Sentences with phrase «real life persona»

Sahil nods to Gandhi for Civilization, whose behaviour is so contrary to his real life persona though the nature of that game doesn't make it a boss fight per se.

Cheung jokingly says that her daughter might have been the mastermind behind the character and that she is grateful the avatar takes a few years off her real life persona.

All of these comedy duos and trios built characters around their real life personas, so it's sort of strange seeing other actors step into these roles.

Building a team, watching them get better and update along with their real life personas, and using them to grind for better cards offers one of the best experiences in the world of fantasy sports games.

Not exact matches

If you were going to speak to your buyer persona in real life, which tone would you strike?

Our customers have access to us, via social media as much as in real life and we are being watched to see how we act and if we live up to our «stage persona».

From FIRE The 9 to 5... «My on - line persona mirrors my real life — I prefer to think I am conversing one - on - one or in a small group of... Read the post... about INTROVERT ON FIRE

Finally, make sure you give your persona a name (like Finance Manager Margie, IT Ian, or Landscaper Larry), and include a real - life image of your persona so everyone can truly envision what he or she looks like.

Your team will find it easier to identify with him or her, and this persona becomes more real the more that you engage both in real life and virtually.

Buyer personas are archetypes designed to portray a real - life representation of the scenarios — here in the now and in the future — confronting buyers.

When your personas create a real life feel to them, creating effective messages and strategies to win more business becomes far easier.

When it becomes harder to deny the real you, that seems to be when most decide they can't live under a false persona any longer so risk all and come out.

I'm not trying to establish any kind of real - life, authoritative persona.

That's because Stipe is a genuine, good person with real personable, established relationships in his life, not just an obnoxious tool with a fake persona spouting mostly stolen catchphrases & playground vulgarity / insults surrounded by yes men / women & gold diggers most of which are on his personal payroll?

Some blogger's it's easy to wonder about who they really are behind the screen, I'd bet money on the fact that Kate's online persona is totally a real life girl.

You want someone who directly correlates in real life to their online persona.

My online persona reflects my real - life beliefs... good things are worth waiting for; don't settle for convenience.

Many people have experienced this strange mingling of their real lives and their online dating personas, but have different emotional reactions.

Persona 4 is basically two games, a dating sim in the The best place to go is it has No matter your dating record in real life, you can always get a date here.

While this modest indie offers high - tension plotting, it's real substance is the contrast between Hartnett's charismatic, hard - charging business persona and his intimacy - challenged real - life relationships.

The men are all pretty much the same, the women are also pretty much the same, and the small - town loser stereotypes are a bit stale, but Sarah Colonna plays a great wallflower with secret bondage fetish, Morena Baccarin is sassy and accessibly beautiful in a «regular girl» role, and Rosenbaum's likable straight man who does the honorable thing in the end is all the more impressive after having seen his real life dude - brah persona.

While it's true that, by all accounts, this behavior seems to extend directly from the ADD / overcompensation / showbiz - impresario persona he maintains in real life, that of a man who never outgrew directing Super Bowl commercials, it's hard to imagine an argument for a good movie to emerge unscathed from this crippling set of liabilities.

Zach Galifianakis in particular really makes Humpty his own and completely disconnects the viewer from his real - life persona.

Gene Kelly in The Pirate, Peter O'Toole in My Favorite Year, Jeff Daniels in The Purple Rose of Cairo — each played an actor forced to project his romantic persona into real life.

Watson, after disappearing during the initial craziness, returns in a very funny sequence (although fans of her Hermione character might have some trouble accepting her dropping the «F» bomb several times), while Michael Cera plays a coked - up, obnoxious jerk (far removed from his real - life persona).

Not a biography by any conventional definition this is a freewheeling Bob Dylan portrait where his name is never spoke, his life and career is represented by six different actors representing various personas, and the songs and stories (real and imagined) and mysteries of the artist are as important as any historical record.

While co-directors Jonathan Dayton and Valerie Faris (Ruby Sparks, Little Miss Sunshine) wring tension and suspense from the same - day build - up to the match, the match itself — captured by grainy, fuzzy TV cameras with the occasional, ground - level insert — and the immediate aftermath (symbolic and figurative, more than real or long - lasting), it's in the months - long lead - up to the match, following Billie Jean King (Emma Stone, never better) and Bobby Riggs (Steve Carell) where Battle of the Sexes steps up its game to offer a sympathetic, insightful, poignant, behind - the - scenes look at the private lives of the public personas who stepped onto the tennis court of the Houston Astrodome on September 20th, 1973, as Americans on both sides of the political divide watched in rapt attention.

Harlow plays Hollywood superstar Lola Burns, a not - so - thinly veiled riff in her own persona (in one scene, she's called in for retakes on the Red Dust rain barrel scene, certainly one of the real - life Harlow's most famous screen moments), and Lee Tracy is pure mercenary drive as an unscrupulous publicist who actually enjoys the torment he puts her through as he manufactures scandals and breaks up romances with his con - man shenanigans.

Emmanuelle Riva stills possesses a warm energy, and there's an interesting comparison between a vintage head - on camera interview from 1959 (really a longer, unedited Q&A on the still - standard fluff regarding an actor's character and real - life persona), and a new 2003 video interview, divided into 7chapters.

It's amazing to see people who are real - life heroes - sometimes we forget that they truly exist, and aren't some «mythological» or «legendary» persona.

It's almost hysterical seeing Binoche (who has never in real life been this type of self - aware persona) wear large sunglasses inside a hotel room and fuss about her importance; she is brilliant in every scene.

The scene is true to her screen persona, and perhaps of Grahame's attitude toward men in real life — she had four marriages, and many romances.

MacLaine's airy delivery is alluring, nothing like the odd real - life persona she is better known for today.

Having seen Wiseau speak in real life following a screening of his most recent movie at Beyond Fest earlier this year, it's astonishing how perfectly Franco slips into that persona.

Morgan is also given a small window to show he can be different than his real - life persona and his «30 Rock» alter ego.

Meanwhile, screenwriter Andy Bellin's attempts to juxtapose Lovelace's real - life feelings with those of her Deep Throat persona — a gentle wallflower who just needed a little nurturing to bloom into a Venus Fly Trap — are facile at best.

Oscar nominee Eisenberg feels so out of place in the casting but his wacky persona in real life only authenticates his character.

In Education Simulations's Real Lives, children take on the persona of a peasant farmer in Bangladesh, a Brazilian factory worker, a police officer in Nigeria, a Polish computer operator, or a lawyer in the United States, among others, experiencing those lives based on real - world statistical dReal Lives, children take on the persona of a peasant farmer in Bangladesh, a Brazilian factory worker, a police officer in Nigeria, a Polish computer operator, or a lawyer in the United States, among others, experiencing those lives based on real - world statistical Lives, children take on the persona of a peasant farmer in Bangladesh, a Brazilian factory worker, a police officer in Nigeria, a Polish computer operator, or a lawyer in the United States, among others, experiencing those lives based on real - world statistical lives based on real - world statistical dreal - world statistical data.

Also, having been to and checked photos online for some of the locations visited in Persona 5, I can say with confidence that the game versions of these locations are close to identical to the real life article.

Persona 5 will quite literally replace your life; you will be better friends with the in game characters than you will be with friends in the real world.

The 20 + year strong Persona series is the only JRPG series I'm aware of that give you real downtime between dungeon crawling, as you have to spend time improving yourself, your relationships with others and generally doing life sim things like going to school and working part - time jobs.

In truth, any REAL hardcore fighter — be it Street Fighter, Marvel VS. Capcom, BlazBlue, Tekken, Persona 4 Arena, Soul Calibur, Guilty Gear, or what have you — beat the living shit out of this sorry excuse for a fighting game series.

Although you'll rarely see your avatar unless you win them a spot on the podium, it's more engaging than having to select from real - life personas.

People may feel that the imaginary characters they «created» exist in a different space, that one's online persona along with the online others live in an make - believe dimension, a dream world, separate and apart from the demands and responsibilities of the real world.

In an age when internet profiles take the place of real - life personas and emoji stand in for emotions, Nasatir's props feel like proxies for deep, dark human desires and obsessions.

«#TOUCHMYSOUL» examines the culture and nature of fame and the gap between a celebrity's public persona and real life.

Consistent with Breitz's interest in the role that mimicry plays in the forging of selfhood and her ongoing analysis of the circular relationship between real life and reel life, The Woods traverses three continents to explore the rituals and conventions governing the on camera and off - camera personae of professional child actors, as well as adult actors who have become famous playing child roles.

Consistent with Breitz's interest in the role that mimicry plays in the forging of selfhood, and with her ongoing analysis of the circular relationship between real life and reel life, The Woods traverses three continents to explore the rituals and conventions governing the on - camera and off - camera personae of professional child actors, as well as adult actors who have become famous playing child roles.

Consistent with Breitz's interest in the role that mimicry plays in the forging of selfhood, and with her ongoing analysis of the circular relationship between real life and reel life, The Woods traverses three continents to explore the rituals and conventions governing the on - camera and off - camera personae of professional actors working in Hollywood (Los Angeles), Bollywood (Mumbai) and Nollywood (Lagos) respectively.

SELECTED GROUP EXHIBITIONS and SCREENINGS The Concordia Biennial: The Art of Teaching, Concordia Gallery, Concordia University, St. Paul, MN, 2016 It's so hard to live without you, Helsingborgs Dagblads Photo Salon, Landskrona Photo Festival, Landskrona, Sweden, 2016 The Golden Hour, See 18 Film Screening Room, MSP International Airport, Minneapolis, MN 2016 - 17 North of the 45th Parallel, DeVos Museum, Marquette, MI, 2016 Experimental Cinema: Pixels, Minneapolis International Film Festival, St. Anthony Main Theater, Minneapolis, MN, 2016 Society of Scottish Artists Annual Exhibition, RSA Gallery, National Galleries of Scotland, Edinburgh, 2015 This From There, Circa Gallery, Minneapolis, MN, 2015 Photography Since the Millennium, Louisville Photo Biennial, Carnegie Center for Art and History, New Albany, IN, 2015 SPE Combined Caucus Juried Exhibition, Ogden Museum of Southern Art, New Orleans, LA, 2015 SPE Combined Caucus Juried Exhibition, UCF Fine Arts Gallery, Orlando, FL, 2015 Perspectives, MN State Arts Board, St. Paul, MN, 2014 Faux / Real, Non-Fiction Gallery, Savannah, GA, 2014 Finders and Keepers, Duchesne Academy (participating Fotofest space), Houston, TX, 2014 Acquisitions and Debuts of the Hillstrom Museum of Art, St. Peter, MN, 2013 Art in the Age of Globalization: Outsourced, Minneapolis Institute of Art, MN, 2012 - 2013 What Can not Be Cured Must Be Endured, Paul Robeson Gallery, Newark, NJ, 2012 Terraforming: Contemporary discourse in landscape photography, King Street Gallery, Silver Spring, MD, 2012 Then + Now, Hillstrom Museum, St. Peter, MN, 2012 Intersections, Minneapolis College of Art and Design Gallery, Minneapolis, MN, 2012 EA$ T / WE $ T: A Global Look at Capitalism, New Harmony Gallery of Contemporary Art, New Harmony, IN, 2011 Faculty Exhibition, Schaeffer Gallery, Gustavus Adolphus College, St. Peter, MN, 2010 2008 McKnight Fellows Exhibition, Franklin Artworks, Minneapolis, MN, 2010 Re-Generate, Re-Image, Re-Focus: New Directions in Photography, Priscilla Payne Gallery, Bethlehem, PA, 2009 Yummy, Nexus Foundation, Philadelphia, PA, 2007 Visual Noise, UMC Art Gallery, University of Colorado, Boulder, CO, 2007 Imagining Namibia, The Art Center of St. Peter, St. Peter, MN, 2006 Soul Searching, Cyrus M. Running Gallery, Concordia College, Moorhead, MN, 2006 WCA International Video Shorts Festival, Boston, MA, 2006 Cuba Libre, The Art Center of St. Peter, St. Peter, MN, 2004 Faculty Exhibition, Carver Center for Arts and Technology, Baltimore, MD, 2003 SPE Regional Conference Exhibition, Manchester Craftsman's Guild, Pittsburgh, PA, 2002 True Confessions, Charles Theater, Baltimore, MD, 2000 On Sight, The School of Visual Arts, New York, NY, 2000 The Photographic Persona, Belknap Gallery, Univ. of Louisville, Louisville, KY, 1999 The Y2K Solution, Rutgers University, New Brunswick, NJ, 1999 AugenMusik (installation / performance), Peabody Conservatory, Baltimore, MD, 1999 Emerging Artists, Maryland Federation of Artists, Annapolis, MD, 1999 LaGrange National, LaGrange College, LaGrange, GA, 1998 Choice, Tate Gallery, University of Georgia, Athens, GA, 1998 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1997 She Defies Gravity, Ekhartsberga Gallery, McKees Rocks, PA, 1996 Exposures, Garfield Artworks, Pittsburgh, PA, 1996 Three Rivers Arts Festival, Wood Street Gallery, Pittsburgh, PA, 1995 Arts on Tour, Vine Street Gallery, Sharon, PA, 1994 Manchester Craftsman's Guild Staff Exhibition, Pittsburgh, PA, 1994