Sentences with phrase «raw canvas while»

Not exact matches

He increased the width of the intervening raw canvas strips in later works (Rose, 1961) while smoothing out the edges of the color bands.

While collage is an integral part of both artists» work, they use it in different ways: Nelson controls the composition of her paintings by erecting physical boundaries on the canvas with gauze soaked in glue while Gueorguieva uses various means to push and move the colour as it gets absorbed by the raw caWhile collage is an integral part of both artists» work, they use it in different ways: Nelson controls the composition of her paintings by erecting physical boundaries on the canvas with gauze soaked in glue while Gueorguieva uses various means to push and move the colour as it gets absorbed by the raw cawhile Gueorguieva uses various means to push and move the colour as it gets absorbed by the raw canvas.

In Slow Storm (2017), grey circular strokes spiral, tornado - like, in the canvas's upper right corner, grabbing paint from earlier layers while dripping onto patches of raw canvas.

In this series named Lignes - Report, the raw linen canvas is coated with black acrylic paint, folded in half, then a screwdriver is used to draw parallel lines while the material is still wet.

The playful yet dark «portraits» pull together found objects and fragmented images while the «abstractions» are composed using raw paper and fabric, cut, torn and reconnected with metal, canvas and wood.

The Abstract Expressionist, Jackson Pollock, is most well - known for his large - scale «all - over» paintings that he painted by laying raw canvases on the floor and pouring house paint directly from cans or dripping it from sticks while engaged in almost dance - like rhythmical movement around the canvas.

Landon Metz's loosely geometric shapes, which are dyed onto raw canvas («Untitled,» 2013), emanate a laid - back monumentality, while the hand - woven cotton canvas beside it by his studio mate, Ethan Cook, also untitled and from 2013, uses pale colors to build a quiet tension between two funky, tripartite rectangles.

Leaving her brush strokes visible, the edges of her canvases raw and allowing paint to drip down the sides of her works while showing glimpses of underpainting, Murray emphasized her paintings as hand - built and hand - painted, reminding the viewer of the physicality of her process and the importance of the formal aspects of painting.

In 1968, as a means to escape these limitations, Griffa relinquished the stretcher by laying the raw canvas on the floor so as to effectively absorb the applied color while yielding direct contact between body and surface.