Sentences with phrase «realist painting of»

And at the Whitney Museum of American Art's inaugural downtown exhibition in 2015, Celmins's stark, realist painting of a heater

(See also the realist painting of Chuck Close and Richard Estes.)

In fact, it's a photo - realist painting of an image taken from a 1970s interior design publication that has a water stain on it.

His out - of - focus, photo realist painting of Milan's «Domplatz, Mailand,» (cathedral square) sold for $ 37.1 million at Sotheby's.

Whether it is a photo - realist painting of a hand shake or a collage of imagery surrounding hands shaking, Basher looks specifically at how consumer culture preys on the public at large.

Because of its rough - hewn style, the painting is often noted as the first realist painting of peasants.

Think about the 19th - century realist paintings of people like John Everett Millais or Gustav Courbet — it's interesting to read that at the time people complained, «Why are you painting peasants?

Ellen Altfest is an American artist known for her realist paintings of still life and male figures in painstaking detail.

Estes was greatly influenced by the realist paintings of Edgar Degas, Edward Hopper, and Thomas Eakins when he studied at the School of the Art Institute of Chicago.

That Which Was Once Whole features the realist paintings of Dennis Crayon.

«Philadelphia gallery featuring contemporary realist paintings of landscapes, city scenes, still life and interiors in a wide range of styles by over forty artists.»

They included dolphins, lobsters and others, cast in aluminum, together with realist paintings of Popeye smoking his pipe, with a red lobster hovering over his head.

WAYNE THIEBAUD: «THE FIGURE» While best known for his Pop - realist paintings of food products, Mr. Thiebaud has also been a skillful and innovative figure painter, as this fine show of paintings and drawings dating from 1963 to 1992 demonstrates.

Along with some photography, the show largely features realist paintings of maritime subjects and seascapes.

Opening: «Richard Phillips: Conversations» at Mathew NYC For his first solo show in New York since 2012, Gagosian Gallery superstar Richard Phillips departs from his signature hyper - realist paintings of actresses and models in this downtown show featuring four new canvases that deal with different issues of appropriation.

It may well be the theme for Betty Tompkins» large - scale realist paintings of heterosexual sex currently on view at PPOW gallery.

Some works in the collection are very valuable, including one of Gerhard Richter's quietly melancholic, blurry photo - realist paintings of a candle against a gray - green interior.

Not exact matches

His evocative realist painting, Morning, Girl at the Bedside (1884) shows a sense of the diffusion of light and his fascination with interior and exterior space.

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

With an urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel - good carrot at the end of the string, Pedro Costa's three - hour drama In Vanda's Room paints a realist picture of the more

With an urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel - good carrot at the end of the string, Pedro Costa's three - hour drama In Vanda's Room paints a realist picture of the

The To Do List is hardly realist, painting in crudely comedic, splayed brush strokes - but it does capture the sex - crazed spirit of that time in a girl's life: the crudity and mishaps, alongside the prurience.

Vancouver Island with About Blog A still life and figurative paintings blog run by a pair of realist artists David Gluck and Katherine Stone.

With the realist setting of each painting, the surreal characters make an interesting contrast and offer an amusing insight into a world where mythical creatures are accepted as the norm.

One of the first painted altarpieces in North and Western Europe, it also marks a more populist approach to Christianity, with realist figures depicted next to more sacred elements.

For example, in 1960 a group of realist painters wrote a letter complaining that the museum was incorporating too much abstraction into its painting annual; other groups advocated for the museum to establish a day of free admission, or called out the lack of representation for female artists and artists of color.

From Megan Marrin & Tyler Dobson's Postkartenständer (Postcard Stand, 2014), on which photo - realist selfie paintings were offered as postcards stacked among kitschy tourist views, to Allora & Calzadilla's Contract (SWMU 10)(2015), a huge silkscreen of the lush, tourist brochure - style palm trees printed over a Warholish sweep of grey paint (a sign of the silkscreen medium itself), representation was shown helplessly submitting to the production which makes it visible.

Each canvas is a faithful replica of a well - known 19th - century New York area landscape painting, recreated by Simeon Lagodich, a contemporary American realist painter who resides in New York City and the Hudson Valley.

One of the earliest works on view is Fisherman's Family (1931), a seemingly realist oil painting of a family scene.

On view October 22, 2016 — January 22, 2017, this exhibition surveys the state of representational painting at the beginning of the 21st century and features approximately 40 works by 20 contemporary realist artists from throughout the United States and Canada.

Socially aware and socially conscious novels, films, music, mural painting, social realist painting, addressed the ills of American society.

The opportunity to develop additional programming as the result of the Tooker loan allows PAFA to pursue a symposium on a group of artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a contemporary idiom.

«I'm an academic realist painter, but I'm living in the 21st century, so I'm not going to be painting Roman soldiers invading, or some gothic baroque composition... The highest aspiration of an academic realist painter are these big group figure paintings, and I'm using the hardcore scene as my subject.»

It traces the artist's career from his «realist» scenes of 1930s New York through his Surrealist phase and — with a side bar of the «multiform» paintings — culminates in his floating blocks of color.

1958 1958 Pittsburgh Bicentennial International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh (December 5, 1958 — February 8, 1959) A propos du baroque: Jean Degottex, Marcelle Ferron, Sam Francis, Simon Hantaï, Shirley Jaffe, Marcelle Loubchansky, Joan Mitchell, Judit Reigl, Jean - Paul Riopelle, Galerie Kléber, Paris (November — December) Some Contemporary Works of Art, Cleveland Museum of Art, Ohio (November 11 - December 31) American Symbolic Realists: Fifteen American Artists, Palazzo Collicola, Festival dei Due Mondi, Spoleto, Italy (June 8 — 29) 18th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago (May 8 — June 8) The Museum and Its Friends: Twentieth - Century American Art from Collections of the Friends of the Whitney Museum, Whitney Museum of American Art, New York (April 30 — June 15) American Artists of Younger Reputation, New York Art Foundation, Rome (opened April 14) The Evocative Eye, Signa Gallery, East Hampton, New York (July 5 - 24) The International Art of a New Era: Informel and Gutai, Osaka Festival, Osaka, Japan (September 2 — 7) Action Painting, Dallas Museum of Contemporary Arts (March 5 — April 13) Abstract Impressionism, The Art Galleries, Portland Building, University of Nottingham, England (February 19 — March 19).

Reminiscent more of still life compositions, they are an exact and deliberate translation of what the artist observes in his studio, echoing his long - held conviction that «it is the honesty of the attempt to recreate the forms and spaces visually without artistic editing that is one of the hallmarks of realist painting».

Under the direction of William Merritt Chase, F. Luis Mora, and Kenyon Cox she learned the techniques of traditional realist painting.

Sharply surprising is the inclusion of taciturn paintings of benumbingly ordinary suburban streets by the finest of the first - generation photo - realists, Robert Bechtle, whose style has hardly varied in more than forty years.

«It is wonderful that figurative realist painting is alive and thriving despite the introduction of photography over 150 years ago.

Or, as Linda Nochlin argued back in 1971, realist painting has long been seen as the province of the domestic, of women's labour, even in its most hyper - mediated forms.

Martin Basher works in a variety of different media — from photo - realist paintings, large - scale abstract canvases, and assemblage sculptures to collage techniques.

Sumptuous color plates showcase a dazzling array of achievements — including Shanghai School paintings, modern calligraphy, commercial art, 1920s and 1930s woodblock prints, modern guohua (traditional ink and color paintings), socialist realist paintings and other contemporary works.

The paintings were composed of thick, fluid brushstrokes, the individuals appearing more as caricatures rather than traditional realist portraits.

JD: I think in the contemporary art - world there's a much - discussed suspicion of what we call «skill» when it comes to contemporary painting, particularly realist painting.

The vibration of the artist's heart and his unique skills are the most valuable and exciting part of realist painting,» says Leonid Gervits.

Autobiographical in the modernist and realist painting tradition, his paintings depict his own personal effects that include biker paraphernalia such as jackets, boots, helmets and gloves, alongside his packets of cigarettes and books.

Unlike the other realists of the time, Pearlstein chose to paint exactly what he saw, without resorting to photography or narrative.

It's a bit of a surprise to find a Noland show at the realist - oriented Farnsworth, best known for its holdings of paintings by Andrew and Jamie Wyeth (although Louise Nevelson, a Rockland girl, is strongly represented as well).

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

A realist who came of age during an era predominated by abstraction — Abstract Expressionism to be exact — Katz has been linked with a number of artistic tendencies, such as Color Field painting, Pop Art, and realism — both «new» and the traditional.