The two games that came to mind immediately in terms of
a real sense of wonder are Dragon Quest VIII and Okami.
There's
a real sense of wonder and depth to your surroundings — Thora is often dwarfed by everything around her, which is especially impressive given the game's visual style and fixed camera angle.
The whole narrative is structured for discovery, and it unfolds with
a real sense of wonder we don't get to feel much at the movies anymore.
Not exact matches
A
sense of an ultimate right and an ultimate wrong is still
real for me, and I often
wonder how I would deal with any serious breach
of that standard in my personal life.
It's common knowledge that Santa isn't
real, and there's explicit evidence
of the origins
of the concept, as well as the fact that parents use it for fun and to give their kids a little
sense of wonder.
It is,
of course, our story: the threat,
real or simply paranoid; the flight in terror through the wilderness
of despair; the
wonder of sustenance in the desert; the darkness, the stillness, the strangely comforting loneliness
of the cave in which we spend a night or a week or however long it takes for the noise and fury
of our hell to subside; the perception
of the gift, now,
of gentle silence; the miracle, then,
of the discovery anew
of the «isness»
of the Word, but the immediate, bitter protest against it because it will not let us stay in this place
of haven from storm, this realm
of the silence
of gentleness, because it sends us back again, and because it rebukes the pride
of our paranoia, our monumental
sense of absolutely unique commitment and persecution; and finally our return, to call an Elisha on the way and to resume the work
of ministry to Word
of God and word
of earth, renewed by the whole kaleidoscopic experience
of the trip to the Cave.
This is an incredibly difficult question to answer for a variety
of reasons, most importantly because over the years our once vaunted «beautiful» style
of play has become a shadow
of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out
of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make
sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid
of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out
of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes
of Bellerin and Gibbs and the spirited albeit offensively stunted play
of Monreal, but none
of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio
of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes
sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part
of last season... it always made me
wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part
of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature
of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player
of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out
of position far too many times since arriving and that the players in front
of him, minus Sanchez, make little to no
sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in
Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that,
of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one
of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one
of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already
of course... strangely enough, even he doesn't make
sense given the constructs
of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make
sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack
of mobility is an albatross around the necks
of our offence... so when you ask who would be our best starting 11, I don't have a clue because
of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
If you're
wondering what to cook up with your farmers market finds, here are a few
of my favorite recipes from my new cookbook, «Love
Real Food: More Than 100 Feel - Good Vegetarian Favorites to Delight the
Senses and Nourish the Body.»
James Woods and Kathleen Turner are sublime as Mr. and Mrs. Lisbon, Kirsten Dunst, Hanna R. Hall, Chelse Swain, A.J. Cook, and Leslie Hayman are all really good as the Lisbon sisters, Josh Hartnett showed some
real star potential as Trip the love interest
of Dunst's Lux, and Giovanni Ribisi hits all the right notes and puts in fantastic work as the film's narrator, conveying a great
sense of both maturity and youthful
wonder.
It has
real passion,
real emotion,
real terror, and a tactile
sense of evil that is missing in that other current movie dealing with wizards,
wonders and wickedness.
The
real wonder of it all is that there's room enough in the universe for both
of their dangerously inflated
senses of self - satisfaction, simultaneously reaching their respective pinnacles in a pair
of atrocious films that at least have the virtue
of being really funny, albeit for all the wrong reasons.
The film opens on the island
of Themyscira, a paradise island created by the god Zeus and hidden from the
real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know
of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «
real world» scenario gives the film a greater
sense of depth, and when combined with characters that you actually care about then
Wonder Woman is head and shoulders above all
of the other DCEU movies on the strength
of that alone.
(You
wonder why a younger actor wasn't cast in the Ruskin role — until you note that Wise, the dashing Willoughby
of «
Sense and Sensibility,» is Thompson's
real - life husband.)
Slate's Donna is grotesquely unprepared for adult life: she's about to lose her job at a «Non-Imperialsist» used book store, her boyfriend just dumped her for making jokes about their relationship in her act, her mom and dad
wonder when she'll get her life together, and there's a very
real sense that the title refers to her clearly evident lack
of maturity.
To instill a
sense of wonder and personal agency that can only be achieved through the exploration
of real - world challenges and their potential solutions.
Perpetuating each student's
sense of wonder and desire to learn through a
real - world, experiential curriculum.
«When teachers challenge students to figure out information for themselves (whether solving math problems or discerning
real news from fake), students become actively engaged in school, their natural curiosity and
sense of wonder are sparked, and they are set up for success, not only in school but in their communities and careers.»
Speculative fiction allows both authors and readers to enter into a story with a
sense of appreciation and
wonder for what's different between the fictional world and the
real world.
He's got a
real sense of things like names, and his
sense of wonder at creating a world comes out in things like the names
of characters and the names
of places.
And so, partnering with David Hellman, most notably the artist behind Jon Blow's Braid, the two took to Kickstarter to help restore that
sense of wonder as best they could with Second Quest, an upcoming, hard - bound graphic novella «for those who love videogames but want more compelling worlds and a
sense of real discovery» and «anyone who's felt the pull
of distant landscapes and longed to explore a world full
of mystery.»
While one can make
sense of how a collection
of photos showing people with their backs turned to the viewer or a series
of heads, both
real and fake, come together on a superficial level, one
wonders how flowers, a kimono and a plastic airbrushed unicorn piece are linked.
Her works are always intriguing and incorporate an element
of surprise, so that the viewer wandering through them begins to lose his
sense of orientation and to
wonder whether his surroundings are
real or fictional.
I have no
real sense of that from a geologists standpoint (except for one who might work for an oil company) but have
wondered about the potential phenomenon.
There's still time for a generation
of parents who knows what it's like to be raised without the Internet in every pocket to teach their kids about the beauty and
wonder of the
real world, to instill a
sense of responsibility, to teach them how to be bored with grace, and to pull their own weight around the house.
This obviously makes one
wonder about the concept
of centralization; we are generally opposed to any kind
of centralization, but at the same time we don't see the centralization
of hashing power as a
real issue, as long as the economic incentives for miners make
sense, i.e. as long as the miners» selfinterest is in accordance with that
of Bitcoin.