I suggest
reading Paradise Lost if you want to get beyond the one - dimentional characterization of him that we get from Christian scripture.
I even have a problem with «Literature as Literature»: Reading King Lear, I don't think about Shakespeare;
reading Paradise Lost, my eye is not on Milton, but the creation.
Not exact matches
So if I find a passage in
Paradise Lost that seems to run counter to everything else in
Paradise, I immediately suspect my
reading and try to find a
reading that is coherent with the rest of it.»
It is one of the virtues of Quint's book (another is the generosity of critical annotation, amounting almost to a mini variorum edition) that
Paradise Lost's still center is given a density so great that
reading the poem becomes itself a heroic act; an act difficult to perform, but in its difficulty providing an experience few (if any) efforts of the human imagination are capable of provoking.
If these names move or describe you, why
read the Iliad, or the Commedia, or Macbeth, or
Paradise Lost?
TheLittle Bear and Little Tiger stories of Janosch − when I
read them to children I'm swept up in their almost unbearably, beautiful portrayal of innocent joy, fun and expectation −
paradise lost!
You can
read a recap of last night's «S.H.I.E.L.D.» episode, «
Paradise Lost,» right here on CBR.
A journalist at the New York Times, Emily Eakin, proudly announced her classics - free education several years ago in an article entitled «More Ado (Yawn) about Great Books,» a shame - free confession that she «graduated without having
read for credit «The Odyssey,» «
Paradise Lost,» a single play by Shakespeare or a single novel by Jane Austen, George Eliot or Henry James.»
An English teacher speaking about Huck Finn to a class of seniors compares Tom's character to the Devil's in
Paradise Lost, a reference that the kids understand because they had
read Milton the previous year.
If we put John Miltons
Paradise Lost on breakfast - food labels, every American kid would have it memorized by grade five, Nutrition labels might well become the most significant
reading done by the class of 2027.
Publishers have been raising funds from the
reading community for centuries, dating back at least to the seventeenth century, when a subscription model was used to produce works of literature such as the first illustrated edition of Milton's
Paradise Lost.
PRESS Back in Black: Vincent Como's
Paradise Lost at Minus Space, by Heather Zises,
READ (art), June 14, 2013 Vincent Como @ Minus Space, by Kris Chatterson, KCLOG, June 12, 2013 Vincent Como at MINUS SPACE, by Raymond E. Mingst, Curious Matter, June 5, 2013 Vincent Como at MINUS SPACE (image reproduction), WAGMAG Brooklyn Art Guide, June 2013 Vincent Como:
Paradise Lost at MINUS SPACE, by Martin Cid, Yareah Magazine, May 31, 2013 Editor's Pick: Vincent Como at MINUS SPACE, ART HAPS, May 5, 2013