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Marcel Duchamp's notorious «
readymade» Fountain from 1917, which consisted of a
standard urinal signed «R Mutt», went further by changing the way an everyday object was experienced and used, while testing the meanings, values and beliefs associated with art.
Andrews referred to Duchamp when she described these props as «truer»
readymades, claiming, «The inclusion of
readymades have become so
standard in artistic practice that the question of whether or not the artist made the object is of little consequence.»
The most famous of Duchamp's
readymades was Fountain (1917), a
standard urinal - basin signed by the artist with the pseudonym «R.Mutt», and submitted for inclusion in the annual, un-juried exhibition of the Society of Independent Artists in New York (which rejected it).
The idea was fully developed by the experimental French artist Marcel Duchamp (1887 - 1968), who coined the term «
readymades» shortly after the famous Armory Show (Spring 1913), to describe his signature style of «found object», as exemplified by his work entitled Fountain (1917), a
standard porcelain urinal inscribed «R. Mutt 1917», which Duchamp submitted to the New York Society of Independent Artists exhibition (1917).
Duchamp, who became the darling of the radical Dada movement (founded by Tristan Tzara), created numerous challenging works such as his «
readymades» series of found objects, of which the most celebrated was Fountain (1917), a
standard urinal basin, which Duchamp submitted for inclusion in the annual, exhibition of the Society of Independent Artists in New York.
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