Sentences with phrase «rather emotional day»
Today is a rather emotional day for me.
http://www.greatmathsteachingideas.com/ Not exact matches
There was one very emotional scene for Frances that made me pull Martin aside and tell him I thought it needed to happen at dusk rather than any other time of day.
Is it good for the emotional and social growth of adolescents to be unsupervised all day, receiving instruction on a computer rather than with their peers?
Rather than adopting emotional cues from the market, wise investors cast a skeptical eye toward the big news stories of the day because acting on them often leads to disappointment.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
Giving some delusional nutbag like Monckton or Plimer the time of day seems a dreadful misuse of the emotional and intellectual energies of rational, intelligent and informed people, who really ought to be out there making sure we get policy right rather than doing media stunts.
As one financial analyst put it the other day, the stock market no longer reflects actual value fluctuations in stock, but rather the emotional swings of the stock owners to every piece of news, related or not.
Resources Mentioned in the Episode Terry Hargrave Contextual Family Therapy Ivan Nagy - Boszormenyi Jay Haley Carl Whitaker Restoration Therapy Training Marriage Strong with Sharon Hargrave 5 Days to a New Marriage The Hideaway Experience Dan Siegel John Gottman, couples, and emotional regulation Brent Atkinson on the importance of repetitive practice rather than relying simply on insight and understanding in therapy.
When thinking about your own level of emotional connection with your partner / spouse, it's best to assess how close you feel in general to him / her (rather than focusing on a particular day or moment).