Do
readers care about characters?)
With her «conversational writing style and a knack for making
readers care about her characters» (The Washington Post) bestselling author Sarah Pekkanen paints a vivid, kaleidoscopic portrait of a marriage before and during a crisis — and of a woman who fears that the biggest secret of all may be the one she's hiding from herself.
Not exact matches
I try to write
characters that
readers will
care about, for them to be on the edge of their seats in an action scene, and to be fascinated by whatever world I choose to create.
Once again, Atkinson carefully builds up her
characters until the
reader is invested in them and really
cares about their fate.
«The more
readers care about seeing whether our
characters succeed or witnessing our
characters» reactions to those consequences, the more likely
readers will continue to turn pages.»
by Anne R. Allen You can learn all you want
about writing powerful prose, well - planned story arcs, lyrical descriptions — or any other aspect of fiction — but if you don't have a protagonist your
readers care about, none of the rest matters.I don't think it's terribly relevant to talk
about character «likability» in the sense of «niceness.»
Ivey's ability to capture one's attention, to make one
care about her
characters, and to leave a
reader without a single page on which she can stop for the night, is remarkable.
Readers have to fall in love with a
character before they
care even a little
about an entire world.
The
reader in me never likes a book that doesn't have
characters I
care about.
The Apothecary and The Apprentices have at their heart a group of
characters that
readers care deeply
about, judging by the wonderful letters Meloy's young fans send her.
The main flaw though was probably the author's failure to make any of the
characters (as kids or adults) particularly charismatic or compelling and so for a
reader it was really difficult to
care about their story.
Bottom line, the
readers have to
care about the
characters.
It's no secret that, taken as a whole, young adult
readers become very invested in the
characters they come to
care about, and the link between paper and an emotional investment is a strong one for many teens.
Natasha Lester has an excellent infographic in her article, On Writing
Characters in a Novel and Making Sure
Readers Care About Them:
I
care about my
readers, and my First Bite
characters certainly have more stories to tell.
I suspect even erotica
readers would want to read
about characters who truly value and
care for each other rather than just using each other for pleasure.
«High stakes» help your
readers invest in your
characters and stories; without them, we have no reason to
care about the outcome of your book.
If digital comics do what they're supposed to do, which is bring in new
readers, then there will be a whole lot of people who don't
care about «checking up on» all these dusty old
characters we've invested years in.
Writers hear all kinds of conflicting advice such as: you MUST introduce a compelling
character in an inciting incident, but someone else says you MUST show that compelling
character in his / her ordinary world; the
reader MUST
care about the
character's previous life but then again, you MUST avoid backstory; world building that anchors
characters and
reader is vital but, no, you MUST NOT do anything that stops the forward momentum of the story....