Not exact matches
In Donovan's case, an option along these lines would be to use beta
readers rather than a
critique group.
We feel secure if we are sure that our book includes a gripping opening hook that's been approved by our
critique group; characters that our beta
readers have said are «relatable»; and a plot arc that unfolds
in accordance with the most popular method of how to write well currently on the market.
Self - published writers frequently hear that they need to pass their books by beta
readers or
critique groups first before sending the stories on to freelance editors (fewer corrections
in a book means a less expensive editing process).
The best use of an editor is to polish a book that's already been workshopped
in a
group or
critiqued by several beta
readers.
Feedback from Beta
Readers differs from what you get from a
critique group because Betas generally read your whole manuscript
in a week or two rather than over the span of months or years.
Filed Under: The Writing Life, Writers Dealing with Reviews and Rejection, Writing Craft Tagged With: beta
readers, Catherine Ryan Hyde, criticism,
critique groups, Freelance book editors, How to Be a Writer
in the E-Age, Jami Gold, when to hire an editor, Writing Workshop
I do still encourage the use of
critique groups and beta
readers as a first step
in learning the
ins and outs of the craft and business of writing, but keep
in mind that most of what you hear
in a
critique group needs to be taken with a grain of salt.
I continually got dinged
in my
critique group, but my
readers love the atmosphere the clothing descriptions add to!
There are many ways to get free feedback before you get to the editing stage, as we detailed
in our August posts on editing,
critique groups, and beta
readers.
You can find alpha and beta
readers through online or
in - person writing
groups (see Critique Groups and Part
groups (see
Critique Groups and Part
Groups and Partners).
I especially wanted to thank you for including resources about beta
readers as although I've been part of online and
in - person
critiquing groups and continue to be
in one, I find there's a lot of demand for something to facilitate easier connections between beta
readers and writers.
You also should consider finding a
critique group — online or
in person — or engage beta
readers to gain critical third - party feedback.
In many cases with beta
readers or
critique groups, we can ask the
reader why they gave a certain suggestion and uncover that underlying reason.)
We know we can expect written criticism — from agents, editors, beta
readers,
critique groups, etc. — but it's easy to be caught off guard by the bombs people will inevitably drop on you
in the middle of a face - to - face conversation.
Years of experience
in live writers»
groups and with beta
readers and
critique partners, including an award - winning internationally published writer.
These individuals are your
critique partners; writers or
readers you've met along the way, either via Twitter, a local writing
group in your area, whatever.
You can,
in conjunction with others (trusted beta
readers, a good editor, a
critique group) assess your strengths and weaknesses
in each of these areas.
Whether on a writing community such as FictionPress or Wattpad, or a Meetup
group that focuses on
critiquing fellow writers» work
in person, it's a vital step of the writing process to share your works -
in - progress with beta
readers.
People who are afraid of getting
critiqued by a
group, beta
reader or editor will self - publish unpolished stuff and get terrible reviews and sales, so when somebody shows up and says, «give me $ 2000 to be
in a boxed set and you'll be a bestseller!»
------------- Collaborations,
Critique Groups and Beta
Readers Today's writers find creative help
in ways writers of the past didn't have access to.