This movie, which is based on
the real events of war correspondent Kim Barker (as told in her book The Taliban Shuffle: Strange Days in Afghanistan and Pakistan), forces you to bed the question as to its authenticity.
Not exact matches
If the deficit is due to an economic recession, defined as two consecutive quarters
of negative growth in
real gross domestic product, or to «extraordinary
events», such as a natural disaster or
war, that results in an «cost»
of more than $ 3 billion, then the operating budgets
of departments and agencies would be automatically frozen to pay for any wage increases.
Hasker's third proposition is that for the problem
of divine non-intervention to be a
real problem, «we must be able to identify specific kinds
of cases in which God morally ought to intervene but does not» Many critics
of (traditional) theism probably already have a more or less vague list
of such cases, which might include genocidal
events, such as the Nazi holocaust and the Rwandan massacre;
wars; large - scale natural disasters; conditions
of chronic poverty, in which millions
of children die from starvation or are permanently stunted because
of inadequate protein; the sexual molestation
of children, which often leaves them psychologically scarred for the rest
of their lives; death preceded by long, painful illnesses, such as cancer or AIDS, or by mind - destroying conditions, such as Alzheimer's disease; and the kinds
of events described by Dostoyevski, such as the soldier using his pistol to get a mother's baby to giggle with delight and then blowing its brains out.
On her computer is a window
of spooling text called JChat — it looks like an Internet chat session — providing a
real - time view
of the
events of the
war.
The story is based on
real events and does not shy away from showing the ugly sides
of a
war.
It's uncertain if the film even has a firm opinion
of our sitting president, for with Sawyer's reductive preachings about a stereotypical black upbringing, and actions to end a «limitless
war on terror» that plainly contradict current
events, the movie is both a simplistic Obama insult and an aspirational Obama fantasy (and if you don't think it's channeling our
real - life president, look no further than the Easter egg
of Nicorette gum, which Sawyer keeps in his own nightstand).
And despite most
of the characters having already been introduced and fleshed out prior to the
events of the film, Infinity
War will still have to make time for each to get their own moment to shine, while also making way for Josh Brolin's Thanos, who audiences will finally get to spend some
real time with after years
of cameo appearances in previous Marvel films.
Award: The Assassin Least Sexy Movie: 50 Shades
of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age
of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between
Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search
of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse
of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star
Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star
Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the
events of The Secret in Their Eyes from Argentina's Dirty
War to post-9 / 11 America Best Backward - Looking Reboot: Star
Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge
of Spies Trends
of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star
Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third
of Spectre)
The tale is fictional, but the
events, from the fall
of the Third Reich to the Kennedy - era Cold
War are
real, and their fine - tuned depiction gives an air
of both gravitas and authenticity to this cautionary tale.
Black Panther, starring Chadwick Boseman, tells the story
of T'Challa (Black Panther's
real name) after the
events of Captain America: Civil
War.
«Inspired by
real events,»
The Whistleblower visits Bosnia in the rubble - strewn aftermath
of the Yugoslav civil
war and finds power, corruption and liesnot just among the bribe - taking, uncaring local authorities but also the U.N. officials and American contractors assigned to train the Bosnians in the ways
of democracy.
Of course, the real - life events took place in 1961, at the height of the Cold War between the United States and the Soviet Unio
Of course, the
real - life
events took place in 1961, at the height
of the Cold War between the United States and the Soviet Unio
of the Cold
War between the United States and the Soviet Union.
Scorsese himself seems less interested in screenwriters Jay Cocks, Steven Zaillian and Kenneth Lonergan's plot concerns than the
real - life
events; the power
of the film's climax derives largely from his stunning recreation
of the 1863 Civil
War Draft Riots than the resolution
of the Amsterdam - Bill conflict, and the needless voiceover narration provided by DiCaprio (reportedly an addition that came late in the long post-production — and does that ever show) revels largely in extraneous historical details.
Some,
of course, will object on principle to the mere act
of turning
events such as the Iraq
War and the 9/11 attacks — two
of Greengrass's previous subjects — into pulse - pounding thrills in the first place, arguing that he's exploiting
real - world trauma for the sake
of shallow entertainment.
Apparently, the bad blood created during the
events of Civil
War spilled from the screen into
real life and RDJ conveniently forgot to invite his old pal Chris Evans to lunch.
With shows like The Walking Dead, World
War Z the movie and
of course the book, tv shows like Doomsday Preppers etc and
events in the
real world.
It includes snippets from accounts
of real - life
events such as the presidential dinner held the night Willie Lincoln died and news reports
of the Civil
War.
Written in the spirit
of E.L Doctorow's Ragtime, Gold's expansive novel attempts to dissect and fuse together the birth
of Hollywood, the escalating
events leading to the Great
War, and the ascendancy
of American capitalism, using a vast array
of characters both
real and fictional.
It's thirty years after the
events of the first trilogy, both in
real life and in the Star
Wars universe, and Abrhams wisely ensured that Solo feels like he's lived those thirty years, coming out
of them wiser and maturer, but with that classic edge that made us all fall in love with the character.
Bladestorm — Nightmare (PS4 / XB1): In this new strategy game the player takes the role
of mercenary and chooses to fight either for England or for France in missions inspired by
real events and battles
of the era dubbed the Hundred Years
War» (1337 - 1453).
This
War of Mine: The Little Ones is a gritty and engaging experience inspired by
real - life
events.
A
real - time strategy game set in the Star
Wars universe prior to the
events of Episode IV, that sees battles take place in space and on the ground.
As the critic Germano Celant wrote in Arte Povera: Notes for a Guerilla
War (his manifesto
of sorts): «Over there a complex art, over here a poor art, committed to contingency, to
events, to the non-historical, to the present...» Yet, as much as these works functioned in the present tense — often literally mutating in
real time — they also rejected the fetish
of the «contemporary,» with its technological and productivist tendencies.
It was the first in a series
of events that
Real Art Ways presented in the context
of the culture
wars, and a foreshadowing
of Wilkins» demonstrated commitment to supporting artists and taking risks to present meaningful programming.
Caught between simulation and realism, between video
war games and cinematic recreation
of a
real event, the minimalist aesthetic
of a projection keeps the experience both particular and complex.