Sentences with phrase «real artist studios»

It was a random ad on Craigslist that brought me to a ground floor garage space on Myrtle Ave and into the very first real artist studio.

Not exact matches

During the entire length of Social Media Week Los Angeles, conference participants will be invited to contribute to Inner - City Arts, a learning oasis in the heart of Skid Row where professional artists teach students in a real studio environment.

Fortunately, the answer is: No, «The Disaster Artist» is a real movie, backed by a legitimate studio (Warner Bros. and its newly relaunched New Line division), featuring a handful of bona fide Oscar nominees, boasting a genuine capacity to delight, whether or not the audiences in question have seen «The Room.»

«The Goldfinch» was inspired by a real painting of the golden bird from Carel Fabritius, a young artist who died in the Delft gunpowder magazine explosion of 1654, which also blew up his studio and much of his work.

The most famous «stolen» movie of all time, The Magnificent Ambersons is still considered a classic example of the negative impact big studios can have on real artists and their work.

The organization even has a recording studio in order to attract aspiring hip - hop artists, though with the goal of getting them to write about the real issues affecting their souls, not ghetto fabulous gangsta fantasies about guns, bling and black - on - black crime.

Meanwhile he keeps the real artist sequestered away in her home studio churning out painting after painting.

Based throughout Australia, New Zealand, the UK, Canada and the USA, all the voice artists are freelance and have their own studios set up for recording via Skype and / or Source Connect, state - of - the - art software which allows us to remote record voice artists anywhere on the planet in real time, High Definition audio.

Doing art in a studio and eating noodles in order to «be a real artist» is baffoonery.

I look at artist books in my studio all the time, but in the recent work, I like it to have more of a feeling of this landscape being a real location, but only in dreams.

Visit three floors of studios and galleries, meet artists in their studios and see real torpedoes at a former World War II - era torpedo plant.

In this obscure and fascinating tale of how an Italian artistic dynasty intertwined with Hollywood history and influenced the imaginary of different generations and distant cultural environments, the real statue featured in the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studios.

They appeal to Jasper Johns, the American artist, whose one real subject is his studio but who appears in his work only as plaster casts and shadows.

Besides the course and access to the online webinar archive, Paul Klein provides participants with individual assistance on artist statements; feedback and recommendations on career direction; and an in - depth real and / or virtual studio visit.

As a part of this series, she also gets to bring three visiting artists per semester into the Senior Seminar course for a casual discussion on personal measures of success, time management and studio practice, the day job, post-graduate trajectory and in her words, «all that real life stuff».

The 36 artists, artist collectives and curators from 25 countries currently in residence at ISCP will present work in their studios, and ISCP's gallery will feature the group exhibition In back of the real.

In a museum with a real origin in teaching, where studio artists are asked to receive visitors now and then, she pictures a community's fragile connections.

The works that comprise Production Site include multi-channel video projections, photographic light - boxes and installations, and life - sized fabrications of artists» studios — real and imagined — that either extol the virtues of the studio or problematize the preconceived and often highly romanticized notions associated with it.

NFB's Digital studio and artist Stan Douglas created a real - time 3D photorealistic environment that uses the native functions of the iPad and iPhone to enable the viewer to craft their own path within 1948's -LSB-...]

TB: The marathons with Graham [Nickson] and evenings in the Whitney, drawing with Stanley [Lewis] and Ophrah [Shemesh], crit group with Carol [Robb], going to Bill [Jensen] and Margrit [Lewczuk]'s home studio and seeing how real artists live, meeting some legend at a lecture dinner, I've got lots of great memories of my time at the Studio School.

It's a little... gory, but offers a remarkable view of the artist at work in her studio: handling eyeballs and slicing skin and flesh, a proper reminder that the photographs are indeed of sculptures made from real meat.

NFB's Digital studio and artist Stan Douglas created a real - time 3D photorealistic environment that uses the native functions of the iPad and iPhone to enable the viewer to craft their own path within 1948's Vancouver, BC.

With its three protagonists, the artists Buren, Pousttchi, and Krasinski in discussion, Conversations in the Studio 3 transcends the real time and space of the «function of the studio».

His real break with Moore came in 1959, when he won a travel grant to America, where his visits to studios and museums and meetings with young artists pushing at the frontiers of design fuelled his own ambition and imagination.

The theme of the artist's studio bears the metaphor of painting: the one - to - one between the painter and his model (from Rembrandt, to Courbet and Picasso), the space of painting — representation of the real, the process of creation -, the figure of the artist — self - portraits and rereading the masters.»

The Wall Street Journal reports on the destruction of Shanghai artist (and Chinese representative at the Venice Biennale) Yuan Gong's studio and commercial real estate venture:

Most violent evictions come at the instigation of private developers taking over land occupied by artists for real estate projects, although it is unclear who was behind an incident this year in Caochangdi, where members of the curiously named Iowa Co-op were forcibly evicted and their studios destroyed.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Inspired by both augmented reality (seeing a location on his phone while being there in real life) and sharing a studio with an artist who makes props for films, he has painted a series of surreal analogue still life paintings that use the visual tropes of the digital world.

One is real estate: artists who can not afford studios outside their apartments, or who simply prefer to work at home, only have room to do so much.

Nooklyn, a local real estate broker firm and tech startup, has donated an app through which artists can register their studios.

At one point there was a plan to paint the canvases but in the end it seemed better to make the flimsiness of the watercolors do the main work of supporting the exhibition, rather than demoting them in relation to real painting (an attempt to become a studio artist for two weeks in Berlin did not feel great).

BS: In their search for affordable studio spaces, artists often feel incapable of doing much to stop real estate developers from exploiting them as early gentrifiers; what are some steps artists should take to end this process?

The three jurors for 2018 are Spencer Dormitzer, visual artist and director of Joan Hisaoka Healing Arts Gallery; Isabel Manalo, an interdisciplinary visual artist and founding manager of The Studio Visit (TSV), a collaborative art blog featuring artist interviews in their studios; and Francis Thompson, art program project manager at JLL, commercial real estate.

Great artists like Richard Prince, Mark Grotjahn, and Cecily Brown are continually on Instagram, showing works in progress, in the studio, in real time.

In Studio: Seven Months of My Aesthetic Education (Plus Some), NYC Version, inspired by Gustave Courbet's The Artist's Studio: A real allegory of a seven year phase in my artistic and moral life (1855), Oursler creates his own three - dimensional studio identical in scale to Courbet's painting.

The two galleries will open an exhibition on April 28 under the moniker Anton Kern / Andrew Kreps Gallery inside the Minnesota Street Project: a real estate endeavor that will house artist studios and gallery spaces.

Most Hudson River School paintings were based on plein - air drawings that were later worked up in the artist's studio, and - while they included some details of actual places - usually consisted of composite scenes taken from a number of real and imaginary locations.

SOUTH SLOPE studios: metal - sculptor Janet Goldner, letter Y, will be doing welding demos over the weekend; David Weiner, also at letter Y, will create event - based sculpture in real time; abstract painter Joy Walker, letter X; printmaker, illustrator, painter Nancy Doniger and kinetic metal sculptor Eric Jacobson, showing at letter G; digital / photo / social commentary artist Bob Hagan, letter M; plus 9 additional open studios — check the map.

Educator - led studio classes encourage students to think deeper about contemporary art and the real artists making it.

Simultaneously, beginning in the «80s the real estate industry began to deprive young artists of studio space in Manhattan.

This year's showcase of outstanding young talent «presents four artists — Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross - Ho — whose photographs, taken in the real world and made in the studio, mine the inexhaustible reservoir of images found in print media, television, and cinema.

Artist Tom Sachs and his studio team conduct a real - time Endurance Demonstration of the SPACE PROGRAM: MARS Flight Plan from 12:00 pm to 11:00 pm.

Artist studios are the real workplaces of Chicago's creative community.

As the real estate landscape of New York City shifts, artists must search far and wide for studio space, ultimately traveling the distance over bridges and through tunnels to Sunset Park, Brooklyn.

In addition to these venues, Dennis and Deborah Scholl feature a rotation of their collection, including new commissions, at their exhibition space, World Class Boxing; Craig Robins features his collection at the offices for his real estate development company, the Dacra Corporation; and the collectors Dan and Kathryn Mikesell run the Fountainhead artist residency program and studios.

But let's be real, how many artists can actually say that the Obamas sat patiently in their studio to have their portrait taken.

We talked about the show she put together last summer called «Cosmic Joke» at Safe Gallery, channeling Julian Schnabel, contexts for stand - up comedy, why legal weed is strangling Denver's artist community, balancing real life and studio residencies, early Saturday Night Live, why performance art could stand to be a little more entertaining, going off - script, quitting vices, and tons of other stuff.

These two real worlds collide with the fictional factory constructed in the artist's studio, serving as the main link between all of the spaces in constant flux.

As worldwide real estate prices began to soar more, international artists began relocating to L.A. for more affordable studios.