So tell me, where are you now as far as your anticipation, your excitement, for the whole thing, and to go fully into character
rather than these cameos that you've done?
Not exact matches
There are also a few
cameos from Nick's friends — Ray Winstone (who starred in the video for «Jubilee Street»), Kylie Minogue and Blixa Bargeld (longtime guitarist for the Bad Seeds) explaining why he left the group in 2003 after 20 years with the band — who appear as hallucinations in the passenger seat of his car,
rather than through a standard interview segment.
The celebrity
cameos from Duck Dynasty members Willie and Korie Robertson and the Newsboys are low key object lessons in defusing conflict
rather than escalating it.
Thankfully, the trailer also suggests that Amalric actually has a role to play
rather than simply an extended
cameo.
Interesting, too, is the inescapable idea that the only genuinely convincing relationships in the film are homosexual, and that the picture could be read with profit as an escalating evolution of father relationships from low to positively Christian (mad steward Denethor and son Faramir, Frodo and Gollum, Gandalf and the hobbits, Aragorn and mankind)-- but part and parcel with the oft - fascinating subtext and beautiful images is a parade of useless
cameos (please, enough Cate Blanchett), de rigueur expository flashbacks, and the squandering of opportunities to locate the genuine interest in unlikely epic heroes (women and, essentially, children),
rather than just pay lip service to them.
Slightly jarring is the amount of almost
cameo like appearances by the likes of Owen Wilson, Bill Murray et al, who while charming and non-invasive don't have time to sell you on the role they play
rather than the fact that they're there.
The
cameos come thick and fast (Vogue ice queen Anna Wintour has a speaking part; actress - singer Ariana Grande appears in an orgy scene) and they mostly add to the film's story
rather than making it feel like a string of SNL sketches.
Similarly, in an especially clever touch, Akhtar trots out the old Bollywood cliché of a surprise superstar
cameo in a way that actually serves,
rather than distracts from, the plot.
Also, these trailers still haven't included any reference to Spider - Man yet (which might be for the best, since his rumored plot - line sounds like something I'd
rather not watch for longer
than the length of a typical
cameo).
Nicole Kidman appears in a
rather striking reminder of her talent in a supporting
cameo that unfortunately was probably unnecessary and only serves to pad the film
rather than enhance it.
The girth of celebrity
cameos comes off as hedged in
rather than organic and functions as little more
than «movie stars of today playing fictitious movie stars of the past».
There's even a footballer
cameo — although it's David Beckham
rather than Vinnie Jones this time.
Luckily these
cameos add to the formula
rather than distract.
While subtlety wasn't expected, the never ending mugging at the camera, poorly scripted references to varied cultural phenomenon of that time (photography, burking, mob protection), and stream of celebrity
cameos (Bill Bailey, Ronnie Corbett) gives the impression that Landis was more concerned in operating the cinematic equivalent of a «shock and awe» campaign,
rather than making a solid piece of genre entertainment.
The film also features a plethora of
cameo appearances by celebrities Neil deGrasse Tyson, Anderson Cooper, Brooke Baldwin, Soledad O'Brien, Nancy Grace and Dana Bash who merely distract from
rather than advance the plot.
The highs and lows of their campaign are interspersed by commiseratory teas at Simpsons on The Strand over «indifferent fruit cake»
rather than celebratory champagne and with a
cameo performance by Lady Hale, playing Crystal MacMillan, activist and one of the founders of the Women's International League for Peace and Freedom.