Sentences with phrase «real writers too»

Not exact matches

To a few of the grumpy mouse tech blogger writers: you too will get to play the real thing when we ship

Thirteen years later, the feisty writer and mystery - solver from Cabot Cove is still my go - to on days that need a little constancy and predictability, when real life is playing a bit too fast and loose with my heart.

While I agree with the writer that we must learn from Barcelona and Real Madrid, I hope you will all agree with me that another major factor why the play the way the do is because the coaches they have are a major influence too.

Even David Robinson, the well - respected, even - handed business writer for The Buffalo News got into the act, penning a strongly worded column last month that concluded too many IDA deals fail to promote real economic growth.

But sometimes, especially last season, the writers got too wrapped up in gimmicks like penny can, instead of the real relationships between their characters.

At first, Writer / Director Peter Stebbings seems intent on making this a darkly amusing comedy set in a real world where children grow up too fast, drug use, violence and murder are too casual and little seems hopeful.

Too melodramatic to be a real thriller, Thierry Klifa's «His Mother's Eyes / Les Yeux de Sa Mère,» (France) about a writer's plan to ingratiate himself into a fractured family, is still intelligent, engrossing and features an easy - on - the - eyes cast, which includes ever - lovely Catherine Deneuve, Nicolas Duvauchelle, Géraldine Pailhas and Jean - Baptiste Lafarge.

The writers are able to get in some great observations, but they never let the future get too real.

It would be comforting to see writer / director Dan Gilroy's debut film as satire, but there is too much real - world evidence of the sensationalism and tabloidization of the news to observe the film in that light.

Unfortunately, director Peter Hewitt, writers Alec Sokolow and Joel Coen (shame on you, Joel; you must have had a mortgage payment due, too), all led by the now - creatively vacuous Jim Davis, have used the memory of the real Garfield, Odie, Jon and Liz as kitty litter.

What a glorious film Lady Bird is — wonderful to see nominations for Greta Gerwig as director and writer and also the acting nominations for Saoirse Ronan and Laurie Metcalf as the mother and daughter double - act: an all - too - real relationship, dysfunctional, painful, loving and sad.

The story goes behind the scenes of her hit sitcom, where writers Tony and Bill, director Dennis and Sophie's male co-star, Clive, are enjoying the success — until some of the scripts start to bear too much of a resemblence to real life.

I remember being SO disappointed in Joanna Penn when she changed her writing name from Joanna Penn to J. F. Penn because supposedly there's a stereotype (which I had never heard of before I started reading / listening to writers — apparently no one in the real world thinks this way) that women can't write thrillers, too.

Since, to you, a REAL writer must be one who proves himself in the actual marketplace with SALES, then let's apply your sales criterion across the board, to books published by «real» publishers, REAL writer must be one who proves himself in the actual marketplace with SALES, then let's apply your sales criterion across the board, to books published by «real» publishers, real» publishers, too.

Too many agencies are involved in charging large fees from writers, making it hard to determine the real from fake ones.

If anyone asks you how you dare call yourself a real writer, tell them you have Sarah Hoyt's permission, and if they don't agree, that's too bad.

Jackson's best piece of advice to all aspiring writers is to be real — «don't try to force your voice by being too clever or contrived.»

And two, indie's often dream of being succesful enough to have a «real» book published too some day, and don't want to see writers get used.

Social critics who proclaim that «real travel» is dead are just too lazy to look for complexities within an interconnected planet — and travel writers who seek to diminish their own presence in the tourist matrix are simply not being honest.

That's a good thing as any competent writer will tell you that the best thing you can do is force the audience to become uncomfortable with an aspect of the story because it feels too real or hits too hard (such as killing off a well - loved character and keeping them dead).

I am inclined to endorse that interest, while believing too that these books offer a real and practical opportunity for us as curators and writers to include more examples, of a wider range of works, in any story of British sculpture.

To a few of the grumpy mouse tech blogger writers: you too will get to play the real thing when we ship

(In contrast, some of the more fly - by - night resume writing companies who charge too little to pay REAL writers... are KNOWN to try to increase their revenue by selling their clients» information to marketing lists — that will NEVER happen here!)