Brooks Brierley tells the sad story
of America's most expensive vintage thoroughbred / Driving a boat - tailed AC — The Editor gets to grips with a rare Anzani - engined survivor from the early days
of the Thames Ditton marque / Magic Morris Minor — Alec Issigonis's postwar masterpiece is as collectable today as ever — Michael Worthington - Williams inaugurates our new series
of expanded and very comprehensive Buyer's Guide / Wizardry in the land
of Oz — There may not be many bushes in the Bush but you can trust Nick Baldwin to find a rusting relic / Prescott in 1950 — It's spot - the - celebrity time as Brian Heath pores over a newly discovered hoard
of old hillclimb photos / Brighton revisited — Tom Threlfall describes the other Brighton Run while Peter Corrana gives us his driving impressions
of one
of the most covetable contestants in the main event / Immortal Austin 7 — Bill Boddy (who has owned nine
of them) tells what it is about Herbert Austin's little wonder that keeps it at the top
of the old - car parade / A
summer affair For Vitoria Ainsworth — marriage meant an adventurous initiation into the
joys of owning a Roesch Talbot / The
real McCurd — Michael Worthington - Williams researches yet another obscure but fascinating UK motor manufacturer
of the 1920s / Styled by the Wind — Touring 4 - seater lightweight bodywork on the Alfa Romeo 6C 2300B Mille Miglia was one
of the first attempts at introducing aero technology to automotive coachbuilding.
awards research enabling grant $ 7500.00, university
of north texas, 2010 junior faculty fellowship $ 5000.00, university
of north texas, 2010 purchase award, 1st national bank, columbia, mo 2008 fellowship, vermont studio artist colony, vt 2000 jessie rickly award, st. louis artist guild, st. louis, mo 1996 graduate fellowship, university
of washington, seattle, wa 1990 national fine art award, binney and smith, usa 1988 bibliography • light and depth at bruno david by ivy cooper, special to the beacon november 11, 2008 • laura beard, catalog, bruno david gallery, essay by charles schwall, november 2008 • fresh paint, fresh faces, inaugural columbia invitational, courtesy
of jason pollen by ladan nikravan vox magazine, october 9, 2008 • comments and reviews
of visual art, st. louis: open studios tour by rob miller 2008 • perception / abstraction, laura beard aeling and gary passanise, by megan peters, the review, 2007 • varied show
of bold abstracts revels in the
joy of paint by teresa callahan, west end word, october 2004 • contemporary moves by sydney norton, west end word, october 2004 • laura beard aeling - winterkill at the st. louis ethical society by jeff daniels, art critic
of the st. louis post dispatch, february 23, 2003 • something for everyone, by kate hackmen, kansas city star, june 29, 2001 «fresh raises expectations for the new», by caprice stapley
of the review, july 2001, vol 3, # 9 • abstraction for the sensory overload by ben shockey, the review, 2001 • driven to abstraction by robin trafton, kansas city star, march 30, 2001 • landscape go in all directions by jeff daniels, art critic
of the st. louis post dispatch, july 9, 2000 • this just in... painting still alive by jeff daniels, art critic
of the st. louis post dispatch,
summer 2000 • excavations: new paintings by laura beard aeling by jeff daniels, art critic
of the st. louis post dispatch, mar. 19, 2000 • new american paintings volume 23, 1999 (national distribution) •: surreptitions by jeff daniels, art critic for st. louis post dispatch, april 1998 • extirpate by jeff daniels, art critic
of st. louis post dispatch, december 17, 1997 • extirpate by eddie silva, art critic
of the river front times, december 1997 • route 66 brings
real art to life by Stephen weeks, the independent, september, 22, 1992 • artist converge for route 66 revisited exhibit by stephen weeks, the independent, gallup, nm, september 18, 1992 • route 66 art show a must see at red mesa by gaye brown, the gallup gazette, 1992 • primarily paint at the laguna gloria art museum laguna gloria art museum, 1990