A sphere made of colored strips of fabric torn from a plethora of unraveled paintings, The Painting Ball performs the undoing of painting in its traditional form to mark a tabula
rasa moment that inscribes Saban's project firmly into the canonical narrative of painting's many deaths and resurrections.
The Unswept Floors series offers actual environments upon or across which one moves and interacts, while the works in Tabula
Rasa both engage and confront the viewer in private
moments of contemplation.