Bale is
the rare kind of film star who doesn't need a lot of dialogue to create a fully dimensional, flawed but human man on his own course to discovery.
Not exact matches
Even with a genre
film like CREEP, his work has a
kind of authenticity that's
rare.
Like some
film got an amazing opening weekend as big as 100 Millions but then the next week it dropped to 35 millions, which is 65 % dropped rate... that
kind of drop rate is very
rare in the Hollywood
films industry.
A lucrative blockbuster winning over genre enthusiasts and thoughtful moviegoers alike, as well as being the
rare sci - fi
film to earn an Academy Award nomination for Best Picture, District 9 is exactly the
kind of thing that sets someone up for the sophomore jinx.
That said, a
film this well - constructed, superbly acted, and thoughtfully humanistic is
rare; it's the
kind of movie many people say can't get made any more.
In an era when moviegoers are increasingly content to view
films in multiplexes or on their computers or smartphones, this is a
rare chance to see a collection
of epic visions in the most sensorially overwhelming manner possible — the
kind of cinematic experience that can make someone fall in love with the cinema all over again.
by Walter Chaw Joe Cornish's low - budget creature - feature Attack the Block is a charmer, a delight, the
kind of rare film — like Jack Sholder's The Hidden, Stuart Gordon's Re-Animator, or Steve De Jarnatt's Miracle Mile — that devotees will latch onto, and for good reason, with the fervour afforded genuine cult classics.
Even if you don't think it's the best
film of last year, it dominated Top Ten lists and critics groups awards and it offered a different and daring
kind of cinematic experience, something
rare enough in American popular cinema.
Indeed, it's
rare to find a genre
film with this
kind of social conscience, something driven home by the two days at the height
of summer when London lost its mind (here's the piece I wrote at the time).
«The
rare kind of propulsive action
film where everything is meant to feel appropriately desperate and harrowing» — AP
It's the
rare movie
of his that
kind of gets bogged down later in the
film as it tries to explain all plot devices that are set up at the beginning.
That
film also was notable for a
rare instrumental score by Paul McCartney but mostly for the
kind of quiet truths that On Chesil Beach also is not afraid to confront.
Whether fictional or based in reality, it's
rare for a year to pass without some
kind of film about filmmaking, from classics like «Sunset Boulevard» and «Mulholland Drive» to, uh, not - classics like «Hitchcock.»
Later Lynch would say, on one
of the
rare occasions he'd even discuss the
film, «[it] was a
kind of studio
film.
On
rare occasions, we'll approve the use
of a certain clip for an educational documentary
film or another nonprofit organization's needs, but we typically don't grant this
kind of permission, as we then have no control over the output and the context the clips are used in.