Sentences with phrase «raw modern galleries»
Do I want to climb into the warm wooden embrace of the Oceanic galleries upstairs, or wind through the raw modern galleries on the main floor?
https://www.mysanantonio.com/ Not exact matches
Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).
-- The Rose Art Museum at Brandeis University presents Pretty Raw: After and Around Helen Frankenthaler, a groundbreaking exhibition that reconsiders the history of modern art and its renewed meaning for contemporary artists, February 11 — June 7, 2015, in the Foster Gallery.
The 2014 Independent Vision Curatorial Award Nominating Committee includes: Zdenka Badovinac: Director, Moderna galerija, Ljubljana (Slovenia); Iwona Blazwick: Director, Whitechapel Gallery (UK); Zoe Butt; Executive Director and Curator, Sàn Art (Vietnam); Rosina Cazali: Independent Curator (Guatemala); Reem Fadda: Associate Curator, Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation (UAE); Gridthiya Gaweewong; Artistic Director, Jim Thompson Art Center (Thailand); Abdellah Karroum: Founding Artistic Director of L'appartement 22 (Qatar); Koyo Kouoh: Artistic Director, Raw Material Company (Senegal); Michy Marxuach: Co-director of Beta - Local (Puerto Rico); Riason Naidoo: Independent Curator (South Africa); Valerie Cassel Oliver: Senior Curator, Contemporary Arts Museum Houston (US); José Roca: Estrellita B. Brodsky Adjunct Curator of Latin American Art, Tate Modern, London, and Artistic Director of FLORA, Bogotá, Colombia; Claire Tancons: Curator (US); Philip Tinari: Director, Ullens Center for Contemporary Art (China).
2014 Metanoia: Practices of Exhaustion, Grace Exhibition Space, Brooklyn, NY, U.S. Art, Art, Art: The Modern Woman, Raw Space, New York, NY, U.S. Hinterlands: Nuevos Paisajes, Centro de la Imagen, Santo Domingo, D.R. 2013 Immigrant too, NoMAA Gallery, New York, NY, U.S. Premio Joven de la Imagen, Centro de la Imagen, Santo Domingo, D.R. ttff / 13 + ARC Magazine New Media 2013, part of the Trinity & Tobago Film Festival 2013, Trinidad y Tobago.
2012 Art is Study Pratt Institute, US 2011 Structural Interventions The Collective, Miami 2011 Carrack Modern, NC 2010 FreeStyle Archityper 2 Raw Space Gallery, New York 2009 B - Lines b - Boy Drawings and Sculpture Fifty8 Gallery, New Jersey 2009 Reflections on Stylewriting Longwood Art Gallery, New York 2008 FreeStyle Archityper Brighton University of Art, England (Residency)
The Seven Deadly Sins from Dürer to Nauman, Kustmuseum Bern and the Zentrum Paul Klee, Bern, Switzerland 2010 GSK Contemporary — Aware: Art Fashion Identity, Royal Academy, London, England 2010 Raw, 242nd Summer Exhibition, Royal Academy, London, England 2010 Lust and Vice: The 7 Deadly Sins from Dürer to Nauman, Art Museum of Bern, Switzerland 2010 Aware: Art Fashion Identity, Royal Academy of Arts, London, England 2010 21st Century: Art in the First Decade, Queensland Art Gallery, Brisbane, Australia 2010 The House of Fairy Tales, Harris Museum and Art Gallery, Preston, England 2010 Huckleberry Finn, CCA Wattis, San Francisco, California, USA 2010 Spanish Muse: A Contemporary Response, Meadows Museum, Southern Methodist University, Dallas, Texas, USA 2010 Eye of the Pacific Rim, Gyeonggi Museum of Modern Art, Ansan City, Korea 2010 Foundation of Art: Sculpture and its Base since Rodin, ARP Museum, Bonn, Germany 2010 Summer Exhibition, Royal Academy, London, England 2010 Who Knows Tomorrow, Friedrichswerder Church, Berlin, Germany 2010 Until Now: Collecting the Contemporary (1960 - 2010), Minneapolis Institute of Arts, Minneapolis, USA 2010 Size DOES Matter, The FLAG Art Foundation, New York, USA 2010 Contemplating the Void, Guggenheim Museum, New York, USA 2010 Pattern I.D., Akron Art Museum, Akron, Ohio, USA 2010 Nothing is Forever, South London Gallery, London, England 2010 Performance / Art, Dallas Center for the Performing Arts, Dallas, USA 2010 DaDaFest International, Liverpool, England
Tags: Arab Museum of Modern Art, Art Recommendations, Art Week Cape Town, B.P.S. 22 space for contemporary creation, Biennale Bénin, Bruno Boudjelal, Galerie Nicolas Deman, Goodman Gallery, Ingrid Baars, Jack Bell Gallery, Joel Andrianomearisoa, Musée Nicéphore Niépce, no comment, Pascale Marthine Tayou, Pierrot Men, Raw Material Company, Roger Ballen, ROSPHOTO, San Francisco Museum of Modern Art, SCAD Museum of Art, Stedejlijk Museum Bureau Amsterdam, Stevenson Gallery, Susanne Vielmetter Los Angeles Projects, TATE Modern, The Museum of Contemporary Art of Rome, Wangechi Mutu, William Kentridge, Yinka Shonibare MBE
Her work has been featured in numerous group exhibitions including: An Irruption of the Rainbow, Los Angeles County Museum of Art, Los Angeles, CA (2016); Wall to Wall, MOCA Cleveland, Cleveland, OH (2016); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Waltham, MA (2015); Three Graces, Everson Museum of Art, Syracuse, NY (2015); Pathmakers: Women in Art, Craft and Design, Midcentury and Today, Museum of Art and Design, New York (2015); AMERICANA: Formalizing Craft, Perez Art Museum Miami, Miami, FL (2013); Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York, (2012); Lines, Grids, Stains, and Words (2008), Comic Abstraction (2007), and Sense and Sensibility: Women and Minimalism in the 90's (1994) all at the Museum of Modern Art, New York; Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, (2005); As Painting: Division and Displacement, Wexner Center for the Arts, Columbus, OH, (2002); Operativo, Museo Rufino Tamayo, Mexico City, (2001).
Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).