Sentences with phrase «really abstract works»

Many contemporary landscape paintings - despite having some faint similarity with elements of the natural world - are really abstract works.

But what Griffin has painted is a rich gold abstraction that might remind you of really abstract work from the»70s by either Dorothea Rockburne or Joel Shapiro.

Not exact matches

Tokyo Police Club's signature sound, the niche that they carved out for themselves in a constantly fluctuating music scene (an emphasis on rhythm and abstract, maze - like lyrics with real emotion at their center) is almost completely gone, replaced by a rabid pop sensibility that sometimes works and sometimes really, really doesn't.

As an Indie author (which really means «self - published» but we say «Indie» because it sounds WAY cooler, like we're SO artsy we have no use for abstracts like success and money,) I'm required to work the big room, über - conscious of marketing, promoting, publicizing, advertising, and, ultimately, selling my humble work.

Am an artist of both realistic and abstract, i really love my work and some people say that my work is great, i have done many projects but i have failed to earn enough from it, what should i do?

But my work is non-objective, so what I'm really trying to do is different than Pollock or the abstract expressionists, who were expressing; they were expressionists.

Held in high regard in his home country of France, and throughout much of continental Europe, the work of Pierre Soulages has never really achieved the same stature in the United States, despite his formal ties to the particularly American strains abstract expressionism and minimalism that have populated his work over the past sixty years.

«To have a woman in the narrative this early on, working in this medium, in this abstract way, was really exciting for us,» Panetta says.

This kind of abstract painting was around, and it was mostly expressionistic work — I don't know if anybody really noticed that.

Schloss wrote of her work, «What I really do is what any painter worth his salt has always done, I abstract color and line from life around me, and make another life out of it.»

On the one hand, you have these really beautiful, minimalist, abstract works (in the kind of traditional sense of thinking about Donald Judd, Anne Truitt, that kind of concern for color and form), and then you have your video works, or your use of flowers, like the way a flower or an arrangement of flowers can stand in for something.

His work really challenged the three - dimensional and the two - dimensional state with his abstract collage, in which he believed the materials he used should be considered equal with the conventional paint.

Then there are the works themselves, from alluring abstract canvases you will never really see, as they've been shrouded with trashed vinyl tarps, to sculptures that cull beauty from empty bottles of $ 1.99 wine.

He had joked about how funny it would be if he started making abstract, geometric paintings once they got to New York, but he didn't really expect his work to evolve that way.

She even produced several really beautiful and successful pictures, ranging from an early, harmonious work, «Untitled» (c. 1938), on loan from the Parrish Art Museum in Southampton, to «Astraea» (1956), a raw, charged abstract with collage.

The police are a major focus of this body of work because I felt like this is something I can't really abstract.

Pro176 exhibited a large group of work based off his abstracted and deconstructed comic interpetations, these colorful images have to be seen in person to really capture the essence of the work and its quality.

In the work «Eröffnung (Opening)» (2010), the number of pictograms has been reduced; it really is an abstract work of art, possibly suggesting the reductive forms of Suprematism.

I don't know whether one really works from pure abstract ideas.

But from 1949 on my work was very — it wasn't really abstract expressionistic though.

For whatever reason there are many artists right now who are really good at making abstract works of various kinds, whether pure painting or the materials explorations seen here.

«She's really determined to paint the abstract image,» gallery owner Lawrence Markey said of Frecon, whose work is represented in several prominent collections, including the Museum of Modern Art, the National Gallery of Art and the Whitney Museum of American Art.

It seems to me, in Patrick's case, that the work is not taken quite far enough to do either — to fully fail or succeed — and that there is a hesitancy to leave behind some known territory of previous abstract art from the past — an aesthetic, if you will, in which the elements of his work will sit quite happily — and so allow those elements and colours (that Patrick so explicitly delights in) to really take over and go somewhere new.

Are his most radical and apparently abstract works really all «late» as we tend almost inevitably to assume?

Willem de Kooning» sWoman 1, 1950 - 1952 and a blue abstract landscape from the early sixties (my favorite period of his work), looked really good hanging side by side.

In a sense, much of Stella's early works are really abstract flags.

I really became an abstract painter because of Blinky Palermo's work, but it could just as easily have been because I quit smoking.

Really impressed with the way the show looks, Sean Barton known for his amazing sign painting and design work is able to step into these abstract paintings and have a very strong impact.

I remember looking at collections of his work and I was really impressed, I loved seeing the transitions and there's another abstract artist, Cody Hooper, I fucking love the texture, I love the light.

I see the attraction for abstract painters, particularly of late Matisse planes of colour, but to me it only really works because of figurative prompts of depth and the tension of its depiction in 2 - D.

When you work on an abstract painting, you can't really edit the painting politically.

I suppose the pitfall with developing a style in abstract art, if it really works and becomes lucrative, is that one can get stuck in it (I know this is obvious, but it often happens, even with good artists).

In abstract sculpture, such issues seem yet more compounded, having the potential for greater complexity in the infinite possible viewpoints of something really three - dimensional; plus what is perhaps a greater involvement with exactly how the work is built.

An abstract painting doesn't purport to create the illusion of human space, and if it does, it's not really abstract (e.g., Kandinsky's later work); therefore, it runs the risk of being experienced as a mere object, like a bad figurative painting.

Ellen's work at that point was really abstract collage work, which had been readdressed over existing paintings.

Gallery Joe's new exhibition doesn't have any gimmicks — just some really intriguing abstract work.

But the single work in this show failed to really hold my interest the way some abstract paintings do (including those in the Ahmanson building right next door by Hans Hofmann, Joan Mitchell, Philip Guston, Frank Stella, Lee Krasner and others).

All one really needs to do here is read the first sentence of the paper's abstract and then go to the point where the authors admit that the 20th century portion of their work is «not robust».

Medeiros says these trade shows are «like a really cool science fair — you can go around and see the technology in use, which is exciting» and different from the more theoretical, abstract write - ups with which she usually works.