Sentences with phrase «read by an audience»

In this step, you'll craft your information in a way that can be read by your audience.

Q had blogged before — a personal blog that was read by an audience of two: her mom and her sister.

This desire to be read by the audience harkens back to the dialogical nature of the smart cycle, which Perkins has shown is always part of a larger conversation between the filmmaker and social culture.

Blogs are publications, 2 which means they are meant to be read by an audience of people who return at least occasionally to read more.

Not exact matches

By doing this, the hope is that audiences will end up at your site after reading an article you've commented on.

In Newsjacking, marketing and PR expert and bestselling author David Meerman Scott offers a quick and punchy read that prepares you to launch your business ahead of the competition and attract the attention of highly - engaged audiences by taking advantage of breaking news.

I learnt this eventually, in the course of general reading, from a book, «Influence», aimed at a popular audience, by a distinguished psychology professor, Robert Cialdini... I immediately sent copies of Cialdini's book to all my children.

Of course I wouldn't write «by Joe», but if this writing was to first be heard by a group instead of read (as some scholars have suggested), I might try to bring my audience to attention right off the bat with a mention of the one who just passed who was an important founder of the organization I'm addressing: «Joe, blah blah blah...»

But I also suspect that the theological and ideological divisions are so deep that these prescriptions will be read in different ways by different audiences, reinforcing the conflicts Wuthnow thinks they will ease.

The audience is bombarded by sound, lights and fragments of poetry and other readings.

Although these essays were written over a span of time and for different audiences, they are held together by K.Cs deep and passionate concern for justice, peace and the integrity of creation, This is a book that should be read and studied by churches, grassroots people, policy makers, theologians and others who are seeking to create a world that is safe for all.

Lastman counsels the reader (the main target audience is those who have had, or been affected by, an abortion) to hang on in there: the first few chapters are a tough read, but soon enough the consoling words will come through.

Book Publishing Instructions is primarily written for people who want to self - publish their book, but even if you are pursuing traditional publishing with an established publishing company, this book will provide valuable insight and resources for helping you prepare your manuscript and build your reading audience so that you have a better chance of getting your book picked up by a publisher.

- All we know is that Jesus knew this scripture inside out and given his audience he was referring to the scrolls read by the Jews.

Like a blog, this house records a person's thoughts, whether those thoughts are directed toward the author or toward the audience; as on a blog, the recorded thoughts are available for anyone to read who happens to pass by.

The Chinese created their own moves and lifts by reading the rule books, and the first Chinese pair to perform outside the country was laughed at by audiences in Germany.

I've made some new friends (and maybe a few enemies) along the way, and had my thoughts on soccer (or football, depending on your level of xenophobia) read by a much larger audience than I ever could have imagined.

We are still reading Parenting from the Inside Out by Daniel Siegel MD for the general audience and for those with children under the school - age years.

We are now reading Siblings Without Rivalry by Adele Faber and Elaine Mazlish for the general audience.

For our audience that would like to focus on the younger or general audience book club, you'll enjoy reading Parenting from the Inside Out by Daniel Siegel.

You can also conduct research by doing a general search for mom bloggers and reading through several until you find the right audience for your brand.

11 am: Doors open to Subscribers, FlexPass holders, and Community Members Ongoing: Self - guided backstage tours, Costume Corner, Scavenger Hunt 11:30 am: Props Activity: Build your own Rabbit Session # 1 (paint shop) 11:45 am: Cutting of the 30th Birthday cake 12 pm: Doors open to the general public 12 pm: 2012 - 2013 Season Talk with Managing Director Michael Maso 12:30 pm: Props Activity: Build your own Rabbit Session # 2 (paint shop) 1 pm: Audience - participatory reading of a 10 - minute play: The Pickup by HPF Lawrence Goodman (onstage) 1:30 pm: Shop Talk: Costumes, The Art of the Quick Change with Costume Director Nancy Brennan (onstage) 1:30 pm: Props Activity: Build your own Rabbit Session # 3 (paint shop) 2 pm: Audience - participatory reading of a scene from Our Town (on stage) 2:15 pm: Shop Talk: Paints, Marble Magic & Scenic Painting Technique with Scenic Charge Artists Kristin Krause (paint shop) 2:30 pm: Audience - participatory reading of 10 - minute play: Diamonds by HPF David Valdex - Greenwood (on stage) 2:45 pm: Raffle drawing 3 pm: Open House ends

Their blog was read by maybe 30 people on an average day, but among that tiny audience was a handful of more prominent writers, and the videos of past Sotomayor speeches they unearthed began to climb their way up the media food chain.

«Cambridge Analytica will provide data and data analytics to inform a data - driven fundraising project for [Heritage] among the Trump supporter audience to enable Client to expand its donor base in light of the November 2016 election results,» reads the business agreement filed by Cambridge Analytica with the government of North Carolina this year.

Put out by ITV in a 9 pm prime - time slot, the programme seriously attempted to chart debates about labourism and the role of the parliamentary left - and with an audience of 15 million reached far more people thanhave ever read Ralph Miliband's Parliamentary Socialism.

«We further theorize that the essential difference between collaborative group work and direct instruction is that students learn about the «self as agent and others as (the) audience,»» a hypothesis explored in another paper by Zhang's co-authors, Richard C. Anderson, director of the Center for the Study of Reading, and graduate student Joshua A. Morris, both of the U. of I.

It was far more important to us to have biology professors read our study than anyone else, and so to make that happen, we wanted to put the paper in a place that was likely to be found by our target audience.

Does anyone seriously imagine that horoscopes are read — by the vast majority of their audience — in the same way the financial pages are?

For the vast majority of papers in the scientific literature as a whole (if not in Science) the audience is quite small and tightly focussed: Indeed, many are read from start to finish by no more than 10 people — that's including the authors» colleagues and the referees.

The inaugural Lasker Lecture, «Reading the Human Genome: Genes and Brains,» was delivered by Sydney Brenner to an overflow audience at the Fred Hutchinson Cancer Research Center on November 16, 2009.

Hurricane Katrina: The storm we always feared The poem was written by local attorney Marie A. Bookman and read to the audience by Tommy Myrick The online home of National Geographic Magazine.

Fincher reinstalls the concept of the personal (not to mention the visceral) to the often - depersonalized prose that accompanies media descriptions of serial murder; It is not enough to read or hear that a victim was tortured; Seven grabs the audience by the scruff of the neck, turns its collective face to the murder scene, and unrepentantly compels its members to contemplate what the concept of torture really means.

And I would still stand by it, if only he didn't refuse to run it because I didn't drop the «F» bomb or seek to offend the reading audience (I am assuming).

The sports - themed picture takes no dramatic license (right «down to the costumes») in bringing audiences the true - life tale of sports agent J.B. Bernstein's (played by Job Hamm)... [Read more...]

By doing this Glazer turns the audience into active participants, though, if this was actually his intent, it would only work with native English speakers as Scotsman that understand what's being said or foreign audiences reading subtitles wouldn't have a similar experience.

Today, a special advanced screening of DreamWorks» Trollhunters took place at New York Comic - Con inside Madison Square Garden in front of a 5,600 seat audience, followed by a panel discussion with creator and Read More →

Idiocracy a fun film for those who laugh at, or perhaps lament, the sorry state of our society, where reading is increasingly being deemed by youth culture as passé, popular entertainment has nearly no emphasis on story (Judge portrays films of the future as nothing but shots of bare asses that occasionally fart, which the audience finds consummately entertaining), and people can't speak intelligently without being labeled as uppity snobs.

It's loaded with delightful twists, the main one perhaps guessed by the most prescient members of the audience, though if you read the Welsh novel «Fingersmith,» which features even more detail than the movie, you will of course know the dramatic ending.

«Don't do that to Holden, he deserves a novel,» the professor pleads, not knowing that the story has already been rejected by the publication, on the grounds that it's too «frivolous» for an audience to read during WWII.

by Walter Chaw Tailor - made as a public service announcement for going to the library and reading the classics, The Pagemaster makes up for what it lacks in grace with an admirable and perhaps misplaced faith in its audience.

Though U.S. audiences likely weren't able to appreciate the movie on the same level as native Chinese speakers because of the way that the film plays around with the language, it's still an amusing and wildly madcap spaghetti western that's anchored by a trio of fantastic performances by director / star Wen, Chow Yun - Fat and Ge You, who have such great comedic timing between them that the subtitles often move too quickly to read.

It often takes hearing a screenplay read by actors to see how the characters come to life and to see which scenes play well and which are problematic, as well as to experience live how the structure of the screenplay builds the story or where it doesn't engage the audience.

The disorientation the characters feel is mirrored by the audience, at least the ones that never read the books.

While two of his films have played in Park City previously (though one was a short segment in «V / H / S»), Swanberg and his zeitgeist - defining mumblecore movement (read: indie filmmaking with a cute name and perhaps even lower budgets than audiences were used to at the time), were actually embraced by the SXSW Film Festival and not the indie - defining organizers in Utah.

Freed from restrictions imposed on him by the necessities of a mainstream audience, creator Dan Milano is finally allowed to reveal how embittered he was by his network experiences — the latest (read: second) volume of the new show presents the IFC pilot, «Fur on the Asphalt,» which hilariously recasts the Fox sitcom as a hopelessly compromised, formulaic piece of crap co-starring Clint Howard — and responds by lowering the budget drastically and throwing his felt creations into a new line of work parodying movies.

Similar liberties (although to a lesser extent) were taken by returning director Wes Ball and screenwriter T.S. Nowlin with the «The Maze Runner,» so these omissions aren't show - stoppers for audience members who have read the books (and most certainly not for those who haven't).

Then he extends that notion of how meaning and emotion can be conveyed representationally, by having Jones follow the saga of some hatchlings at his mum's house via letters that the audience has to read; and by lovingly photographing the contours of the vegetables that stand in for women's hacked - up bodies in Jones» foley process.

Today's Must Reads Cleo Journal has an excellent piece by Sara Black McCulloch on audience complicity, cat - fights, and star persona in What Ever Happened to Baby Jane?

The big Audience Award winners are: Burden, a story about a former Klansman being taken in by a Reverend starring Garrett Hedlund & Forest Whitaker, from director Andrew Heckler; The Sentence, a documentary by Rudy Valdez; and Search, the computer screen film (read my review) directed by Aneesh Chaganty.

Other than the announcement that the ending would change, the other changes from this stage to celluloid transition was casting; French Bob (played by Inglourious Basterds» Denis Menochet on the theatre stage) became Mexican Bob (Demian Bichir), James Remar «s part was re-cast with a bonafide movie star (who we won't discuss until after posting our spoiler warning), and Amber Tamblyn «s Daisy was recast with Jennifer Jason Leigh (whom, I will say I spotted in the audience of the live - read talking to Harvey Weinstein and I astutely wrote that she should be in a Tarantino film; hey readers, sometimes armchair casting actually happens!).