«KT writes thought - provoking, tender and very character - driven romances —
real characters dealing with real - life issues.
Saucy is
a real character dealing with real stuff — hard stuff that doesn't have easy answers, not in real life and not in fairy tales, either.
Not exact matches
There's a lot more to This Is Us than meets the eye — the
characters are going through
real - life problems and
dealing with them in ways that so many of us do.
This special
character of the ministry as sacred office constitutes a major resource in
dealing with the sick soul; but it also gives rise to
real problems.
With Trump set to secure the Republican nomination for president this week, the ghostwriter behind Trump's book «The Art of the
Deal,» revealed the
real estate mogul's true
character that the book ignored.
If there is anything I didn't like about the film, it's Cameron's lack of realism when
dealing with the roles of children, especially Jonathan Lipnicki's (Stuart Little, The Little Vampire)
character as the boy that Maguire forms a bond with, as he's too unrealistic in demeanor and too strange looking to buy as a
real kid, and for that matter the same goes for Tyson Tidwell's (Suarez, The Ladykillers) demeanor (son of Rod) as well.
Sarah Polley's
character was the
real villian in the film, she raised Dren for selfish reasons the the second Dren became difficult to
deal with she turned on her.
Instead of being a single super-soldier
dealing out death (a tonal hallmark of the Musou series), you're part of a larger army; indeed, if you fail to switch to other units in some missions then failure is a very
real possibility, as it's often the case that to reach a particular objective in the fastest time you have to shift control to another
character.
This zesty, defiantly awkward shambles of a film might be called a domestic drama, as it plucks its penniless main
character from her beer - soaked California stage and sends her to the Midwest to
deal with her wealthy ex-husband (Kevin Kline, playing off Streep as tenderly as in Sophie's Choice) and their suicidal adult daughter (Mamie Gummer, Streep's
real - life progeny), a victim of Ricki's long - ago abandonment.
We're kind of at a standstill with the filmmaker's point when these
characters are
dealing with
real issues (i.e. suicide), but none of them feel like
real people.
One way of
dealing with it would be to have the
characters entering the
real world, although Chris McKay — animation co-director of The LEGO Movie and director of The LEGO Batman Movie — has previously said it's going to be «this big musical and space action movie», so at this point it's anyone's guess as to what the plot might entail.
If there's a
real structural flaw here, though, it's one that is perhaps endemic to all comic books and their ceaseless interplay of daddy issues: because comics never move forward in time (and presumably, neither will the MCU), we always see these
characters dealing with the mistakes of the past, and never repealing those mistakes for the future.
He's a promising young talent that likes
dealing in
real, flesh - and - blood
characters and intriguing premises that keep viewers involved from start to finish.
Director David Robert Mitchell
deals in wild abstractions while still managing a very
real grip on reality, allowing his
characters to live on a plane of existence parallel to ours, rightfully ripe with many of the same headaches.
His portrayal of a deeply sad man who is having trouble
dealing with his past and moving on with his life is so realistic that we no longer see the actor playing the role, but instead view this
character as a
real person.
It was a realistic
character that
dealt with
real issues and it wasn't based on a silly disease but a
real - life issue that happens all the time.
Of course, we learn a lot about the effects, but we also find info about cast and performances, shooting on location and
dealing with weather,
real tornadoes and research, story and
characters, music and audio design, and a mix of other production topics.
He virtually gets so lost in a
character that you believe you are watching the
real deal.
These
characters are such well written
characters because they are
dealing with
real issues and aren't just trying to get laid.
The trials that this family goes through, when added to some clichéd
characters, gives the film the appearance of a fictional, scripted story, not a film
dealing with
real events.
In the end it certainly depicts some crazy
characters behaving in decidedly stupid ways, and hardly
deals with the
real nature of love.
For the first time since Zohan, which rooted its silliness in a
real understanding of New York life, a Happy Madison production has moments that might be called sharply observed, especially in
dealing with its marginal
characters: the childhood best friend who can't stop mentioning that she's already seen the bride in her dress; the old biddy who takes time to steal centerpieces during an evacuation; the skeptical grandmother who can be lured back into the fold with a threat of having to eat «white - people potato salad» if she doesn't attend Kirby's planned rehearsal dinner.
, and its sweeping gothic romance, which finds its
characters, at one point, reading the
real deal in Wuthering Heights.
Their magical love story has now entered the
real world, and much of the film
deals with both
characters attempting to reconcile the notion of «true love» with the realities of everyday life.
Cuesta keeps his film lively in the first hour with montages of
real life footage and news coverage, reminding his audience that this story was very much a big
deal, even if it's one which is perhaps today rarely spoken about (ask «Joe Public» who Oliver North is and I'd imagine the answers back up my statement) and in another highly complementary comparison I was often thinking about how Oliver Stone would have handled a film on the subject and
character.
The four best friends and backdrop of a Greek island might make some of us envious, but the
real struggles the
characters deal with are widely relevant.
For good reason: Gyasi, who was born in Ghana but grew up in Huntsville, Alabama, manages to
deal with heavy themes like race and identity without sentimentality, creating
characters that are flawed and
real as she brings history to life.
If you do not like alphas with heart who fall instantly in love with strong female
characters while
dealing with
real life issues... again be warned!!
Notice how Kaito blends wildly realistic
characters with obvious cartoon figures - usually an artist would offer some variation on how «
real»
characters look for emotional or comedic effect, but this one leaves them be, as if to emphasize the motley mix of personality types the hero must
deal with.
In true RPG spirit, you'll need to improve your
characters» stats, hunt down powerful equipment, and combine a multitude of abilities — switching between tanking, healing, buffing, and damage -
dealing classes as required, in
real time.
You'll learn about weapon - type weaknesses on enemy
characters and how some netherworlds have certain effects that can cause some
real trouble for you or even help dictate how you can
deal with enemies.
Your
character makes so few appearances that this isn't all that big of a
deal, though a few choices might've been nice, as there's just enough there to make you feel the void where a
real person should have been.
While CA has made console games before, it has yet to make a
real - time strategy game on that medium, preferring to stick to its PC roots when
dealing with armies and maneuvering, rather than individual
characters.
Well, a popular theme in most film
dealing with video games that are not based upon one is the concept of video games coming alive, and asking what would happen if pixelated or polygonal
character crossed over to the
real world.
It was introspective,
dealing with interesting
characters and exploring how
real humans might react, adapt, and survive in a world overrun by zombies.
As a result, there is no
real base building progression system which has crept into titles such as Summoners War and Brave Frontier, but instead, there is a good
deal of depth in
character customisation with skills and party composition playing a large part in mastering the game.
As a result, there is no
real base building progression system which has crept into titles such as Summoner's War and Brave Frontier, but instead, there is a good
deal of depth in
character customization with skills and party composition playing a large part in mastering the game.
Last year, the group struck a
deal with the ABC sitcom «Modern Family» to work into an episode that
character Phil Dunphy is a true
real estate expert — a licensed Realtor.
If the
real ones are too expensive, look for spin - offs; they may not be the
real deal, but they'll still have more
character than a dime - a-dozen pillow.