

Studio Squared is a series of informal art - making workshops aimed at making a wide range of studio practices accessible to adult audiences.

The McKinney Visiting Artist Series brings prominent working artists from a range of studio practices and fields to the School of Art, Architecture + Design.

Together, these works show a range of studio practices by female artists working in the South within the language of abstraction, and highlights the breadth of the Ogden Museum of Southern Art's Permanent Collection.

Not exact matches

In a quiet, light - filled studio bordering onto a protected ravine, we'll engage in revitalizing yoga, deep meditative practice, and a range of reflective writing practices designed to nourish your body and sharpen your sensory awareness.

Ranging from restrained blue marks on a raw canvas ground to barely visible foot print traces on a naked canvas, his work draws on the performative «aura» of these marks and is fueled by a self - generated mythology centered on his studio practice and his infamous foot fetish.

Provocations: The Architecture and Design of Heatherwick Studio examines the astonishing range of the studio's practice by focusing on the design concepts behind small products such as the handbag designed for Longchamp and his rotation - molded «Spun» chairs, as well as large public and private architectural projects in the U.K., U.S., Abu Dhabi, South Africa, Singapore, and China.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

It spotlights a broad range of painters, talks about their work practice and them working in their studios, which is the most fascinating bit.

Tyler's internationally recognized graduate faculty brings a reputation for excellence in academic research, studio practice, and teaching with a broad range of attitudes and philosophic positions.

The exhibition reflects an amazing range of artworks that throw particular light on materials and techniques, craftsmanship and studio practice.

We provide 10 studios within this building, on two floors ranging from 150 - 250sq ft.. We offer workspace exclusively to practicing Fine Artists on this site as part of Cell's mission and commitment to supporting Fine Art Practice.

Browne discusses her studio practice and a range of topics related to her work including color and working in «the gap between somebody looking at something directly and... looking at a photograph of the thing... I'm... interested in trying to pick up a little bit of that sensation... that... being there feeling, but also the shift between the two.»

She engages with a diverse range of tendencies in her studio practice, one of which is drawing.

The individual perspectives of these eight artists, their unique approaches to studio practice and the resulting artworks, embody a range of responses to a single material.

The New York Immersion Trip is an opportunity for students to meet with working professionals, visit exhibitions, and observe a range of contemporary studio practices.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects.

We provide a much — needed resource of affordable and accessible on — site studios which house over 45 artists, supporting the development of a diverse range of individual and collective practices, from recent graduates to internationally recognised practitioners.

Mosley has an extensive studio practice and also pursues a wide range of building and woodworking projects around Ottawa Valley.

Maya Lin (b. 1959, Athens, Ohio) is known for a wide - ranging practice that encompasses large - scale environmental installations, intimate studio artworks, architectural works, and memorials, after she virtually redefined the idea of the monument with her design for the Vietnam Veterans Memorial (1981).

Early in his career, Wiharso realized that his studio practice could accommodate a wider range of activities and participants and developed it into an office, educational facility, library, laboratory and place for collaboration.