Sentences with phrase «real character arcs»

As well as the problems mentioned above, the whole plot feels completely inconsequential, there are no real character arcs, and you never get the feeling that anything's really at stake.

It has great set up scenes with no real character arc.

They take the sweet and somewhat passive Cinderella (Lily James) and give her a bit more agency, along with a real character arc.

Not exact matches

Sigourney Weaver's performance however, is the real stand out here, and James Cameron creates a great story arc for Ripley's character as she faces her demons, and then starts fighting back.

This film takes an age - old character arc — arrogant whelp learns responsibility and real honor — and sells the hell out of it, because it takes the time to develop its characters.

The real issue is that Tomas is just not that riveting a character, and his arc of change is pretty minute.

There's also a surprising lack of character development compared to its predecessor, with McAvoy's Xavier the only one with any real arc to speak of.

Hawley has, once again, shown his aptitude for perfectly capturing the Coen - like balance of real and outlandish characters, and I'm excited to see the character arcs continue to go in crazy directions over the remainder of the season.

The constant changing arcs of characters should be a real theme of the first season and should be plenty enough for us to keep on watching.

By skipping the horribly implemented point and click nonsense, Chapter 3's flashback tale is allowed to build tension and give it's main character a real arc.

The real problem with «Boardwalk Empire» — maybe the only problem — is that it's smart enough to kill off characters the instant they've fulfilled their arc but not smart enough to evolve them beyond their arcs.

There is no character arc, profound moment or even any real depth to the story, so what we end up with from a visual perspective is following our lead character from one contract killing to another.

Characters who may have had real narrative arcs in earlier drafts of the script are now paper thin and superfluous.

I have to give special note to the dark horse that is Ben Chaplin, who plays real - life cast member George Colouris with delightful disdain, and is even afforded a small character arc of his own amidst the chaos of opening night in another smart change from the book.

There are no character revelations, no sense of arc, no focus, and no real reason for this film to exist at all.

Oscar Isaac's Poe Dameron is a very likeable character, though we get to see very little of him and he has no real arc of his own to follow in this movie.

«Diamantino,» which was pitched during last year's Work - in - Progress section at Les Arcs Film Festival, follows an imaginary Portuguese soccer star — a character inspired by real - life player Ronaldo — who becomes exploited by many people, including a nationalistic party eager to use him as its mascot.

Her character's arc in the film is really intriguing and her demise is one of the film's real shocks.

As with each entry, the actors and story basically reset back to how they started, with no real story arcs or character developments that drastically alter the series in substantial ways, no matter what form of cataclysmic events they may undergo in their quests.

Screencraft.org has a fabulous video interview with this writer extraordinaire and master of dialogue in which he talks about creating memorable characters («what a character wants, and how they go about getting it defines a character»), and how characters do not resemble real people («people don't speak in dialogue» and «their lives don't unfold in narrative arcs.»)

The addition of a romance to another genre makes characters seem more human and real and gives their story a satisfying arc.

The real shine of the story isn't in the quarrels between you and the demon Kurona, but in the individual Story Arcs for the side characters, Nanako and Chiru.

There are some great moments in Emily's character arc as the story progresses, and she recognizes that, by ruling as an empress who was detached from the real concerns of her people, she sometimes unwittingly perpetuated oppression by allowing unjust rulers to remain in power.