In the early eighties, Richard Prince started to
re-photograph magazine ads featuring the Marlboro Man; since then, he's given biker chicks, Borscht Belt jokes, celebrity autographs, and pulp - fiction nurses the legitimizing stamp of «appropriation art.»
Not exact matches
Prince first attracted attention in the early 1980s with images
re-photographed from
magazine ads, through which he defined for himself the concepts of authorship, ownership, and aura.
It's a brilliant example of the illustrated joke paintings that astonished the art world when they were first exhibited and marked the artist's triumphant return to painting after devoting himself solely to
magazine ads that he
re-photographed in the 1980's.