Sentences with phrase «real violence»

Time to price in the risk of real violence.

At the heart of our training is a commitment to understand and prepare individuals to overcome REAL violence Frequency about 1 post per month.

At the heart of our training is a commitment to understand and prepare individuals to overcome REAL violence Frequency about 1 post per month.

We still have no credible plan to deal with the very real violence of climate change.

«We're seeing real violence around that,» he added.

Real violence reflects the artist's interest in states of interaction between the viewer and the work, in particular as they are activated by the gaze.

When we first started Real Violence, we made a test with stunt guys beating up other stunt guys.

It's real violence because I was applying real physical violence to the figure, despite it being made up of animated components.

-- that inspired Real Violence itself, so strap yourself in for a disturbing and maybe offensive ride.

At the heart of our training is a commitment to understand and prepare individuals to overcome REAL violence Frequency about 1 post per month.

At the heart of our training is a commitment to understand and prepare individuals to overcome REAL violence Frequency about 1 post per month.

Wolfson aside, the inclusion of Real Violence in the Whitney Biennial marks a milestone for the medium of virtual reality — which, despite its recent acceptance, has really been around in some form or another for decades.

It's a relatively harrowing film punctuated by real violence, and it cleverly starts weaving...

Apparently, the guy has been quite the active voice when it comes to sex and violence in the media, often citing research showing the correlations between exposure to game violence and propensity for real violence.

Jordan Wolfson's virtual reality work Real violence (2017) was presented for the first time in the 2017 Whitney Biennial curated by Mia Locks and Christopher Lew.

And say what you will about Tarantino's comments, they may have been a bit too over-the-top, but please lets never equate fictional violence with real violence: there's zero hypocrisy from the filmmaker there, sorry (this is painfully glib).

Wolfson was interviewed by Thomas Bettridge for 032c on the occasion of the first presentation of Real violence at the 2017 Whitney Biennial.

Complete with fake «first hand accounts», news footage and video footage, it spread pretty far before it died out, and during a time when anti-police sentiment was fuelling real violence on the streets.

That said, I think that the mainstream media has been quick to condemn groups as «violent» whose only real violence has been actions in self defence of themselves from genuinely violent cops, but whose tactics have included property damage - and these elements within the mainstream media have held up footage of property damage as examples of the groups» violence.

«Allowing family members to petition a court for help before a loved one's risk of violence becomes real violence is a tool which should be considered by states seeking to reduce gun violence,» Frattaroli says.

There are no special camera angles, no editing tricks, no gratuitous blood: just real violence, and it is all the more disturbing for that.

How does real violence in the media such as police shootings and terrorism «bleed» into the world of fantasy violence in games and movies?

Kids and Violent Play: An Education World e-Interview With Jane Katch, Author of a Book About Children's Violent Play In an e-interview with Education World, Jane Katch, author of Under Dead Man's Skin: Discovering the Meaning of Children's Violent Play, reflects on her students» violent fantasy play and sometimes real violence.

Turnipseed's reasoning includes the usual citation of «studies» that claim that exposure to media violence will beget real violence.

The Supreme Court in 2011 dismissed any link between game violence and real violence when it ruled, 7 to 2, that California could not block the sale of violent games to kids.

Jordan Wolfson's first institutional solo exhibition in Berlin featured Real violence (2017) and Riverboat song (2017 — 2018).

We hum back toward New York City, where his artwork Real Violence (2017) at the Whitney Biennial is igniting droves of perplexed and horrified reviews.

Putting on a headset at the packed Whitney Biennial to watch Real Violence, I noticed that the glass of my Oculus Rift display was slightly fogged from the sweat of the person before me.

Jordan Wolfson Real violence, 2017 at Schinkel Pavillon, Berlin, 2018 © The artist.

While Wolfson himself does not ascribe to these beliefs, Real Violence arises from a similar thirst for senseless rupture, mining a void between the violent extremity of media and the impotence of everyday life.

«The note that Real Violence hit — particularly in the context of the Whitney — was a political note,» artist Simon Denny tells me about the film, «And what's interesting is that Jordan seems to rhetorically dodge that when he speaks about it in public.

Not quite as intense is the conversation about Jordan Wolfson's virtual reality piece Real Violence (2017), that also addresses issues of race.

Jordan Wolfson, «Riverboat song» Opening: 6 — 8 p.m., David Zwirner, 533 West 19th Street What you should know: What has Jordan Wolfson — still possibly best - known for his decidedly pre - #MeToo 2014 robot dancer — been up to since creating Real Violence, the disturbing VR piece he debuted at the latest Whitney Biennial to widespread condemnation?

Most recently, he exhibited Real violence (2017), a short virtual reality experience, in this year's Whitney Biennial.

Like Real Violence, Wolfson's virtual - reality piece shown at the Whitney Biennial, and indeed much of his work in other media, the perspective becomes more complex once the works engage with viewers through movement and sound.

Oddly enough, one of Lemmerz's first, unrealized ideas for a virtual reality piece involved representing a physical beating very similar to that in Jordan Wolfson's controversial Real Violence, currently on view in the Whitney Biennial.

For what was arguably the most controversial piece in the 2017 Whitney Biennial, Jordan Wolfson's Real Violence required viewers to don headsets and headphones to experience a 90 - virtual reality simulation.

Consider his most notorious work, a virtual reality video called Real Violence that caused a furore when it was seen at the Whitney Biennial in New York last year.

There's been no shortage of cynicism among critics for Real Violence, though Wolfson's no stranger to scathing reviews — among them, Artspace's harsh analysis of his May 2016 show at David Zwirner, written by artist Ajay Kurian, who is also present in this year's biennial.

The most recent of the two works, Riverboat song, is a video that was presented across sixteen monitors, while the virtual reality work Real violence was on view in the Schinkel Klause space.

Gun violence — real violence in the real world — has been making the headlines lately.

The modus operandi, such as it was, was to go in hard and fast with real violence to subdue those who might otherwise be brave or stupid enough to fight back, and then speed away in the getaway car.

It's a prime chance to tackle the disconnect that the media loves to talk about between reality and very real violence, and for a brief second it looks like The Call Up is thinking the very same thing.