Sentences with phrase «ranging conceptual practice»

P.S. 1 Contemporary Art Center is pleased to present MY SECRET LIFE, Lutz Bacher's first museum survey exhibition, which spans several decades of the artist's wide - ranging conceptual practice.

Not exact matches

A wide range of formats and approaches to scholarship are accepted, including qualitative research, quantitative studies, conceptual and theoretical pieces, case studies, and professional practice papers.

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

The 20 essays and book reviews that comprise Words For Art assess the practices and precepts of a wide range of artists, critics, and historians — from E. H. Gombrich's theory of perception and Walter Benjamin» views on color to the conceptual underpinnings of Mel Bochner's word paintings and the complications of Jack Tworkov's belief in the need for ethics in art.

Pendleton's conceptual practice engages with abstraction and identity through a wide range of media.

Ordinary Pictures Featuring works by some 45 artists, Ordinary Pictures surveys a range of conceptual picture - based practices since the 1960s through the lens of the stock photograph and other forms of industrial image production.

Rather than surveying the whole range of Orozco's practice, the exhibition seeks to cut a conceptual slice through it, to look deeply into the mechanics of the artist's thinking and working process.

While the works created by these artists have previously been contextualized in terms of associations and movements ranging from Fluxus to Conceptual Art to the blanketed arena of contemporary art practice, in Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practice.

The Gifts This is a fast - paced, interdisciplinary workshop designed to expand the possibilities of students» practices using a wide range of materials and processes — driven by conceptual thinking.

Pendleton's conceptual practice engages with language, abstraction, and identity through a wide range of media, including painting, sculpture, printmaking, writing, film and performance, among others.

Legally blind since 1994, his practice has grown to explore the qualities of sensory perception and conceptual concerns in the broad range of media he incorporates.

Borrowing from and reinterpreting Conceptual art and Minimalism, Liam Gillick's work is not confined to a specific form of artistic practice but ranges over his various activities as a critic, writer, designer, curator, filmmaker, professor, and visual artist.

Artist: Maryam Jafri Exhibition title: Generic Corner Venue: Kunsthalle Basel, Basel, Switzerland Date: August 28 — November 1, 2015 Photography: Philipp Hänger, images copyright and courtesy of the artist and Kunsthalle Basel Ranging from video to photography, text, sculpture, and installation, Maryam Jafri's practice sits at the crossroads of cultural anthropology and conceptual art.

Ryan Gander's complex and conceptual practice touches on an assortment of subjects and media, ranging from video, text and lectures to painting, animation and children's books.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

Featuring works by some 30 artists, Ordinary Pictures surveys a range of conceptual image - based practices since the 1960s through the lens of the stock photograph, an under - researched yet pervasive aspect of our visual culture.

Moore's «Loving the Alien» episode formed the initial part of a four - way discussion, bringing together three artists who share a use and poetic interrogation of the found image, ranging from conceptual practices of the 1970s to more Web - informed emerging methodologies.

Since the early 1970s his work bridged the gap between conceptual art and documentary practices, focusing on economic and social themes ranging from family life, work and unemployment, to schooling and the military industrial complex.

Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text.

This year, there are a number of standouts, 13 are noted here, including conceptual artist Willie Cole; John Cox of Nassau, who is presenting a series created with inner tubes; Yooah Park, whose practice explores a range of mediums; Jin Joo Chae, who is showing a series of mixed - media works on North Korean newspapers; and Brooklyn - based Jeffrey Gibson is showing a trio of his embellished Everlast boxing bags.

Bernar Venet (b. 1941, Alpes - de-Haute-Provence, France), known for his groundbreaking sculpture works, has explored a range of disciplines over his five - decade conceptual practice, including sculpture, painting, photography, language and drawing.

We welcome a wide range of photo - and image - based approaches, including documentary photography, conceptual photography, video art, video installation, social practice, archival or aggregated projects, interactive and emerging media (including virtual and augmented reality), and information art (using photography and / or associated data).

Intended as a major genealogy of the rise of a still - powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities.

The essays documented a range of Vancouver cultural practices, including the emergence of artist - run centres, experimental performance and video, feminist activity, collaboration, sculpture, painting, art criticism, conceptual art and landscape, as well as critical reflections on perceptions of aboriginal cultures.