Committed to figurative painting at a time when it was out of favor with critics and collectors, Steers nonetheless gained appreciation for his expressionist -
realist narratives of a life shadowed by isolation and mortality, yet infused with wry humor, camp, and what Steers himself called, a «gorgeous bleakness.»
In a lively and engaging
narrative, Ellis recounts the sometimes collaborative, sometimes archly antagonistic interactions between these men, and shows us the private characters behind the public personas: Adams, the ever - combative iconoclast, whose closest political collaborator was his wife, Abigail; Burr, crafty, smooth, and one
of the most despised public figures
of his time; Hamilton, whose audacious manner and deep economic savvy masked his humble origins; Jefferson, renowned for his eloquence, but so reclusive and taciturn that he rarely spoke more than a few sentences in public; Madison, small, sickly, and paralyzingly shy, yet one
of the most effective debaters
of his generation; and the stiffly formal Washington, the ultimate
realist, larger - than -
life, and America's only truly indispensable figure.