The shows in Building 4 range from the rough - and - tumble «In the Abstract,» where 11 artists explore abstract
art's potential for political expression, to the refinement of Elizabeth King's obsessively made, sometimes animatronic half - size figures and limbs; from Steffani Jemison's often
arcane explorations of the connections among writing, autonomy and race (including an excellent sound piece), to the accessible Conceptualism of Tanja Hollander's «Are You
Really My Friend?