Jessica Silverman
samples four strains of work by New Yorker Hugh Scott - Douglas, an
artist whose work can bear a heavy load of theoretical reflection, with little sacrifice of aesthetic impact...
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So what may traditionally
read as a gesture of culture - industry critique in Andy Warhol's Campbell's Soup Cans, 1962, or more recently in Norwegian
artist Matias Faldbakken's Xerox works, is here repackaged as the less subversive activity of postproduction,
sampling or, to hazard an overarching explanation, remixology.