Sentences with phrase «reading film criticism»

Brizé has made the sort of film that wins plaudits for preferring the «modest detail» to the «grand gesture,» to borrow from one trade paper review — a formula, replete with its quiet reverence of that «modest detail» that I've seen repeated at least several hundred thousand times since I first started making a practice of reading film criticism.

He loves reading film criticism (though his mentor would beg to differ).

Nathan stands outside a giant, metaphorical movie theater whose marquee reads FILM CRITICISM.

In order to answer your question about film criticism, however, I read film criticism occasionally.

Not exact matches

Are you also aware that you've arrived at a blog about film criticism and demanded that its author not read into a film?

I did read once that a review assumes you haven't seen the film in question, while criticism assumes you have.

Overall, this is an extremely sharp video, and I couldn't agree with it more, particularly the part where Willems says: «If you like movies, you should read good film criticism.

He and his lead actors, including Cage and costar Anton Yelchin, did appear in photos online recently wearing t - shirts that read, «I have no comment on the film or others connected with the picture,» which isn't, strictly speaking, a criticism but sure doesn't feel like an endorsement.

But while Frappat may have fleetingly mentioned his meticulous reading of Phänomenologie des Geistes (1807), Morrey is the first to delve deeply into Rivette's application of dialectical theory to film criticism.

As a practicing filmmaker, how do you feel about film criticism and thought — do you read it?

I've already spoken on how I feel lists have their value in the realm of film criticism, and I can say that while... Continue reading «POLL: WHICH FILM SHOULD N'T BE IN THE SIGHT & SOUND TOP TEN FILMS OF ALL TIME?&rafilm criticism, and I can say that while... Continue reading «POLL: WHICH FILM SHOULD N'T BE IN THE SIGHT & SOUND TOP TEN FILMS OF ALL TIME?&raFILM SHOULD N'T BE IN THE SIGHT & SOUND TOP TEN FILMS OF ALL TIME?»

I feel like you're reading way, way too far into a movie [Then I'll cut you off there as that attitude makes your opinion irrelevant on a film criticism blog — TC]

We spoke to Kaluuya, who knew he'd «kill it» in the role as soon as he read the script, about the prejudice depicted in the film, his own experiences of racism, and Samuel L Jackson's recent criticism of black British actors taking African American roles in Hollywood films.

But the Internet is still full of highly - read film, TV, music and literary criticism.

Tasha Robinson (Senior Editor) grew up with limited access to movies, but a great deal of access to film criticism, and she voraciously read reviews while imagining a future where she'd get to actually see the movies she was reading about.

It's hard to go back and pick out a single moment that propelled me towards film criticism, but I suppose if I had to give anyone credit, it's the late Roger Ebert, who I grew up reading and watching on TV.

On top of what reads as an almost encyclopaedic account of English - language writing on and debates around mise en scène, Martin offers appropriate engagement with French film scholarship — both in translation and in the original — plus the thriving world of trans - national Spanish - language film criticism.

But this doesn't read like film criticism so much as an account of whatever mood you were in when you last saw it.

These people also read the Pauline Kael's and the Andrew Sarris's and publishers would publish very long pieces of thoughtful film criticism all over the place.

Anyone who writes film criticism (at least the «serious» kind), or reads it on a semi-regular basis, probably knows exactly what I'm talking about here.

I LOVE FILM MUSIC, so thanks for asking Michael... I look forward to reading your postings, hopefully full of insight into the art of film scoring with succinct praises and criticiFILM MUSIC, so thanks for asking Michael... I look forward to reading your postings, hopefully full of insight into the art of film scoring with succinct praises and criticifilm scoring with succinct praises and criticisms.

The idea for the film reviews came to me after reading lots of film criticism about classic and neo noir.

Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton, is a book in two parts: the first, Films in a Shifting Landscape, is a series of essays analyzing the historical and cultural legacy that shaped three generations of Soviet film criticism; the second, Glasnost's Top Ten, is a compilation of... read more»

< Previous exampleMike D'Angelo has maintained his film criticism website with near - daily updates since 1995, when he had learned enough HTML to create web pages and hyperlinks that could be read in Netscape Navigator.

The sort of problem Sontag has with Jameson is, of course, the very argument Bordwell has with anyone from Slavoj Žižek to Jacques Lacan, evident in a comment he makes on his blog (but not in the book) that echoes directly Sontag's: «Most of FRT [Zizek's The Fright of Real Tears] offers standard film criticism, providing impressionistic readings of various [Krzysztof] Kieslowski films in regard to recurring themes, visual motifs, dramatic structures, borrowed philosophical concepts, and the like.»

This gay male gaze did not sit well with many straight Bat - fans, and while Batman & Robin isn't good, I realized in reading up on the film for this podcast that a lot of the criticism against it smacks of homophobia — in general and directed specifically at out director Joel Schumacher.

It might feel personal, but at times it feels as if cinema isn't worth it, that it doesn't matter how much time I spend developing projects, reading criticism, writing it, making some experiments shooting, seeing films... I won't ever be «good» at it.

Have you read some of the criticisms of the film from mental health advocates, and do you have a response to those critiques?

The reading of his film criticism gave me a very different key to American cinema than the one I used in France, a way to ground it in the culture and its language, to pry it away from its own mythology.

I read a thousand pages of criticism about this picture from FILM COMMENT and other sources before actually seeing it, yet none of those wonderful insights and words quite prepared me for the hellish midnight of the soul I was willingly (lovingly?)

Then Neil talks about what it's like as a filmmaker to listen and read criticism of his films, and what influences that has on his work.

2 X 50 Years ends with a moving tribute to French film criticism — using that term broadly enough to include precursors as well as poets, art critics, and filmmaker - theorists — by furnishing us with a honor roll of 15 individuals, from Denis Diderot to Serge Daney, each of whom is accorded a portrait, a page of text, and an offscreen recitation of a brief passage read by Mieville or Godard.

This film criticism is fantastic to read: http://www.filmquarterly.org/2012/03/a-matter-of-life-and-death-a-i/ They also talk about the recent Simon Pegg and Alan Moore (incorrectly referred to in the episode as Frank Miller) discussions of geek content infantilizing or destroying culture.

I love film criticism and I love reading negative reviews if the author makes compelling and well written arguments.

Reading is a complex and ill - structured domain; it cries out for the sorts of multiple models and metaphors documented as necessary in other ill - structured domains such as medicine and film criticism (Spiro & Jehng, 1990).

Phillip Lopate's nonfiction books include essay collections (Bachelorhood, Against Joie de Vivre, Portrait of My Body); film criticism... read more

The book includes a unique catalogue of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis - à - vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000.