Sentences with phrase «readymade objects into»

In recent decades, artists have continued to explore ways of incorporating readymade objects into their work, including through a strain of the approach that takes off directly from the fetishization of consumer goods.

Not exact matches

By fusing the convention of the readymade or found objects with the exploration of visceral material, his work captures a tension between order and disarray ¬ — chaos gradually rising into a solid coherent mass.

Cole's work is generally discussed in the context of postmodern eclecticism, combining references and appropriation ranging from African and African American imagery, to Dada's readymades and Surrealism's transformed objects, and icons of American pop culture or African and Asian masks, into highly original and witty assemblages.

Nouveau réalistes made extensive use of collage and assemblage, using real objects incorporated directly into the work and acknowledging a debt to the readymades of Marcel Duchamp.

Beat Zoderer, who both, radically reworks readymade materials, often transforming everyday objects from a wide range of cultures into startling works of art is at the same time a sensitive and spectacular sculptor in the more formal sense.

The term assemblage typically denotes work constructed from found objects that have been manipulated or recombined, but Bender's approach to assemblage blurs into a Duchampian presentation of readymades.

The term «found object» is a literal translation from the French objet trouvé, meaning objects or products with non-art functions that are placed into an art context and made part of an artwork; what we now call «the readymade» is an updated version of that idea.

Frequently pairing readymades with alternately fabricated and hand - crafted objects, the work consistently interrogates modes of display, transforming the act of presentation into a subject unto itself.

By simply placing the readymade object in a new context, it was transformed into art.

Arranged with minimal simplicity, Steinbach's seemingly random assortment of readymade objects forms part of his ongoing enquiry into the ways in which meaning is structured and modified.

It is a way of transforming «When Attitudes Become Form» into a readymade, or an archeological object that is restored by putting together its different fragments.

In «New Geometries,» one of Gibson's shaped canvas paintings uses the armature of an old ironing board multivalent in meaning: a readymade, shaped canvas; an homage to his grandmother who was a meticulous housekeeper; and the transformation of a domestic object into a power object — a shield.

Duchamp distinguished his «readymades» from other «found objects» by stating that, whereas «found objects» are chosen for their interesting aesthetic qualities, «readymades» are mass - produced objects transformed into art by the artist's mere act of selection - thus no exercise of taste is required or implied.

Often working with readymade objects such as Barbie dolls, fishnet stockings, opera costumes, and wedding dresses, sculptor and installation artist E. V. Day delves into the cultural fetishism by manipulating women's fashion and undergarments.

It is a way of transforming «When Attitudes Become Form» into a readymade, or an archeological object that is restored by putting together its different fragments.The new vision results from the dislocation and display in Venice, which provide further interpretation and additional meanings related not only to the history, but to our present time as well.

Expanding on Marcel Duchamp's concept of the readymade, Rauschenberg imbued new significance to such ordinary objects as a patchwork quilt or an automobile tire by combining unrelated items and incorporating them into the context of art.

And perhaps more importantly, through a process of creating and then painting bronzes, Gavin Turk builds high - art sculptures that act as «fake» readymades, calling into question every assumption we have about viewing objects — from McDonald's wrappers, to the glittering stadiums that tower above them.

The sculpture is a masterful example of how to incorporate readymade items like the bracelets into cohesive artworks that benefit from the objects» cultural context without entirely depending on it, a balancing act some artists twice his age still seem to be struggling with.

The items include quotidian objects such as pillows, furniture, and potted plants; the conversion of these items into art subjects is obvious, given the inclusion of Duchamp's infamous readymade urinal in the stack of items.

The sculptures conflate the readymade and the monumental, transforming humble objects into abstract symbols of transcendence and the biological, reflecting and affirming viewers and their environments.

The artists take up formal elements of design and architecture classics with site - specific installations, sculptures, pictorial objects and readymades, but above all enter into a discussion with these linked radical approaches and democratic ideals.

Associated with the New British Sculpture movement since the end of the 1970s, Richard Wentworth operates in what he has termed a «readymade landscape,» transforming everyday objects such as tables, light bulbs, ladders, and buckets into new assemblages.