Sentences with phrase «real human stories»

Lyfta is a rich media learning experience from Finland that invites pupils to have memorable, immersive experiences with real human stories from around the world.
His signature style has always displayed a perfect balance of the blockbuster thematic but what sets him aside from the rest is his ability to blend humour, high concept adventure, action and cutting edge special - effects anchored with a real human story.

Not exact matches

«Bennett has become a master of storytelling through character, and while there are clearly no people in these films, it was clearly a very human story, which we knew a director such as Bennett would zero in on and draw out very real human - like emotions from these poor inanimate objects,» Lennon said.
Given that there's so much going on in this situation, why not tell a story that has real human drama?
«Not blind optimism, not one that ignores the scale and scope of our challenges, but that hard - earned optimism, that's rooted in the stories of very real progress that have occurred throughout human history.»
You could tell stories of real frictions, our stock of real and human capital was not set up to produce non-tradeables or something like that and so we may have an increase in the natural rate of unemployment for a time.
So your story is of real frictions, that is, our stock of real and human capital was not set up to produce non-tradeables or something like that.
I have seen people that were «demon - possessed», have heard a lot of stories about ex-freemasons that interacts with lucifer, people that had near death experiences, people that have seen angels, people who can turn human beings into real zombies, (i can not prove / disprove these stories).
You Said: — «I have seen people that were «demon - possessed», have heard a lot of stories about ex-freemasons that interacts with lucifer, people that had near death experiences, people that have seen angels, people who can turn human beings into real zombies, (i can not prove / disprove these stories).
The real fairy story is believing that water, sunlight, and now gravity (according to Hawking) gave rise to the existence of life including humans.
The hope that Christians put out is that Jesus was the real deal, and from his stories the way he was seems to be the best way to be fully human and fully alive.
Even if these stories are rife with symbol and myth (which they are), it can not be denied that Jesus was born of a real human mother.
All you got to do is research them yourself, also Christianity in it's purest form is not religion, it is truth because all you have to do is study the Holy scriptures and apply them to your life & human history & you'll see this is the real deal & not some book written y a bunch of random guys whio wanted to tell a good story.
Only here has Paul placed real relational distance between himself and the apostles in his retelling of the story, for only here has any apostle (Peter and perhaps James) 35 chosen a human principle.
Relying on intelligence dossiers prepared meticulously by his UDR commanders, he prepared intensively, making several dry runs by following the bread delivery van in which Hackett would ultimately die; he blocked out the reality that the target might be a family man with a pregnant wife and child awaiting his return home from work; he avoided reading the papers or listening to TV reports over the next days, because the stories tend to make a real human being out of what had to be thought of only as «the target.»
Jesus Feminist is really a story — a story about how I am learning to set up a little outpost for the Kingdom of God in my real right - now life, as a sign and a foretaste of what it means to be human in God's kingdom.
Steven Spielberg's film follows the story of a highly advanced robotic boy who longs to become a «real» person in order to regain the love of his human mother.
We can certainly say that his real climax is in the Passion narrative, for the tomb pericope which now ends the Gospel has little of the Easter joy and human interest that are to be found in John's tomb story.
Until we figure out that the only real truth out there is that we are all equally human and treat each other as we would want to be treated as a fellow human being, we will continue to stupidly hate and kill over myths and stories and eventually utterly destroy ourselves over who has the better imaginary friend.
The real purpose of myth (e.g. the creation stories) is not to give an account of what actually happened in the past, or what may happen in the future (e.g. another ice age), but to convey a particular understanding of human life.
see what you have to understand about living in a real world — a world where god is just a story and not real — its a world based on scientific and physical laws that are proven to exist and their effects are measurable... us as humans, mere animals, hold no real power or control aside thru ingenuity which allows us to change our environment to suit us... stay with me here... at this point in human history we ceased to change to suit our environment and started changing it to suit us — thats destruction of the earth to suit one species — that should go over well...
Each story is analyzed with respect to one of the themes indicated by the five organizing chapters: «On Becoming a Real Human Child,» «Love and Immortality,» «Friends and Mentors,» «Evil and Redemption,» and «Heroines of Faith and Courage.»
It's not the plotline of some fantasy epic, but the real story of prehistoric Europe in the years after modern humans conquered the continent — as a new genetic analysis has just revealed.
These are not mere lessons about science and parenting, they are real, human stories of people working hard to do science and have lives in the real, contemporary world.
«The real story here is that we probably need sea otters more than they need us, as they play key roles in the functioning and resiliency of kelp forest and estuarine ecosystems that provide a wide range of services to human societies,» said Dr. M Tim Tinker, a research scientist with the U.S. Geological Survey who is presenting an overview of the latest research on southern sea otters and is coauthor of several other new studies presented at the conference.
Among the materials the group sent was a 10 - minute DVD called «Unstoppable Solar Cycles: The Real Story of Greenland,» which says scientists are «deeply divided» about «the notion that climate change is mostly the result of human activities.»
To dispel this final falsehood, Rick, Michele and several other individuals who've been impacted by Alzheimer's disease decided to share their real - life experiences in a groundbreaking story entitled, Fade to Blank: Life Inside Alzheimer's, a multimedia exploration of the human side of Alzheimer's, through the eyes of those living with the disease.
Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Real people, real storReal people, real storreal stories.
Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a Real - life stories told by the women in peril who lived them.
Paying attention to a Sugar Baby grumbling concerning social ills and daily tensions could be a real turn off.Just having a vague understanding of human interest stories and world events can, generally, supply you an excellent beginning.
Smoke is a movie for the person who likes quiet movies that stay away from action and bullshit, that remain real and are just telling the story of human beings.
Taking a real - life story that is complicated and unsettling, Steven Spielberg uses all of his technical prowess to propel the narrative but also allows this very human story to touch the audience on a personal level.
The ending of The Empire Strikes Back is frequently cited in this regard, but I could just as easily include several story beats in everything from Mad Max: Fury Road to The Last Jedi to Marvel's own Black Panther as creating fantastical situations that nevertheless were grounded in real human feeling.
Based on a story by Richard Matheson, «Real Steel» is set in a sci - fi near future where robots have replaced humans as boxers, presumably because humans could no longer endure the mash - up thrills that audiences crave.
But this movie lives or dies with the human element, and if you're a sucker for a story involving an underdog — and a father's redemption in the eyes of his son — you'll willingly surrender to Real Steel.
To soften the horror of bot - boxing in a Bay world, the PG - 13 Real Steel — based on a waytougher short story by Richard Matheson — offers a human angle.
The real charm isn't in the way the story unfolds, but in the human moments shared onscreen.
Based on a true story and the diaries of real Long Beach teenagers after the L.A. riots, Freedom Writers is an inspirational tale and testimony to courage hope and the human spirit's triumph over intolerance.
The human scale of this story about a very real threat to one Norwegian village makes the movie more tragic and also more chilling.
Players will always have an in - game «mom» and in spite of Mom referring to childhood events and the home that the player once lived in and occasionally sending presents in the mail, there is no indication of any real back story to the human character (s).
Rare have thrown out the notion of character progression, you can only pick your avatar from a randomly generated lineup, there's no overarching story, no real end goal outside of becoming Legendary, and the few types of quest in the game are merely there to feed the delights and monstrosities of human interactions.
I think the real story of «Happy - Go - Lucky» will be Eddie Marsan, who is creepy but diabolically human, if you'll forgive an odd adverb choice.
It's a film which does just enough to make you believe that what you're watching is a real, human story, but with every scene, plants the seed of doubt as to whether Elle is some kind of psychic projection or the physical manifestation of a damaged mind.
Someone — probably Spielberg — sensed the emptiness at the heart of RPO and attempted to inject it with a half - assed message about the value of the «real» and the human need for genuine interaction, but it's so poorly integrated into the story it barely registers.
Despite a slightly simplistic filmmaking style, this true story retains real force in its depiction of human cruelty in the name of religion.
In that pursuit, drawing from various short stories of the author of The Man In The High Castle and whose work Blade Runner is based on, the Bryan Cranston, Ronald D. Moore and Isa Dick Hackett EP'd series with individual writers and directors for each stand - alone episode rolls around the notion of what it is to be a human being amidst pervasive digital technology and what is real.
Following a single father who works as a human billboard in Taipei, and his left - to - their - own - devices kids, with the presence of their mother represented by three different actresses, the film has the barest thread of story (Tsai has admitted that he no longer has any real interest in narrative), and seems determined to provoke less patient audience members into walking out, with a series of shots that last upwards of ten minutes without all that much movement in them.
It's just a real story with human fluctuations of love, which requires emotional honesty,» he said.
«It's the actual story of the real human who walked the earth in the 1400s who inspired the story of Dracula in the first place,» he says, «So for me it was a new take.
I guess it's no surprise that, like so much of the reporting on the issue, the real story — of government lies, of the vulnerability of secret information, of what the leaked intelligence does to our trust in our own government — is sidelined by the human sideshow.
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