Sentences with phrase «real piece of this film»

The only real piece of this film that could be classified as «grounded» are the relationships, mainly of Eggsy, Merlin, and the returning Harry (Colin Firth).

Not exact matches

Anyone familiar with the more intellectual forms of pop criticism (whether of music or film) will recognize it as a parody of the Rolling Stone critic — a parody so good that, for a moment, one is almost convinced the piece is the real thing:

Of course, «The Peacemaker's» real selling point is action, and Leder proves herself a crackerjack action director, with some seriously intense set - pieces — a train wreck that opens the film, a horrifying nuclear blast, a car chase in a crowded plaza, a foot chase through the streets of New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopterOf course, «The Peacemaker's» real selling point is action, and Leder proves herself a crackerjack action director, with some seriously intense set - pieces — a train wreck that opens the film, a horrifying nuclear blast, a car chase in a crowded plaza, a foot chase through the streets of New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopterof New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopterof all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopters.

Based on a real piece choreographed by Ohad Naharin and appropriately scored to the classic Passover jam «Echad Mi Yodea» (a fun song that simplifies an age - old struggle), this opening gambit offers a prime example of the forcefulness missing from the rest of the film, even though Padilha finds a way to bring Batsheva back.

Is it a real film, or a feature that uses the porn milieu to turn out a piece of softcore titillation that's halfway between porn and actual drama?

Featuring hand sewn fabric garments and real rooted hair, every detail of this piece has been carefully considered by the PCS team of artisans, themselves huge fans of the HALLOWEEN film.»

That's harder said than done, resulting in a relationship that not only feels more real than most of the films this year, but plays a big part in its success as a romantic dramedy and an enchanting piece of science fiction.

As a piece of fiction it does raise issues with real world repercussions, and the film certainly made me think.

This early test edit of the real match would help Martin work with directors to create the perfect climactic set piece for their film.

The documentary is very nicely done, drawing in many different people who were involved in the making of the film; it's very much a real documentary rather than a promotional piece.

The best thing about the film, though, is that even though it's all about real events and real people, it still feels like a very well - written piece of fiction — not to say it feels unrealistic, it's more to say that the characters are more developed and intriguing than in most biopics.

The film doesn't reinvent the wheel, but it's a sturdy, tonally assured piece of work with a winning specificity to its voice and setting, giving Murray a real gift of a part in one of his best performances, one that the audience have clearly responded to in a big way.

The story, cobbled together by the director and young film enthusiasts Dario Argento and Bernardo Bertolucci, plays like a collection of the genre's greatest hits: the tense, real - time set pieces of High Noon; the mysterious hero of Shane; the encroaching antlike forces of civilization as explored in The Man Who Shot Liberty Valance.

«Suburbicon,» a George Clooney - directed»50s - era period piece that touches on very real issues of integration within a borderline surreal dark comedy, recently saw filmmakers conduct an interview in a Hollywood trade that positioned the film as a post-Charlottesville movie of the moment.

«Big» is such a classic piece of film and it also was a real turning point for Tom Hanks as an actor.

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

But this week's competition is facing her down with a real buried gem, somebody only the mosy diligent of cineastes has heard of and whose film adaptation of a serious difficult piece of theater just hit theaters this past weekend... a Saoirse Ronan?

That's harder said than done, resulting in a relationship that not only feels more real than most of the films last year, but plays a big part in its success as a romantic dramedy and an enchanting piece of science fiction.

Exclusive to the Blu - ray is a thorough and detailed commentary track by director / writer Richard Kelly, the featurette «The Box: Grounded in Reality» (about the real - life history of his parents that inspired the characters), three brief yet quite efficient snapshots of the film's digital effects, a trio of bonus mood piece shorts (more ominous suggestions of otherworldly surveillance) and a bonus digital copy of the film for portable media players.

As the film draws towards its finale, so Howard finally really releases the shackles and allows the music to go full - pelt - «It's God» with a soaring trumpet theme; «The Final Climb» reprises a couple of earlier themes, Howard once again combining conflicting emotions with real class; and finally, a lovely end credits piece which is very recognisably from this composer, and one of the album's certain highlights.

Undoubtedly a high speed adventure, this film's real genius lies beyond the actors» faces and directly on the shoulders of stunt coordinator Charlie Picerni (Lethal Weapon, Die Hard), who was in charge of the stressful and exciting action pieces that had Hawke's Magna racing against the clock for ninety minutes.

While that is a very definite part of why the film is one of the most effective pieces of cinema I've ever seen, I'm glad it's being noticed because of the very real issue that it tackles — hidden pedophilia within the Catholic Church.

When Andrew decides to contribute a film to the Humpday fest (a real - life amateur porno festival sponsored by Seattle alternative weekly The Stranger), a piece of art that will «push boundaries,» Ben proposes (in front of a crowd of artist - types) that the two of them — two straight men — have sex on camera as a radical performance piece.

Though it delivers the familiar blend of production footage and interview comments, one comes away from this piece getting a real sense of the filming, as we hear from author Neil Gaiman, director Matthew Vaughn, and assorted cast and crew members.

Additional bonus material on the final disc includes Eric Vespe's Butt - Numb - a-Thon greeting from 2011, the «Rivers of Gold» music video, a not - very - clever fake hit piece on one of the dwarf actors «The Real Adam Brown» and a touching tribute to cinematographer Andrew Lesnie, who passed away shortly after the film was released.

Sony's new film You Are My Friend, directed by Marielle Heller, is being distributed by TriStar Pictures and is inspired by the real - life friendship between magazine writer Tom Junod who reluctantly takes a job to do a feature piece on Fred Rogers and it changes his perception of the world.

The piece reveals the personal nature of the film (shot at Shanley's first grade, where the real Sr..

One of the film's gimmicks is a piece of software (seriously, the programs in this movie make the «Zoom, enhance» stuff on CSI look 100 % real) that renders people and locations into abstract, polygonal shapes made up of multiple camera angles.

Damien Chazelle's second film is the story of two struggling artists — jazz pianist Sebastian (Ryan Gosling) and wannabe actor Mia (Emma Stone)-- who don't exactly meet cute, then do before going on to have a very real relationship (cleverly camouflaged as piece of fluff musical).

«Boyhood»: Richard Linklater's masterwork, and a piece of cinema as superb as it is unique, with one boy's step - by - step trek through the years brought to meaningful, beautiful life in a film made up almost entirely of the kinds of real, wrenching and funny scenes other, lesser movies either cut or never include in the first place.

MGM altered Pieces of April's one sheet for home video in much the same way, and I guess my frustration with these changes is that they epitomize anti-intellectualism — there's real canniness in the matter - of - fact images of Holmes that were used to market the theatrical releases of these films.

Japanese games almost exclusively use cutscenes; pieces of pre-rendered or real - time video that further the story through traditional film style.

As gamers make matches, cards called CineBits appear along the bottom of the screen, relating to individual movie stars (based on real actors and actresses), narrative pieces and even film bonuses (like happy endings or pre-launch buzz).

The exhibition will include some the collective's key pieces including their film works, KI - AI 100, Black of Death and REAL TIMES.

Additionally a new video installation The Destruction quartet 2006 will be launched at this exhibition: it includes fragments of symbolic and real - life destruction acts that Jonas Mekas witnessed and filmed through the years: Nam June Paik destroying a piano; Australian based artist Danius Kesminas» fire piece in New York in 1983; the destruction of the Berlin Wall in 1990; and 9/11.

Showcasing work by 29 artists of varying race, ethnicity and gender (including David Hammons, Lorna Simpson, Robert Mapplethorpe, Pat Ward Williams, Jean - Michel Basquiat, Lyle Ashton Harris and Andres Serrano, among others), the show, through installation pieces, photography, sculpture, film and video, presents a range of representation — images that «challenge and transform the «negative» stereotypes,» «real and imagined,» writes Golden in the exhibition catalogue.

At the time it was claimed this was to provide a less distracting backdrop for film and photographs but it was reported that the real reason was the panic of his advisers at the thought of Powell being recorded in front of such a famous piece of pacifist propaganda.

The huge exhibition moves from a diptych of Hans Namuth's film of Jackson Pollock at work, playing on a monitor next to Pollock's Number 1 (1949), through - among so many other things - Japanese Gutai painting performances from the»50s; photo - documentation of Valie Export's Genital Panic (1969), in which Export, in crotchless jeans and packing an Uzi, roamed the aisles of a porn cinema challenging viewers to deal with the real thing (there's that «real» thing again); relics of Hermann Nitsch's bloody ritual drama, Asolo Raum (1971), to the most recent works, set pieces by Mike Kelley and Paul McCarthy.