Sentences with phrase «real artists just»

Not exact matches

We've rounded up the real pumpkin artists, who have taken this seasonal superfood and crafted amazing dishes that are more than just taste bud pleasers.

Handcrafted in Peru by local artists with stitched - on details to look just like the real thing, this infant toy features a melodic rattle sound, easy - to - hold size, and silky cotton that makes it a humorous baby gift for your little one.

Today, Jennifer and I are both bringing to you styles from ARTFUL HOME, a place where real artists design and create the clothing just for us.

Just remember that all those big and famous artists always had a good woman by their side to keep them in touch with everyday life and to be their connection to the so - called «real world».

Just as a photo alone is not enough to cultivate strong attraction in women, a profile that just has a few lines, or is full of generic pickup artist scripts, does not give women something real to be attractedJust as a photo alone is not enough to cultivate strong attraction in women, a profile that just has a few lines, or is full of generic pickup artist scripts, does not give women something real to be attractedjust has a few lines, or is full of generic pickup artist scripts, does not give women something real to be attracted to.

«What's moving to me about the story is that at the start it's this guy who just wants someone to pick up after him,» says Ethan Hawke of his cantankerous Everett character in Maudie, which also stars Sally Hawkins as legendary real - life folk artist Maud Lewis.

The Disaster Artist is very funny, particularly if you know just how closely Franco models his performance on the real, eccentric Wiseau.

It's easy to forget that the baseline attractiveness of Hollywood is so ridiculously high when you spend all day watching TV shows and movies, but The Disaster Artist throws this into sharp relief: if you don't look just right in real life, you'll look totally wrong on the big screen.

We would never have thought that Nissan would actually chop the top off the Nissan Leaf but what you are seeing here is real and not just some concept that some artist came out with.

I completely < 3 my cover artist Robin Ludwig, but I can't justify the cost of her talents for my Meet Cutes since they're not real money makers — just sort of Foot in the Door or Hey I'm Still Here!

Now one thing I personally wouldnt have a problem with is if the price went up a bit and that extra went to the author, but that is not how these things work, this will endup being just like itunes / mp3 sales, authors / artists wont see any real bennifit from it, but the publishers will see a boost in per sales profit...... and a loss in overall sales.

Some of the IAA shows at the Arts Fund were wonderful, but I always felt that underneath, many of the visual artists who got the award were just there hoping that Frank Goss [owner of the Sullivan Goss Gallery on Anapamu St.] would walk in and offer them a real show.»

It's evident in its design, and the design of its citizens, that CD Projekt RED's artists and writers thought about the city as a real place, rather than just a cardboard set for the player to run around in.

The music artists within the game look just like their real life counterparts.

Frankly, barring an artist from being able to celebrate with their team and accept the recognition they've earned is just low and speaks to either a real insecurity or severe oversight.

What I liked so much about it, was how Maria just told the real stuff that goes on behind closed doors especially working with her husband that is an artist.

Artists without ethical principles and something meaningful to share with humanity are not real artists they are just provokers who earn their fame by making people experience intense visceral emArtists without ethical principles and something meaningful to share with humanity are not real artists they are just provokers who earn their fame by making people experience intense visceral emartists they are just provokers who earn their fame by making people experience intense visceral emotions.

He sculpted beers cans with a heft that belongs to real metal and with a lush patina that belongs just as unquestionably to both the artist and the world.

MTW He's not joking when he says the exhibition is «a lesson in how to be a real artist», and things like, «Great drawing has to be done from life» — and, «She's looking in the mirror and striking a pose, just like the old masters did.

Just as less expensive prints of an artist's work are designed to whet buyer's appetites for the real thing, so too are art - furnishings.

Just as artists are subject to the pressures of the real estate market, so too are gallery owners.

The whole exhibition will also mirror the topic of series, which is fundamental in the development of the works by both the artists, for whom it is not just an issue to solve through the use of paint and spray - paint, but also a real method of production.

Just inside the fair entrance, Shanzhai Biennial collective members Cyril Duval, Avena Gallagher, and Babak Radboy sat in their ersatz real estate office all day, nervously awaiting a visit from Jay Z and Beyoncé — the most promising potential buyers for the $ 51.5 million house the artists were selling in partnership with an actual brokerage, Aston Chase.

To get a real measure of the exhibition, just sample some of the British artists included: Ryan Gander, Martin Creed, Nathaniel Mellors, Rebecca Warren and Haroon Mirza, who I recently wrote about.

Jeremy Deller, it's well known, is a good political artist because his works are not just passive or elitist - he can involve people in a real theatre of belief and idealism, while revealing the poetry of communal action.

Laurent Grasso, the French conceptual artist, is known for complex multimedia works that lie just beyond the realm of ordinary experience, blurring the line between past and present, the real and the paranormal, the seen and the unseen.

A major retrospective of Carl Andre is about to open at Dia and first off let me just say that it looks like it will be a good exhibition, maybe a really good exhibition, one with some interest to contemporary artists struggling to reconcile the real, theory or something like rigor with materiality.

The real shock is that we may have the Turner to thank for helping to develop the careers of other artists who have a following among the public and not just Grayson Perry's in - crowd: Howard Hodgkin, Gilbert and George, Derek Jarman, Patrick Caulfield, Paula Rego, Rachel Whiteread, Antony Gormley, Steve McQueen — I could go on.

I»M JUST A SLAVE TO THE TRUTH; as His Hard - Hitting New Film Hits Cinemas, Director Steve McQueen Tells Julia Molony of the Traumatic Real - Life Story Behind It Belfast Telegraph; January 11, 2014; Molony, Julia; 700 + words Film by film, Steve McQueen is surely and steadily building a case for the crown of most important... as a reverential film school graduate but as an already feted, Turner prize - winning video artist, whose vision had not yet been blunted...

«this isn't art» - «we should fund real artists» - for crying out loud, just take the work in context, learn a little bit about design and stop whining.

Becoming a professional artist entails more than just developing talent and honing skills; it also means gaining the practical experience and creative enrichment that come from showing work in a real gallery setting.

It's not just the art videos, but it's a real community of artists to share ideas, critiques and techniques as well as offering encouragement and support.

Yet both these dogmas continue to plague the debate, just when real abstract artists are demonstrating less purity of media and of motives than ever.

awards research enabling grant $ 7500.00, university of north texas, 2010 junior faculty fellowship $ 5000.00, university of north texas, 2010 purchase award, 1st national bank, columbia, mo 2008 fellowship, vermont studio artist colony, vt 2000 jessie rickly award, st. louis artist guild, st. louis, mo 1996 graduate fellowship, university of washington, seattle, wa 1990 national fine art award, binney and smith, usa 1988 bibliography • light and depth at bruno david by ivy cooper, special to the beacon november 11, 2008 • laura beard, catalog, bruno david gallery, essay by charles schwall, november 2008 • fresh paint, fresh faces, inaugural columbia invitational, courtesy of jason pollen by ladan nikravan vox magazine, october 9, 2008 • comments and reviews of visual art, st. louis: open studios tour by rob miller 2008 • perception / abstraction, laura beard aeling and gary passanise, by megan peters, the review, 2007 • varied show of bold abstracts revels in the joy of paint by teresa callahan, west end word, october 2004 • contemporary moves by sydney norton, west end word, october 2004 • laura beard aeling - winterkill at the st. louis ethical society by jeff daniels, art critic of the st. louis post dispatch, february 23, 2003 • something for everyone, by kate hackmen, kansas city star, june 29, 2001 «fresh raises expectations for the new», by caprice stapley of the review, july 2001, vol 3, # 9 • abstraction for the sensory overload by ben shockey, the review, 2001 • driven to abstraction by robin trafton, kansas city star, march 30, 2001 • landscape go in all directions by jeff daniels, art critic of the st. louis post dispatch, july 9, 2000 • this just in... painting still alive by jeff daniels, art critic of the st. louis post dispatch, summer 2000 • excavations: new paintings by laura beard aeling by jeff daniels, art critic of the st. louis post dispatch, mar. 19, 2000 • new american paintings volume 23, 1999 (national distribution) •: surreptitions by jeff daniels, art critic for st. louis post dispatch, april 1998 • extirpate by jeff daniels, art critic of st. louis post dispatch, december 17, 1997 • extirpate by eddie silva, art critic of the river front times, december 1997 • route 66 brings real art to life by Stephen weeks, the independent, september, 22, 1992 • artist converge for route 66 revisited exhibit by stephen weeks, the independent, gallup, nm, september 18, 1992 • route 66 art show a must see at red mesa by gaye brown, the gallup gazette, 1992 • primarily paint at the laguna gloria art museum laguna gloria art museum, 1990

«But of course, at Spotify we care about music discovery because we do want artists to be heard, and to find their fans and make real fan, not just drive - by listeners.

from spending the time, money, and most important, sustained effort re proper education requirements (real estate university status, if wannabe's have proper pre-existing pre-qualifying credentials in their possession) just to be part - timers on - the - side who will be unleashed on an unsuspecting public by commission - hungry sales recruiters I know one thing for sure though; the fat cat ORE bureaucrats who live off of the never - ending stream of fees paid by the amateur try - out artists will not agree with the truth of the matter, because they only look out for themselves, no matter what their latest pronouncements to the contrary might suggest.

Organized Real Estate will be properly redefined when just anybody can no longer jump into the game to make a buck by hook or by crook, when the very vast majority of Realtors is in fact a much smaller group of actual professionals vs. the now very large group of hit - and - miss minor league try - out artists.