Let me put it another way, some works caused me to stop and look before I attempted to
read the wall text or «didactics,» sometimes because I liked the work, sometimes because I didn't.
Soon you'll be able to
read wall text, zoom into high - res images, and more.
They are free to choose whether to
read wall text or take audio tours, free to follow a recommended trail through an exhibition or choose their own path.
But, it's impossible to know that without
reading the wall text, which also prescribes that we should be nervous about using public Wi - Fi and being watched.
What came through in
reading the wall texts and viewing the art was an essential disquiet among the artists.
If you go into one of the larger, more popular exhibitions in a museum today you are faced with masses of humans
reading wall texts or listening to tape recorded comments about the individual paintings.
Reading the wall text to discover the story required getting close to the storyteller and to the art itself: These personal accounts weren't barked for an audience; instead they felt like confessions between friends.
In its entirety, Chuck Close Photographs shows the «full range of the artist's curiosity and spirit of exploration and innovation,»
reads a wall text in the exhibition.
«Painting is not merely illustration, but real - time communion with ancestors,»
reads a wall text in Everywhen: The Eternal Present in Indigenous Art from Australia a show at the Harvard Art...
Not exact matches
Trying
reading about evolution from an unbiased source before spewing a
wall of
text that essentially proves you don't know what you are talking about.
As I
read Paul's christocentric rationale for the breaking down of the dividing
walls of separation — a basic
text for branding anti-Semitism the heresy it is — I wonder how an orthodox Jew, for example, would regard Paul's insistence that Christ has abolished «in his flesh the law of commandments and ordinances.»
«I have to
read these books,» he says, waving a hand toward a
wall of science and technology
texts in his small, neat office at U.C.S.B.. For him,
reading textbooks is like rehashing what is already known.
It follows this learning journey: - Understanding what dreams are and how they differ for each of us; - Defining the American Dream, The
Wall Street Crash and The Great Depression; - Creating a timeline which visually depicts the other influential events of the time; -
Reading and reflecting on an extract from the
text; - Analysing the links between
texts and contexts, from a success criteria; - Evaluating each others» analytical attempts.
People are more apt to stay on your site and watch videos than they are to
read long
walls of
text.
Lift students» learning beyond the
walls of the classroom with
texts and a blueprint for teaching that create authentic experiences in
reading, thinking, talking, writing, and reflecting to realize what it truly means to live a literate life.
A word
wall is an organized display of vocabulary words drawn from central
texts students are
reading.
First, content areas in each classroom deal with critically
reading texts (broadly defined to include audio, video, and the still image, along with traditional writing), as well as composing such
texts for audiences within and beyond the classroom
walls.
A word
wall is an organized display of vocabulary words drawn from the
texts students are
reading.
@Dan Unstructured
wall of
text that most people can't be bothered to
read, so it doesn't help answering the question.
SYNC can also
read incoming
texts aloud to help the driver keep his or her eyes on the road, and allows the use of Ford - approved apps like The
Wall Street Journal news and Pandora radio.
Visitors met with a
wall of unending
text are NOT going to
read it — no matter how intriguing or interesting the topic.
If you prefer graphic novels over classic literature — or if
reading walls of
text on the iPad's LCD screen strains your eyes — the iPad still makes a great dedicated reader.
They
read the comments section, see your
wall of
text and wonder, what is with that guy?
Otherwise, you will end up with a
wall of
text that no one wants to
read.
There are not
walls of intimidating
text, there are info graphics broken up by small paragraphs of
text allow you to
read and understand easily.
We know that this looks like a
wall of
text that you probably don't want to
read.
I was
reading through The
Wall Street Journal's Daily Shot column, done by the estimable @SoberLook, and saw the following graph and
text:
So, here I am at the end of this rather long review where I have to try to sum up my feelings about Mass Effect 3 into just a few words so that everyone who can't be arsed
reading a massive
wall of
text, and who can blame you, can simply skip to the end and get the gist of it all.
The full patch notes can be checked out, right here, but if you don't want to comb through the
wall of
text then keep
reading to see what 2.2 has to offer.
This doesn't happen often (only a few times), but when it does, prepare to be hit with a
wall of
text that is at least interesting to
read.
Schad writes: «Camino Real is a 1948 play by Tennessee Williams... and when it comes to entering into a dialogue with the works at Gagosian,
reading the
text can be illuminating... On the set, there is a
wall and a gate that separates the town from what is simply out there - an unknown wasteland, a place where no one ever comes back from, Terra Incognita... I think about Twombly at the end of a long journey, which has taken him to places in the old world and the
texts of our Western culture that I would like to visit.
In contrast, knowing that Rivera condoned Kahlo's female lovers, noted in a
wall text, does not alter the way I
read their paintings.
And the
text presented on the
walls is not meant to be
read sequentially — there is no right place to begin or end.
There are various islands of self - congratulation, little educational («Didaktika») spaces where you can
read bouncing
wall texts about the brilliance of the Guggenheim brand.
Such details undermine Soltis's claim in the catalogue that Sully «allowed» his women to perform — as the
wall text notes, Ridgely would have been expected to master the harp at finishing school — and that «they were free to show up in unusual poses» that one could more readily
read as suggesting a lack of freedom.
A
wall text read: «How we choose to remember the past shapes the world.»
Characteristically translating existing source material to prompt new
readings, small sculptures in cardboard and gold leaf reclaim old playground designs, cartoons from The New Yorker are reworked in gouache and a found
text is adapted into a new
wall painting.
Visitors must face away from the exhibition to
read the window, and then turn back again to look at the
wall, find the piece and turn back again to the window to
read the
text and so on.
Installed as a large floating sculptural work, the full
text for which
reads THE SUPERPOWER OF SEEING THROUGH
WALLS, at once speaks out to the surrounding public space and addresses the architecture in which it is encased.
As the
wall text reads, Lassnig was studying in Vienna during World War II, a historical reference that feels absence in her work.
Working in collaboration with Lehyt, an artist of a later generation, the performance - lecture transposes Zurita's
texts onto the present through a live
reading and the creation of a new
wall drawing by Lehyt made in response to them.
And you can
read my
text on the third show, Charlie Warde's «Disappearing Landscape», either here or on the basement gallery's
wall.
Apart from transferring the caption writer here to a job at the Ministry of Second - Hand Sociology, and imposing a ban on the use of «practice» and «narratives» in your
wall texts, what you need to do in your shows, Alex, is remember that art is something you want to see, not
read about.
It
reads like music or
text, moving right to left in mostly straight horizontal lines that progress down the
walls from ceiling to floor, accented with textural elements and occasional bits of color, broken up with jagged black sticks and chunks erupting from the corners.
Those exploring the exhibition encountered
text on the perils of excessive sitting placed next to a giant red ball, a «Happy Birthday» banner hung above un-inflated balloons seemingly frozen in time and space, a
wall covered in overlapping yellow Post-It notes
reading «Don't Cry,» and a swarm of copper - colored computer mice huddled on the floor.
For LW fans: Bushwick's Pocket Utopia has organized an experimental Lawrence Weiner salon featuring a
reading room, a re-creation («A 36 ″ x 36 ″ Removal to the Lathing or Support
Wall of Plaster or Wallboard From a
Wall,» 1968) and a
text piece.
Mr Myrone said of the exhibition: «Scholars have long understood Turner's relationship to the masters of the past, but there is a huge difference between
reading about that in a
text book and seeing them together on a
wall.»
We experience this «blurring» in his randomly arranged pre-fabricated Pantone colors, ornamental stones taken from a 1960s Dresden shopping mall and
wall text reading, «A short catalogue of things that you think you want...» Rebecca Warren makes vulgar, lumpy plasticine figures that show the influence of Giacometti and R. Crumb alike.
Skips the
wall text on her right hand Continue
reading →
It is in an hourglass - shaped bronze vase by Andrew Lord that was punched rather than molded; in a
text piece by Daniel Joseph Martinez that
reads, «I want you to kill me so there will be no more tomorrow»; in an eerie installation by the young New York artist Josh Tonsfeldt that brings an animal bone to life, knocking against the gallery
wall like the hand of fate; and in an extraordinary 1988 piece by Haim Steinbach that turns a corner of the show into an elephants» graveyard.