Sentences with phrase «reach objects at»

This more sensitive survey will reach objects at least 10 times fainter than the all - sky survey.

Not exact matches

At its closest approach to Jupiter during each flyby, the robot briefly becomes the fastest human - made object in the solar system, reaching speeds of about 130,000 mph.

Jesus Christ, is and it will be forever more the unique object lesson of living, the human being not ever, although we may be Christians we don't leave of to sin, for the very her writing she says Aerquémonos confiadamente at the throne of your handsomeness in order to reach forgiving in order to the perpetual help, in as much as not tenemos one God which not it can feel pity for of we, rather one which fué tempting all over, but without sin, according to the letter at the age of Hebrews, and the apostle John she says, whether various hubiere sin, solicitor tenemos in order to with the parent to Jesus Christ the that's right, not ever not any human being it will be the best object lesson not other than The Christ Jesus, nor Buddah bo Mahoma nor none, we don't follow to humanity rather at a God which fué tempting all over but without sin, not ever we owe put her scope in the humanity not other than in the.

At this developmental age, babies begin reaching for food and other objects, and placing them in their mouths.

By 3 months, he or she may start to reach for and swipe at objects — the beginning of hand — eye coordination.

By 3 months, he or she may start to reach for and swipe at objects — the beginning of hand - eye coordination.

Many of the hazards and risks that we tackled when babyproofing for twin boys at home are now within easy reach: unsecured furniture, toilets, sharp objects, drinks, places to fall.

At this stage, your baby may also begin to look at her hand as you move objects in front of her; this is known as «regarding» and it is often pre-emptive of reaching out and grabbing thingAt this stage, your baby may also begin to look at her hand as you move objects in front of her; this is known as «regarding» and it is often pre-emptive of reaching out and grabbing thingat her hand as you move objects in front of her; this is known as «regarding» and it is often pre-emptive of reaching out and grabbing things.

Hand - eye coordination is improving, so watch as your little one stares for a while at an object, then slowly reaches out to get it.

At 3 months old, he'll start to reach for objects nearby.

For example, at about 4 months old, babies begin to reach for and grasp objects, like a rattle.

At this age, you can expect him to imitate speech sounds, reach for objects, roll over, and sit without support.

(In addition to smiling back at you by 2 to 3 months, your baby should respond to his name by 7 months, babble by 6 to 9 months, and point to out - of - reach objects by 12 to 14 months.)

Give opportunities to crawl over different surfaces, reach for objects around her, or even begin pulling up to stand at park benches or playground equipment.

Once babies can reach out and grab objects and start having contact with more people, they can be at increased risk for contagious illnesses, especially if they're in childcare or have older siblings.

In 10 - 12 months of age, your little one will probably be cruising (shuffled walking) across the room with support from an adult or the furniture, finding mobile ways to reach desired objects across the room, pointing at specific objects and people, using their thumb and fingers to pick up small objects, and physically and visually exploring their toys!

The hanging toys will push your child to work on their fine motor skills as they try to reach and grab at the various objects hanging in the play mat For very active toddlers, a parent has the choice of using ball pit play mode which will keep your child entertained and playing.

Encourage the development of hand - eye coordination by letting your infant reach for favorite toys while sitting in your lap or by letting your baby swipe at colorful objects hanging from an infant gym.

Anticipated but never before seen, the existence of tens of thousands of these dark objects at the galactic center could have far - reaching implications for astrophysics

«It shows that people at this time in Europe had reached a stage in development of the brain which enabled objects to be symbolised and abstracted,» she says.

«I try to imagine how it would be to stand on the surface of this icy object — small enough that a fast sports car could reach escape velocity and drive off into space — and stare up at a 20 - kilometre wide ring system 1000 times closer than the Moon.»

Yet because the how pathway is intact, you would still «see» in the sense of being able to reach out for objects, to dodge missiles hurled at you or to avoid obstacles.

By studying far - flung galaxy clusters, astronomers are able to look back in time at the state of those objects millions or even billions of years ago, when the light just now reaching us was emitted.

However, in the second study, led by Felix Warneken, also at the Max Planck Institute, three young chimpanzees helped their human minder reach for objects even without any hope of reward — just like human children as young as 18 months old.

As it turns out, when objects are extremely close together, heat flows not just as electromagnetic waves, but as evanescent waves — exponentially decaying waves that have little effect at the macroscale, as they typically die away before reaching another object.

My research indicates that the Siberian peat moss, Arctic tundra, and methal hydrates (frozen methane at the bottom of the ocean) all have an excellent chance of melting and releasing their stored co2.Recent methane concentration figures also hit the news last week, and methane has increased after a long time being steady.The forests of north america are drying out and are very susceptible to massive insect infestations and wildfires, and the massive die offs - 25 % of total forests, have begun.And, the most recent stories on the Amazon forecast that with the change in rainfall patterns one third of the Amazon will dry and turn to grassland, thereby creating a domino cascade effect for the rest of the Amazon.With co2 levels risng faster now that the oceans have reached carrying capacity, the oceans having become also more acidic, and the looming threat of a North Atlanic current shutdown (note the recent terrible news on salinity upwelling levels off Greenland,) and the change in cold water upwellings, leading to far less biomass for the fish to feed upon, all lead to the conclusion we may not have to worry about NASA completing its inventory of near earth objects greater than 140 meters across by 2026 (Recent Benjamin Dean astronomy lecture here in San Francisco).

She clawed at herself, screamed, and threw whatever object she could reach.

He was fascinated at how these objects had passed from hand to hand to reach his.

Babies and especially small children will reach, grab, pull, and slap at objects within their reach.

Must be able to lift at least 50 pounds; push and pull heavy objects; bend, twist, reach; perform strenuous physical activities including frequent walking and running, standing, bending and stooping.

The object is to compile a database of measurements on mature members of the breed, both male and female, and their offspring when they reach maturity at 2 years of age.

This author had one dog who until the day he died at ten would chew certain objects if left in his area of reach — like remote controls.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

Even with a weighty title update (that currently takes between 2 - 5 minutes), I've gotten stuck inside several scenery objects, witnessed friendly AI breaking down, seen plenty of floating rifles and suffered a crash so serious that I had to turn the Wii U off at at the wall... before reaching 18 % completion.

However shortly into the level you find a pistol named Risky's Pistol which enables our hero to shoot at objects and enemies in other places where her hair whip can't reach.

You can toss Cappy at enemies, use it as a platform to reach new heights and even use it to take control of (or «cap - ture») other enemies and objects throughout the world.

Just as in previous games, there are plenty of special abilities, and new characters added to the roster present new powers, such as firing rockets, commanding other units to attack specific targets, or throwing a lightsaber at out of reach objects.

Those of you who have played indie darling Limbo will be right at home here as it acts in a similar manner — the controlled character can push and pull certain objects to reach new areas and can only pick up one item at a time.

Yet arrived at is not simply an object - a painting - but an encounter: with memory, desire, emotion; something within grasp yet just out of reach.

Asked about scale Halvorson notes that «with this new body of paintings, the different surfaces of various objects that I am painting are pretty much always at an arm's length away; I mean I could reach out and touch them if I wanted to.

Counterintuitively perhaps, both Elisabeth Kley and Will Corwin reach back into antiquity in order to represent the body as a hybridised entity: Kley's cinerary urns and sigils look at the figure in reverse — anthropomorphising the object, while Corwin reassembles the body from found objects and architectural details.

Made by «braiding» or «interlocking» basically three industrial found objects — an I - beam found at a demolition site, a working red - lighted lamppost, and huge anchor chains (each a foot long)-- the work is perceived as a giant cobra snake, uncoiling and dancing, its red head reaching above the garden walls.

Yet arrived at is not simply an object — a painting — but an encounter: with memory, desire, emotion; something within grasp yet just out of reach.

-LSB-...]... To allow ourselves to be inhabited by what left our field, perhaps our visual field; around us, in the hole inside us, we learn the fullness of other dimensions of existence...... The spaces left empty are the place of the most intense energy, emanations, auras, tensions, thoughts and the fascinations of the human presence... -LSB-...] The drawn objects serve as a backdrop for creating states of mind, from which the attempt at concentration, at falling inside, at finding the rhythm, the exhaustion through rhythm and the reaching of a conclusion which is a static stage before a new beginning.»

Just as the spectator introduces a sense of animation with his reflection and interrupts the stillness of the image, he or she gets the impression that objects on a shelf are at their very fingertips — all they seemingly need to do is reach out.

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

Recognition of the objects refined to the state of cliché and executed at the highest technological level is reached through analysis and reconsideration of the past epochs» of art history, from early Abstraction (Otto Freundlich) to American minimalism and expressionism of the 1950 - 1960s (Barnett Newman, Kenneth Noland, Jackson Pollock), and from shrilly monochromes by Yves Klein to ready - made objects by Marcel Duchamp.

Except for: — Your claims that bidirectional EM violates the 2nd law of thermodynamics; — Your sentient detector that received no energy from the object it is pointed at but radiates energy according to the temperature it is point at allowing you to see beyond the edge of the observable universe (Still awaiting the Nobel prize for that one no doubt); — Your perfectly radiating blackbody that does not radiate according to its temperature; — Your claims EM energy interferes which prevents energy from a colder body reaching a warmer one — a concept which would mean it would be impossible to see your reflection in a mirror.

If an area of space is 10K and an object suddenly enters it at 4K, eventually the 4k object will reach 10K, supposing the absence of other radiative sources.

If a chair is brough in from the cold into a room at 25C then placed in the centre, at least 5 2 metres from any other object, that chair will reach the equilibrium of the atmosphere, not the radiation from other objects, as those objects are already thermalised with theh atmosphere and aren't giving off much radiation.