Sentences with phrase «reality installation by»
White Noise is an Augmented Reality installation by the LA based VR / AR collective Paper Triangles.
https://www.industrygallery.net/ Not exact matches
Her groundbreaking work Atlas in silico is a physically interactive and immersive virtual reality art + science installation that is driven by data from the Global Ocean Sampling Expedition, a survey of marine microbial communities led by the J.
After it opens with French director Arnaud Desplechin's Ismael's Ghosts, Cannes will premiere films from streaming companies Amazon (Todd Haynes's Wonderstruck and Lynne Ramsay's You Were Never Really Here) and Netflix (Bong Joon - ho's Okja and Noah Baumbach's The Meyerowitz Stories); debut TV series from Showtime (David Lynch's Twin Peaks revival) and SundanceTV Jane Campion's Top of the Lake); and host a virtual - reality art installation created by Alejandro Inarritu.
The following installations will be featured in The VR works of Felix & Paul, a showcase of groundbreaking live - action virtual reality experiences by artists Félix Lajeunesse and Paul Raphaël in the Festival's New Frontier exhibition.
The exhibition opens on May 23, 2015, with a reception for the artist, followed by a second phase beginning June 26, 2015, which launches the immersive outdoor video installation and the augmented reality experience.
With SOL, his new installation, Chicago - based Austrian artist Kurt Hentschläger creates a radically minimalistic environment by attempting to recalibrate visitors» senses, leading them into the far reaches of their perception along subjective and objective realities.
Major support for virtual reality installation with Hsin - Chien Huang is provided by The Rainbow Initiative Funds for Collaborative Cultural Project by Ministry of Culture, Taiwan, and National Chengchi University, Taiwan.
In the case of Doomocracy, an immersive installation and performance in the form of a house of political horrors conceived by Mexico City — based artist Pedro Reyes, doom is employed as part parable and part prophesy — a way to evoke certain political, social, and economic realities as well as to project a potential future to come.
Locks Gallery is pleased to present Invisible Reality, a selection of recent work and installations by New - York based artist Rob Wynne.
Lothar Hempel, presented by Anton Kern Gallery and Stuart Shave / Modern Art, will present a new installation in the form of a market place, where fragments of history and other forms of reality are for sale.
Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly produced works, including the major photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.
Recent works include the three - screen installation The Unfinished Conversation (2012), a moving portrait of the cultural theorist Stuart Hall's life and work; Peripeteia (2012), an imagined drama visualising the lives of individuals included in two 16th century portraits by Albrecht Dürer and Mnemosyne (2010) which exposes the experience of migrants in the UK, questioning the notion of Britain as a promised land by revealing the realities of economic hardship and casual racism.
Her video, installation, networked performance, intervention, augmented reality, and hybrid media works have been exhibited internationally and are represented by EAI and Postmasters in New York.
2012Lindley, Peter, Ground breakers, Morning Star, October 18 2012, p. 11 Scoccimarro, Antonio, Hannah Sawtell, Mousse, Issue 35, October / November, 2012, pp 168 - 169 Rowlands, Alun, Vendor, printed and distributed by Business Week, October 2012 Diederichsen, Diedrich, «Selling, valorising, burning» On two installations by Hannah Sawtell, printed and distributed by Business Week, October 2012 Vold, Nick, Factory Floor Talk ICA «Sonic Lumps» Collab, Nick Void discussion with Hannah Sawtell, The Quietus, 2012 Hannah Sawtell, Architectual Digest Espana, February Issue, 2012 Harbison, Isobel, Stock Piles, Frieze, March, 2012 Lindley, Peter, Reality Checkers, Morning Star, 16 February, 2012 Sawtell, Hannah, Manual and Digital, EXIT, No 47, 2012, pp. 112 - 117 Hannah Sawtell and Bjarne Melgaard at the ICA, London, Mousse, http://moussemagazine.it/sawtell - melgaard - ica / #more -23884 October, 2012 Davis, Ben, «Our Favorite Frieze Week Event: A 12 - Hour Art Jam at the McKittrick Hotel» s.artinfo.
Among the booths that should not be missed are: Chewday, which will have works by Gabriele Beverage juxtaposed with Neolithic idols; Arcadia Missa, with London - based artists; a virtual reality project by Jon Rafman at Jesse Seventeen; and a painting installation by Celia Hempton at Southard Reid.
While his installation of large - scale paintings on textiles — that were stitched during the 1970s by women in Pakistan — creates a dialogue between two worlds and two realities, both past and present.
Invisible Reality brings together a rich collection of sculptures, installations and paintings by the New Delhi - based artist, referencing cosmic parallels through his conscious repurposing of daily realities.
The Conversation, Berlin is pleased to present Imperfect Reality with Figures and Challenging Abstraction, a solo installation by American artist Chris Johanson.
The exhibition will feature recent work by contemporary artists who use the moving image as a versatile tool for both documenting and questioning reality, including Zineb Sedira's fourteen screen installation Floating Coffins 2009 and Steve McQueen's Static 2009, which probes ideas of freedom and migration through the potent symbol of the Statue of Liberty.
By revealing the mechanisms and means of digital processes in poetic installations and immersive projections, the works in the exhibition make apparent a new reality that situates itself in the materiality of media informed by data fluxes as the core of contemporary experiencBy revealing the mechanisms and means of digital processes in poetic installations and immersive projections, the works in the exhibition make apparent a new reality that situates itself in the materiality of media informed by data fluxes as the core of contemporary experiencby data fluxes as the core of contemporary experience.
The Unframed World: Virtual Reality as artistic medium for the 21st century introduces VR experiences by nine international artists that are embedded in their installations, projections, video works or sculptures in the exhibition space.
The spaces she constructs in both her installations and drawings are dreamlike and alien: based on reality, but reconfigured by the unconscious, where recognisable things and ideas have been shuffled and reinterpreted to produce a Kafkaesque ambiguity.
Entitled Blocked Content, the work is composed of sharp - cornered volumes from which faces, hands, and body parts dramatically emerge (or are imprisoned into) and by a virtual reality mobile app Inspired by Dante's Divine Comedy, the installation questions the concept of web ethic, the morality of artificial intelligence, and the illusion of a digital immortality.
Primitive is Weerasethakul's most ambitious project to date: a multi-platform work consisting of an installation of seven videos and one related short film that capture the social and historical reality of the rural village of Nabua, which was devastated by decades of violence between the Thai military and Communist - sympathizing farmers.
Her installations offer dream - like fictional landscapes informed by tough realities.
The installation — which the artist has interpreted as a metaphor for time, where the trail of all memories is condensed on a single point in space — synthetizes the core points of the artist's research, that is, the presentation of suggestive situations whose narrative must be completed by the viewer; the simultaneity of different temporalities; and the game between reality and representation.
The video installation Factory of the Sun by Hito Steyerl adopts the metaphors of a computer game and of a motion capture studio to represent concepts like reality, freedom, immateriality and information in the contemporary society.
This career survey, spanning four decades of work, is probably best summed up by the exhibition's subtitle, as the conceptual artist will stage several off - site installations, including at the Broadway - Lafayette subway station and in Times Square, where he'll present a newly commissioned augmented - reality piece.
This year's edition of Unlimited was curated by Gianni Jetzer, the curator - at - large at the Hirshhorn Museum and Sculpture Garden in Washington D.C. Among the myriad installations on view at Unlimited, LSS Art Advisory particularly enjoyed Nick Cave's incredible mixed - media installation entitled Speak Louder (2011) presented by Jack Shainman Gallery, Otto Piene's Blue Star Linz (1980) presented by Spruth Magers, and Donna Huana's performance BLISS (REALITY CHECK) presented by Peres Projects.
Visitors to the Whitney Biennial last year were left feeling stunned and disturbed by a virtual reality installation, entitled «Real Violence».
Installation view of Donna Huanca, Bliss (Reality Check), 2017, presented by Peres Projects at Art Basel Unlimited, 2017.
Annka Kultys is pleased to present Metamirrorism, an installation featuring projector paintings by New York - based reality artist Signe Pierce.
Conflict and cooperation between the avant - garde and the mass media in the 1960s and 1970s» Rudolf Frieling «Reality / Mediality Hybrid Processes Between Art and Life» Ursula Frohne «'' That's the Only Now I Get «Immersion and Participation in Video Installations by Dan Graham, Steve McQueen, Douglas Gordon, Doug Aitken, Eija - Liisa Ahtila, Sam Taylor - Wood»
Nicolas Linnert «All Access Politics: Reality and Spectatorship in Two Film Installations by Jean - Luc Godard & Hito Steyerl»
«Out of Site: Fictional Architectural Spaces,» site - specific installation blending digital technology, virtual reality, urban and suburban growth and global expansion by artists including Ricci Albenda, Nina Bovasso, Victoria Haven, Stephen Hendee, Julie Mehretu, Adam Ross and Shirley Tse.
Visitors can experience the original installation through virtual reality headsets, with technology developed by students at Brandeis University's MakerLab.
This exhibition, curated by Susan Sensemann, investigates dream and reality in biology, in a variety of mediums including painting, drawing, sculptural installation, and fiber art.
For Saturnine Swing, Matthias Bitzer will use both the uptown and Chelsea gallery spaces to present his drawings, paintings, and sculptures, and multi-part installations, ultimately engaging the two spaces and the works contained within to achieve his larger project: a metaphysical space that weaves history, memory, and narrative into a multi-layered realm that addresses the issues activated by our comprehension of reality.
Session I, 5 — 7 pm Discussant: Tom McDonough Associate Professor and Chair of Art History, Binghamton University Nicolas Linnert «All Access Politics: Reality and Spectatorship in Two Film Installations by Jean - Luc Godard & Hito Steyerl» Hammam Aldouri «Sortir du Champ: Toward the Readymade as Artistic Practice» Benedikt Reichenbach «Materialism of Form: Binary Images as Models of Representation» Session II, 7:30 — 9:30 pm Discussant: Soyoung Yoon Assistant Professor of Art History & Visual Studies, The New School Kim Bobier «Mine the Gaps: Subliminal Civil Rights Struggle in Lorraine O'Grady's Art Is...» Kaegan Sparks «Routine Performance: Self - Management and Affective Labor in Martha Wilson's Early Works» Harold Batista «Immediate Peers for the Generations: Intergenerational Cooperation and Mutual Dependence» Admission is free.
In this regard, the Nancy Spero installation at the pavilion's en - trance can be taken as a microcosm of the galleries» thematic progress - ion, in which the harsh contagions of everyday reality are subsumed and cleansed by the formal properties of art - making.
With time, the initial ease one might feel dissipates as the camouflaged works reveal themselves: video masked as reality, war marketed as fashion, and an installation that brands gallery - goers not as passive recipients of the works» messages, but rather as active participants, implicated by their very presence in the space.
For his second solo exhibition at angels barcelona and in Spain, Harun Farocki presents his last work Serious Games composed by 4 video - installations: Immersion (2009), Watson is Down, Three Dead and A Sun with no Shadow (2010), he explores the connection between virtual reality and the military — how the fictional scenarios of computer games are used both in the training of US troops prior to their deployment in combat zones, and in psychological care for soldiers suffering battlefield trauma upon their return.
While, some might argue, painting has been eclipsed in the media in recent decades by minimal and conceptual art, installation, photography and film, REALITY testifies to the survival of painting as a medium and reveals the impact of British painting today.
Echoing the promised utopia and oft - dismal reality of advanced technological networks and intimating at the vague disillusion of late - stage capitalism, Bleeding Edge features site - specific installations and new media works by artists Anthony Antonellis, Kelsey... Continue reading Bleeding Edge An Immersive Triumph at Hudson Valley Center for Contemporary Art
Also incorporating performance, «BLISS (REALITY CHECK)» (2017) by Donna Huanca (b. 1980) is an elaborate installation comprised of a tableaux vivant of props, painterly elements and actors, designed to suspend the viewer between the role of a passive onlooker and an active performer.