Sentences with phrase «real painted collages»

She creates hyper - real painted collages, most recently focusing on a central image or composition within a color field background, breaking up forms and redirecting references to question the act of representation itself — especially when it comes to the female body.

Not exact matches

These tree outlines make a great base for adding autumn colour - use paint, turn it into a collage, you could even add real leaves!

2007 Expanded Painting, curated by Paco Barragan & Nina Arias, Miami, FL Reverie + Revolt: contemporary collage, ArtCenter / South Florida, Miami Real Time, David Castillo Gallery, Miami, FL All Is Well That Begins Well and Has No End, Eighty WSE Gallery, New York Summer Residency exhibition, Cooper Union, New York, NY All Media Juried Biennial, Art and Culture Center of Hollywood, FL CCA at 100: Alumni Looking Forward, Braunstein / Quay Gallery, San Francisco

Exploring the complex interplay of invented and real - world inspirations that led to this body of figure / ground paintings, this volume presents a selection of 21 major paintings and 36 related drawings, collages, and photographs from that time period, as well as a new painting from 2002 that reexamines related concerns.

But each of the artists» works are also about the misjudgment of a real environment — a real chair made out of special rope (Campana); a box made of terracotta and glaze (Cherubini); a lamp made out of found metal (Coolquitt); an abstract painting titled after a transsexual (Ferris); and collage, deceptively flat - looking, made from among other things, feather and beads (Alvarez).

The real revelation in Ms. de Kooning's article, «Vicente Paints a Collage,» however, is that Vicente began his collages with charcoal drawings rather than merely arranging bits of cut or torn paper.

In the collection, Chéri Samba dissects the world with the 2016 painting J'aime la coleur de la vraie carte du monde (I love the color of the real map of the world); Ahmed Chiha paints vibrant patterns over bamboo sticks, grouping them over a pile of sand; Zbel Manifesto collective collected trash for a week, using it to create an installation that looks like a dining room with Maria Callas's voice singing in the background; and Soukaina Aziz Al Idrissi hangs sheets with different textures together to form a dangling collage.

A certain material vagueness in pigmented paper pulp thus seems ideal for Stockholder, who has always enjoyed the erasure of distinctions: between gross matter and art, composition and formlessness, narrative and abstraction, sculpture and painting... «Having arrived at the Mill with digital prints of objects she photographed in her years and studio (bright plastic bowls and containers, a drinking bottle, some gaudy cakes that had seen better times) along with real objects (fabric swatches, the floor mat) she proceeded to collage and emboss them in stretches of pigmented paper pulp, working in collaboration with Paul Wong.

Vicente's initial forays into painting and, later, collage, were preceded by his years studying sculpture at the Real Academia de Bellas Artes de San Fernando in Madrid.

Gueorguieva first started experimenting with cutting and collaging the surfaces of her paintings in order to explore the shallow yet real space produced by the cut and the glued edge.

Exhibition of Sculpture by Mary Callery, January 8 — 30 * Paintings by Camille Pissarro, January 8 — 30 * Sculpture by Charles Howard, January 8 — 30 Mark Tobey, February 7 — 27 * Robert Motherwell: Paintings, Collages, Drawings, February 2 — 27 * Kurt Seligmann, March 5 — 30 Variety in Abstraction, March 5 — 30 * Thirtieth Annual Exhibition by the Professional Members, April 7 — 27 * Albert Pinkham Ryder / Arthur Bowen Davies: Exhibition, May 7 — 31 * Corrado Cagli from Cherbourg to Leipzig: Documents and Memories, May 7 — 31 Exhibition of Paintings and Drawings from the Josef von Sternberg Collection, November 1 — 27 * Jean Hugo: Paintings, Pastels, Drawings, and Theater, December 3 — 26 Landscapes: Real and Imaginary, December 3 — 26 *

Often incorporating life size imagery, these paintings combine collage with acrylics, drawings and oils, mosaics of real textures, and black and white photographs.

Kudo's hand - painted collages combine imagination, real life and a conversation about environmental issues.

Some people think of Hershman Leeson entirely as a film - maker, so it's terrific to see her early paintings, photographs, photo collages — her apocryphal affair with Elvis: «Photos make things so real, don't they!»

Co-curated by Fitzgerald and Emily Skillings, both poets, the show presents paintings, drawings, and collages hung in imitation of the environment at Ashbery's own home, complete with katchkes, coffee tables, lamps, velveteen chairs, wall decorations suggesting abstracted ledges, and fireplaces — even a two - dimensional piano drawn onto the wall, stacked with real sheet music.

Filled with playful works drawn and collaged from the «real» such as Rauschenberg's collaboration with John Cage, «Automobile Tire Print» (1953) and John's «Field Painting» (1963 - 64), the museum managed to de-institutionalize its own masterpieces via an institutional alchemy.

Carol Rhodes is well known for her dream - like aerial landscape paintings of edge - lands and semi-industrial landscapes collaged from real environments into fictional views that teeter on the brink of abstraction.

Scottish artist Carol Rhodes is well known for her dream - like aerial landscape paintings of edge - lands and semi-industrial landscapes collaged from real environments into fictional views that teeter on the brink of abstraction.

With them, he collages the real space in front of the painting with its pictorial space, at once subverting the glass's iconographic significance and inviting the viewer into the picture — only to throw him back out again.

In his paintings, drawings, sculptures, graphics, collages and assemblages he combined different techniques with handwritten texts and words and set real everyday objects against undefined backgrounds.

Elsewhere Costa has deployed coloured polythene bags (rubbish and recycling sacks from different London boroughs) to create geometrical wall pieces akin to Constructivist paintings; while in a series of small - scale paintings, he combines the methods and motifs of embroidery, collage and cartoons Quoting artistic precursors in seemingly degraded materials or formats, Costa playfully interrogates the «real value» of works of art, addressing the question of how unspectacular or even desultory materials might transmute into an art object and vice versa.

In the paintings by German painter Anselm Kiefer, Palmostern (2006) and Domenica delle Palme (2006), the artist uses real palm fronds dipped in plaster that are collaged on to paintings created with lead and mud.

And until spring is here for real, I'm enjoying my collage of vintage floral paintings — anything in a pinch, right?!