Sentences with phrase «reality installation in»

Mario Kart Arcade GP VR isn't a game that you can buy, but a virtual reality installation in Bandai Namco's VR Zone attraction in Shinjuku, Tokyo.

Not exact matches

But they also had a physical installation at SXSW, which featured the DeLorean from Back to the Future — the car of choice for character Parzival in the film's virtual - reality world.

In line with their mission to serve customers and enhance their lifestyles, the augmented reality installation allowed fans to live out their sports fantasies.

Last year the experimental rocker EMA performed a score to a new virtual reality installation, «I Wan na Destroy,» at MoMA PS1 in New York.

The problem with religion is the installation of a «God Based Reality» into a young child or adolescent mind which is not challenged over a significant period of time resulting in improbable, or nearly impossible rational judgment at later stages in life with respect to religious claims.

The mixed and virtual reality technologies used range from the installation of a display in the surfaces of the cabin to complete immersion in a head - mounted display that can change both spatial and body awareness.

Her groundbreaking work Atlas in silico is a physically interactive and immersive virtual reality art + science installation that is driven by data from the Global Ocean Sampling Expedition, a survey of marine microbial communities led by the J.

With virtual reality and interactive installations in Tribeca Immersive, live music events, the Tribeca ESPN Sports Film Festival, the various Tribeca Talks, and free panels for working and aspiring filmmakers, you could be quite entertained without entering a theater... not that we recommend that.

This is hyper - reality to be enjoyed as fantasy leading up to a wondrous homage to THE LADY FROM SHANGHAI as bullets fly in a maze of mirrors installation inside the Metropolitan Museum of Art.

In addition to Varda and Roizman, this year the Academy's governors conferred honorary Oscars on actor Donald Sutherland and director Charles Burnett, and awarded a special commendation to Alejandro González Iñárritu for his virtual reality installation, «Carne y Arena.»

Photographer Ruben Wu created the Acura NSX Gallery, an immersive, multi-screen, augmented reality, 360 degree visual installation open to the public in Acura's Festival Village.

The following installations will be featured in The VR works of Felix & Paul, a showcase of groundbreaking live - action virtual reality experiences by artists Félix Lajeunesse and Paul Raphaël in the Festival's New Frontier exhibition.

• BlackBerry ® service with access to up to 10 supported business and personal email accounts, plus BlackBerry ® Enterprise Server support for corporate email installations • DataViz Docs To Go ® Premium suite preloaded, for editing Microsoft Word, Excel and PowerPoint files from anywhere • BlackBerry App WorldTM, the official app store for BlackBerry smartphones offering customization, fun and productivity • BlackBerry ® PlaybookTM support with BlackBerry BridgeTM (Bridge is available as a free download on BlackBerry App World) • Near Field Communications (NFC) support for a secure exchange of information between NFC - enabled devices over a very short distance • Augmented Reality using the built - in compass (magnetometer) to support augmented reality appliReality using the built - in compass (magnetometer) to support augmented reality applireality applications

Together, Mercury and Visionect are making outdoor sustainable signage a reality, following the success of their 2013 installation of solar powered e-paper traffic signs in Sydney, a world first, running uninterrupted with an unprecedented zero failure rate years later.

Each of the 79 guestrooms and suites is in reality, set up as a living art installation for guests to relax in and enjoy.

«For 25 years, the L.A. artist has been creating immersive video installations that appear to breach the contours of the gallery, transporting viewers into other realities: swimming with dolphins, interacting with wolves or exploring the contaminated ruins of the Chernobyl nuclear power plant,» wrote art critic Sharon Mizota in the Los Angeles Times.

The historical importance of McCall's work has been recognized in such exhibitions as «Into the Light: the Projected Image in American Art 1964 - 77,» Whitney Museum of American Art (2001 - 2); «The Expanded Screen: Actions and Installations of the Sixties and Seventies,» Museum Moderner Kunst, Vienna (2003 - 4); «The Expanded Eye,» Kunsthaus Zurich (2006); «Beyond Cinema: the Art of Projection,» Hamburger Bahnhof, Berlin (2006 - 7); «The Cinema Effect: Illusion, Reality and the Projected Image,» and Hirshhorn Museum, Washington DC (2008); and «Dreamlands», Whitney Museum of American Art (2017).

Many of the artists represented in Painting in Space have collaborated with CCS Bard on major projects, including Tunga's first U.S. survey presented at CCS Bard in 1997; Olafur Eliasson's large - scale installation, The parliament of reality, permanently installed on the Bard campus; and Lawrence Weiner's floorscape, Bard Enter, installed on the entrance walkway to the Hessel Museum.

Pierre Huyghe (Paris, France) creates films, installations, and public events that blur the traditional distinction between fiction and reality, revealing the experience of fiction to be as palpable as anything in daily life.

Featuring several newly commissioned artworks and installations, the exhibition explores some of the ways sculptural materials and forms are changing as artists respond to the mediated and virtual realities of the world in which we live and work.

One of the first pieces viewers» encounter in the exhibition, the sculptural installation Lit, demonstrates Ward's acumen for using everyday objects to create a tangible link between economic and societal reality, and spirituality.

The artists work in a variety of mediums including painting, sculpture, large - scale experiential installations, live performances, and more recently, virtual reality and animation.

Beneath the Surface features Sui Park and D.C. - based Nara Park, two remarkable women artists whose deceptively life - like organic and physical installations bend our perceptions of nature, reality, and human beingsâ $ ™ place in an increasingly superficial world.

Installation view September 10 — October 24, 2009 «What remains inherent throughout his [Wexler's] work is the sense of experimentation — an investigation that operates as an extension of our ability to be at home in the world, to remake our reality, and to question our existence through what we make.»

The survey comprises nine video installations, from his first two - screen project Interface in 1995 to Immersion, 2009, about the use of virtual reality in the treatment of traumatised US soldiers -LSB-...]

More than an exhibition of separate and self - contained works, the scale and simultaneity of the works installed over 4 floors of TRAFO will create a single installation where the works echo physical and topographical layers, addressing issues of modernity and the human condition in front of changing political and technological realities.

Merantzas showcased his work in solo exhibitions like in 2014 Seeking the Common Ground, a retrospective character exhibition at The Blender Gallery, Athens, GR; installations in 2011 in Unknown heroes, Renown heroes, at the Elika Gallery, Athens; Reality is the informer of imagination in 2009 at State museum of contemporary art, Thessaloniki, GR; Untitled in 2006 at the Qbox gallery, Athens; and an exhibition in two units: Useful Three - Digit Numbers and Fantastic Signals in 1996 at the lleana Tounta Contemporary Art Centre, Athens.

In the case of Doomocracy, an immersive installation and performance in the form of a house of political horrors conceived by Mexico City — based artist Pedro Reyes, doom is employed as part parable and part prophesy — a way to evoke certain political, social, and economic realities as well as to project a potential future to comIn the case of Doomocracy, an immersive installation and performance in the form of a house of political horrors conceived by Mexico City — based artist Pedro Reyes, doom is employed as part parable and part prophesy — a way to evoke certain political, social, and economic realities as well as to project a potential future to comin the form of a house of political horrors conceived by Mexico City — based artist Pedro Reyes, doom is employed as part parable and part prophesy — a way to evoke certain political, social, and economic realities as well as to project a potential future to come.

Emilia Kabakov talks about her need to live between reality and fantasy, and discusses paint in comparison to installation.

In late June, the artist will launch his «Invisible Art Project,» which will allow guests to interact with the massive wood installation via a free custom augmented - reality app (the most advanced yet of its kind), which will create completely three - dimensional, real - time virtual «Harmoniums» between the massive wood image and the viewer.

Lothar Hempel, presented by Anton Kern Gallery and Stuart Shave / Modern Art, will present a new installation in the form of a market place, where fragments of history and other forms of reality are for sale.

Dave Muller's acrylic - on - paper paintings and multimedia installations are rooted in his deep fascination with music, how it infiltrates and shapes our realities, and the communal dialogue it generates across cultures.

In all these visually varied works - paintings, sculptures, film installation - Lavier's attitude is consistent in presenting issues on the forefront of contemporary art: the paradoxical relationships between painting and sculpture; art and nonart; high art and popular culture; and reality and simulatioIn all these visually varied works - paintings, sculptures, film installation - Lavier's attitude is consistent in presenting issues on the forefront of contemporary art: the paradoxical relationships between painting and sculpture; art and nonart; high art and popular culture; and reality and simulatioin presenting issues on the forefront of contemporary art: the paradoxical relationships between painting and sculpture; art and nonart; high art and popular culture; and reality and simulation.

Recent works include the three - screen installation The Unfinished Conversation (2012), a moving portrait of the cultural theorist Stuart Hall's life and work; Peripeteia (2012), an imagined drama visualising the lives of individuals included in two 16th century portraits by Albrecht Dürer and Mnemosyne (2010) which exposes the experience of migrants in the UK, questioning the notion of Britain as a promised land by revealing the realities of economic hardship and casual racism.

A strong narrative impulse propels her practice, resulting in immersive, trans - medial installations with interwoven story lines that combine fiction and reality.

For his ninth solo exhibition at Postmasters Gallery in New York, the artist Perry Hoberman presents Suspensions, a new mixed reality installation that refers to the time Hoberman spent in the Desert Heights Neighborhood of Twentynine Palms, California.

«I have a tradition of designing ideas for monumental installations that are... realisable in a drawing, but not possible to make in reality,» he explains.

Her video, installation, networked performance, intervention, augmented reality, and hybrid media works have been exhibited internationally and are represented by EAI and Postmasters in New York.

His enigmatic sculptural installations work directly with architectural space, ambient light and shade, and the interplay between empathetic song lyrics and texts, creating poignant spaces rooted in mundane reality.

Her works in painting, installation, and programming investigate the disparate realities of the physical and the digital, having earned the artist a fellowship in Virtual Reality at NEW INC in 2015.

While his installation of large - scale paintings on textiles — that were stitched during the 1970s by women in Pakistan — creates a dialogue between two worlds and two realities, both past and present.

In the fourth version of this installation, visitors can select any city of the world using data goggles as digital interface in a virtual reality systeIn the fourth version of this installation, visitors can select any city of the world using data goggles as digital interface in a virtual reality systein a virtual reality system.

Using pre-fabricated commercial materials and processes that combine mark - making and casting, Arps» installations transform the gallery into a distinct reality not usually at home in an art context.

The diametrically opposed elements present in the history of the canal — life and death, order and destruction, reality and fiction, the light - hearted and the devastating — mirror Simeti's practice, which amplifies multifaceted environmental, social and political concerns into an immersive, kinetic installation.

From the perspective of the so - called post-internet generation, his sculptures, films and online projects — often arranged as installations — are concerned with the relationship between real and virtual everyday worlds, that is, with life and experience in the internet age and the effects this has on social reality.

This interactive installation offers visitors and staff the opportunity to appear in a fake reality t.v. show.

Beyond merely embodying this language, Thurston's installation problematizes our spatial metaphor for the political spectrum, which implies a neutral centre ground that in reality is always shifting in relation to the extremes.

In a first for The Square Gallery, virtual reality will play an exciting part in this exhibition and will involve experiencing work through interactive installatioIn a first for The Square Gallery, virtual reality will play an exciting part in this exhibition and will involve experiencing work through interactive installatioin this exhibition and will involve experiencing work through interactive installation.

As in Eliasson's previous immersive installation, The Weather Project at the Tate Modern Turbine Hall (2003), Reality projector takes time to fully comprehend.

Expressed in diverse media — digigraphics, painting, watercolor, installation, and video — Myrvold's work reveals hidden congruencies of contemporary reality as it unfolds in the everyday.