Sentences with phrase «really big character»

Not exact matches

Thank you for laying bare what your god really is: a manifestation of all HUMAN traits, good and bad, rolled up into one big fictional character.

But this should be a high scoring game again between the two of them and a really big test of Manchester City's character.

Talk up and celebrate this transition as the big graduation that it really is, complete with balloons, cake, and gifts of new bedding featuring her favorite characters.

«It's really meaningful to see her there, singing with Elmo, Big Bird and all the other characters.

The game is only good for it's characters and simple story but the game isn't really big on that either.

The soundtrack was magnificent and really catchy, I liked all the level and cutscene themes and big part of the character themes too.

To people complaining about the patches deleting saves, I don't really see the big deal to be honest, it's a rogue - like RPG and the idea of that is to play on perma death and not get attached to your characters.

Race gags continue with the return of taxi driver Dopinder (Karan Soni) in a bigger role, and an oddly - constructed character called Black Tom, which doesn't really work.

Yes, he's fine with the big action mayhem that is par for the course with these films, but he understands that the thing that makes any of it interesting is making sure the audience really enjoys spending time with these characters.

This show really proves how important writing and character development are, when you look at Dean Norris» performance as Hank in Breaking Bad and compare that to the drek he must deliver as Big Jim in UTD.

I only like the Big Jim character, really, but maybe that's just because I'm a Breaking Bad fan.

Describing Frank, the character he portrays, as a big teddy bear of a guy, Ferrell says, «He is getting married, but even at the altar, he doesn't really know if it's the right thing.

It was too short, the lead character Prince Caspian (Ben Barnes) was a whiney little # $ ## who didn't do much in it, but the book's biggest sin was it didn't really delve into what it must of been like for the Pevensie kids — High King Peter Pevensie (William Moseley), Edmund Pevensie The Just (Skandar Keynes), Lucy Pevensie — The Valiant (Georgie Henley) and Susan Pevensie (Anna Popplewell) adjusted to the idea that they were adult Kings and Queens trapped as powerless 13 — 16 year old children.

We do get a few newer characters such as Thranduil (Lee Pace), the elf king and father of Legolas, but he is really just a big cliche in terms of the «villain that you know you can't trust and has way too much power and seems evil just for the sake of being evil,» But again, he doesn't get a whole lot of focus, and to be honest, how he is portrayed is not very interesting, the character has this interesting backstory that is somewhat brushed over, and again, he doesn't get a whole lot of screen time.

Melissa... Raunch really creates a convincing cynical character shedding light in the world of optimism and big dreams that is gymnastics.

«This idea really that turns me on is that there's a family that's a force to be reckoned with in the world of international art and antiquities... [a family] that deals with heads of state and heads of museums and metes out justice, -LSB-...] We'll have the family dynamic, which we've done in a couple of movies now... And then you take that and put it on the bigger, more muscular stage of an international action picture, but also put all the character stuff in it.

Winstead has had a bit of an odd trajectory in her career, going from thin supporting parts in big dumb studio movies to a huge indie breakout with her magnificent performance in Smashed a few years ago that she unfortunately didn't really capitalize on afterwards, but here she gets the best of both worlds by developing a kickass character we can root for in a thrilling genre piece that also has some depth to her.

So these reports do seem to mesh together, but we will just have to wait and see if this really is where audiences will get their first big screen glimpse of the character.

And let's not deny, big risks are Nintendo's thing and as far as Zelda is concerned, dark and depressing, or colourful and cheerful, it really doesn't matter to us, because it is a series of character, stories and adventure we just love, and we welcome every new addition Nintendo could throw at us because Zelda isn't just a game, or a series of games, it's a lifetime, of gaming, of lasting memories and a foundation of friendships.

Still, there are some big laughs here, and plenty of edits that make the characters look really, really stupid.

«I don't know if it's something in the zeitgeist that's manifesting itself in these powerful portrayals of female characters in these really big hit movies as well as smaller indie movies.

Similar to Mask of Deception, these aren't a big part of the game so it's really useful that all characters gain experience points and stat - raising «bonus points» now, whether they were in battle or not.

Once they do, the musical numbers arrive at regular intervals, interspersed between zombie - killing set pieces and big character moments, but that first half hour is where things really peak.

They get to put an established big name in the role while also not whitewashing the character and they could do some really fun stuff with characters interacting with both the Major and the undercover Major and having no idea they're being played.

With bigger, more epic action sequences, a more intriguing story, fleshed out characters, a multiplayer component, and damn near perfect combat mechanics, Uncharted 2 was an excellent sequel and still the best game in the franchise (even though Uncharted 4 was really, really good!).

I'm glad that this character was really only in the beginning and ending scenes as the film concentrated more on its biggest strength, the Seven.

Pee - wee's Big Adventure isn't really a movie just for kids, but I imagine that kids will love it most because of the cute characters and colorful sets.

While they theoretically could find a way to bring him back in a sequel — if it even happens or if he really did die — Doctor Doom is far too big a character to kill off in the first movie.

As the book was written from Sestero's perspective, the film is very much so as well, meaning that though James and his performance will be the biggest thing coming out of this movie, Dave's really the main character.

Even though the characters are largely detestable, my bigger issue is that it combined that with a theme of social anxiety that didn't really work.

Warner Bros» wants to remind us that this offshoot ties in with what they've planned so far in their mad rush to catch up with the Marvel films and their jam - packed universe of already beloved characters, but we've never really seen any of these new Suicide Squad characters on the big screen before.

They're taught to look for success in the performing arts outside of making it big by characters played by Kelsey Grammer, Megan Mullally (who has a really nice moment in which her character tells why she doesn't perform anymore), Bebe Neuwirth, Charles S. Dutton, and Debbie Allen, actors who aren't huge movie stars but are quite successful in their own rights on TV, film, and stage.

Lupita Nyong «o, Danai Gurira, and Letitia Wright all three serve as supporting characters, but in reality are what glues the movie together and really hold their own in this big budget movie.

I play a really big, bold character, and I got to do a lot of comedy.

Patty Jenkins» direction is spot - on, and whether it's the big action set - pieces or the quieter moments, both the narrative drive and the passion of the characters really hits home.

The biggest problems with the film involve the way it sometimes feels «tacky», almost as if he doesn't care that we know these sets are fake, because at the end of the day it's about knowing these characters, not believing that they really recreated old New York.

Whereas most youth - aimed films are really about pushing a soundtrack and a «hot» young star's image as they tell another tired tale revolving around who gets to go to the big dance with whom, Stockwell actually attempts to tell a character - driven story in crazy / beautiful.

As a big Terminator fan I'm really hoping there's some sort of new and relevant twist on the franchise with Sam Worthington's character thinking he is human.

Though it's been awhile since Will Ferrell did something that really made me laugh, and Zach Galifianakis has failed to prove why he's so popular, the two actors excel at playing big, dumb characters, and anyone familiar with director Jay Roach's Austin Powers films knows that he loves that brand of goofball comedy.

It's not really all that dramatic, but after the studio made such a big deal out of the character's appearance in «Iron Man», Jackson basically wanted to make sure that he was going to be taken care of financially on a long term basis, and that the studio weren't taking it for granted that he would just show up whenever they wanted him to show up.

It's hard to say for sure, because while he's easily the biggest name in the cast, he isn't really the lead character either, despite the fact that it's his narration that opens the movie.

Big deal, is anyone really going to play as every character anyway?

The biggest question it raised for me has nothing to do with the story or characters really; I am genuinely curious how they brought Hoffman back for the final film.

Bigger, louder, and more, more, more seem to be the guiding principles of the film and while on their own they might make a pleasurable romp, it's dubious as to whether or not these pre-Skywalker adventures have really added anything of value to the character.

Hey, since Big Little Lies just announced a second season, about the same characters, starring the same actors, it's really not a limited series anymore, is it?

Justin's Review: When your movie gets to a point where the main character is talking — pleading, really — for a houseplant to leave him alone and let him go to the bathroom without being killed, it's time to take a big step back and realize that you accidentally sprayed everything with concentrated - strength stupid.

Combat appeals to nostalgia but isn't really very good, hit - or - miss voice acting mostly misses, lame use of big - busted minor characters as promo art because boobs.

As expected with a Coen Brothers» movie, The Big Lebowski is all about memorable characters and their foibles and they really succeed in this respect.

Most viewers will come away impressed by the sheer amount of big - name stars that contribute to the film in smaller roles, and while they all offer some nice character work here, this film really belongs to Ralph Fiennes, who shows quite well that he can command the screen in a lightly comedic fashion, rather than as the heavy that dominates most of his better known works.

Elsewhere Imogen Poots impresses in a role that really amounts to one big scene with McAvoy, and in which she's otherwise largely the straight man to the shenanigans that go on around her, while John Sessions brings just the right level of institutionalized, «respectable» bigotry to the character of Robertson's superior officer.