Sentences with phrase «raw paint pigment»

Not exact matches

Its rigid compositional attempt to define a rational space is undermined by the floating figures and particularly by the raw application of paint, which sits on the surface of the canvas and reminds us of its autonomous nature as scraped pigment.

In my persistence to use raw materials historically used in academic painting, to contrast modern paint with pigment — a kind of fanatical review on contemporary painting transpires, setting a stage for the current Miscommunication Paintings.

Using turpentine to dilute oil paints, Frankenthaler would then pour the thinned pigments to an unprimed and unstretched raw canvas.

An early and influential pioneer of Color Field painting, Louis gained renown for his innovative method of staining raw canvases with washes of pigment to create vibrant, large - scale works.

This exhibition sees Williams engage with large scale painting and ceramic forms, incorporating gold leaf and sand, alongside raw pigment and oil paint, to produce affect in his experimental, and textural works.

Using a combination of raw pigment, oil, acrylic, enamel, and spray paint, Lewis makes aggressive impasto paintings on large cardboard substrates, elevating the utilitarian material through his artistic interventions.

Kinder's drawings / paintings - there are elements of both mediums in each work - employ raw pigment, acrylic, pencil and crayon to express the radiant vitality of the natural forces that inspire him.

Born in Mexico City in 1970, Bosco Sodi is known for his richly textured, highly physical and vividly coloured large - scale paintings, made from crude raw materials, pigments and sawdust, plastered on to canvases with his hands and left to dry and crack in the sun.

Made at an enclosed beach set below white chalk cliffs, near Eastbourne, Warboys created the painting by casting and rubbing pigment onto swathes of raw canvas that are submerged and pulled from the sea.

Frankenthaler first began staining thin, luminous paint into raw canvas in the early 1950s, adopting Jackson Pollock's technique of all - over poured pigment but without the gestural drawing marks.

What at first appear to be painted modernist abstractions are in fact assemblages of canvas cutouts — some raw, other coated with pigment — that she has meticulously stitched together.

Except for one that was left in its raw state, he painted all the others with different patterns and pigments.

Hrbacek writes: «Knutsson's hues are emphatically mixed; they are not comprised of raw paint taken straight from the tube in undiluted pigments.

Applying pigments to his canvases using a palette knife, he began to saturate his paintings with expressive swathes of luminous color achieved through wide, rhythmical brushstrokes, which he then contrasted with raw, but graceful, lines that pulsated with emotion — a practice that he would continue to pursue for the remainder of his career.

Switching to a plastic spray bottle, he showers pigment onto paintings that have been propped against the walls like raw icons, or piled haphazardly on top of others as though they were collapsed pediments of a weathered wat (monastery - temple) in a sub-Mekong landscape.

But just as important was the physicality and materiality of the paintings, resulting from his preference for using sackcloth and raw jute with a very open weave for his supports and raw pigment, soil and ash as his medium.

Using a restricted palette, Yun applied layers of pigment to raw canvas in vertical or horizontal bands interspersed with blank space; working on his studio floor, he diluted the paint with turpentine so that it would gradually bleed into the support.

-- Howard Kunstler, author of The Long Emergency and The Geography of Nowhere «This informative and lavishly illustrated volume, with its step - by - step demonstrations, personal histories, and interviews, provides readers with privileged access to the distinct philosophies and painting practices of artists, illuminating their alchemical transformations of raw materials — of charcoal and pigments and oils — into unique and inspiring expressions ofhuman values.»

Consequently de Ville has also stated that although the History Paintings are quite conceptually driven, they are also designed to show that different pigments «all have their own nuanced identities», evidencing an interest in «the raw essentials of painting», which he sees as characteristic of Lalic's practice (Nicholas de Ville, «Maria Lalic: Recent Paintings», in Todd Gallery 1995, p. 9).

Territories of wall are marked with raw, bold pigments in a style reminiscent of Color Field paintings, demarcated by the steel bars that at once incarcerate and expose space.

In the earlier series, Louis utilized primed canvases, making the support not as absorbent to the poured on pigments; in the 1958 — 1959 Veils he has transitioned to raw canvas, allowing the paint to seep fully into the grain of the material.

We pass from room to room: first, Me, Jesus and the Children, a monumental trompe l'oeil spray painting of Dan's chest, a Jesus piece, and cartoon cherub psychopomps who crash the viewer into its solid plastic face; then, Whatever, a 5» x 6» scene extracted from Pinocchio, where an extinguished candle lights a room; two walls of Confetti, the Moments Like These Never Last series, as varied in aura as they are in approach and technique; four walls of indomitable Trash paintings; four more of his Miracle works, oil medium and raw pigment powder conjurations so boundless they literally escape their backings.

She was interested in neither the former's existential angst nor the latter's use of absorbed color pigments on raw canvas (she paints on primed canvases).