Sentences with phrase «reality than beauty»

Not exact matches

But music is another part of the same reality, and good music lets us in on much more of the truth and beauty of the human experience than many people expect.

Hence, faith in revelation's word about the ultimately trustworthy character of reality is no less rational than is the trust in truth, goodness, and beauty that makes all academic pursuits possible.

Similarly, human aesthetic experiences gain their authenticity and value from their being encounters with yet another aspect of the multidimensional reality that encompasses humanity Experiences of beauty are much more than emotion recalled in tranquillity; they are engagements with the everlasting truth of being.

Compatible with the contrast between the abstract harmony of logic and the concrete harmony of society and the arts is the place given by Whitehead to the harmony of truth in contrast to the harmony of beauty; Truth «is the conformation of Appearance to Reality -LSB-...] The notion of «conformation» in the case of Truth is narrower than that in the case of Bbeauty; Truth «is the conformation of Appearance to Reality -LSB-...] The notion of «conformation» in the case of Truth is narrower than that in the case of BeautyBeauty.

Swap the red dress and night time for a white dress and the morning — and becoming the fantasy continues to a place that maybe it'll hit reality as I do have a beauty team working their magic on me so by the time I step out of this new centrally located Hair Blow & Beauty Bar, I might just resemble something a little more vixen - like than what I stepped into BELLESA lookingbeauty team working their magic on me so by the time I step out of this new centrally located Hair Blow & Beauty Bar, I might just resemble something a little more vixen - like than what I stepped into BELLESA lookingBeauty Bar, I might just resemble something a little more vixen - like than what I stepped into BELLESA looking like.

Well, i don't believe in romantic words than actions or bringing every word from the tongue into reality to make that lucky woman so special to see the reason of life's awesome beauty being happy...

We get familiar tropes, such as a single dad trying to find his sons, a teenage boy who is too shy to ask the school's beauty out but ends up becoming a hero in her eyes, and rival storm chasers (a truly annoying pair of «reality show» - caliber, stereotypical rednecks) who muck things up more often than not.

While the tone of the film changes in the second portion (from dreamy ideals to stark realities), many sequences and shots still carry that slightly surreal aesthetic, which heightens the intrigue and beauty of this gritty working - class limbo; even more so than his other films, Mud showcases Nichols as a sharp and artistic visual storyteller.

While he acknowledged that idols are humble expressions of the divine (not divine themselves), Plotinus» belief that the experience of beauty in art brings the soul closer to divinity is a far more magical view than Plato's suspicious criticisms of the realities of art.

Hagler, who was Noel's student, writes that «Scott always encouraged in me a love for the wholeness of perception, I would even say the wholeness of existence, accepting even that which is problematic, in the world and in myself, and integrating it and shaping it to try to produce an artwork which is so much more than a mimetic image, but under the best of circumstances becomes a fictionalized embodiment of reality that embraces a more complicated beauty and somehow, deep inside, rings true.»

He makes stories, pictures, and objects that are documents of contemporary morality; exploring a reality stranger than fiction, through fantasy, satire and subculture, using themes appropriated from the universal concerns of sex, love, violence, beauty, advertising, food, battle scenes, pornography, writing, politics, religion, crime, dancing, lust, greed, things falling apart, and spaceships.

Group exhibitions include: Image to be Projected until it Vanishes, Museion Bolzano, IT; Without Reality There is No Utopia, Centro Andaluz de Arte Contemporaneo, Sevilla, SP, The Beauty and the Distance, 17th Biennale of Sydney, Sydney, AU; Les Promesses du passé, Centre Pompidou — Musée National d'Art Moderne, Paris, FR; The Seductiveness of the Interval, The Renaissance Society at The University of Chicago, Chicago, US; The Generational: Younger Than Jesus, New Museum, New York, US; The Seductiveness of the Interval, Romanian Pavilion, 53 Venice Biennale.