Defacement again came into productive play with Wool's Untitled (2007), spray - painted on linen and rubbed
raw with turpentine, and Guston's North (1961 — 2), which used a similar method of scribbles of black paint bleeding into a white ground to produce dense passages of grey.
Not exact matches
Where Pollock had used enamel that rested on
raw canvas like skin, Ms. Frankenthaler poured
turpentine - thinned paint in watery washes onto the
raw canvas so that it soaked into the fabric weave, becoming one
with it.
The city's first major exhibition of Frankenthaler's work in more than five decades, the exhibition explores her return to gestural improvisation after years spent developing her «soak - stain» technique (soaking her
raw canvas
with turpentine - thinned paint).
She applied this to the processes of art - making: Frankenthaler defied rules about painting as well as printmaking, most consequentially when she thinned her paint
with turpentine and poured it directly onto
raw canvas, in a manner that radically redirected so - called Color Field abstraction.
Using a restricted palette, Yun applied layers of pigment to
raw canvas in vertical or horizontal bands interspersed
with blank space; working on his studio floor, he diluted the paint
with turpentine so that it would gradually bleed into the support.
She developed her famous «soak stain'technique, in which she applied paint thinned out
with turpentine directly to
raw, unprimed canvas.