«Lari Pittman's really,
really big paintings.»
Not exact matches
maybe i should
paint my body and roll over and over on a
big piece of white paper... its about all i could muster for creativity right now... tired, exhausted
really, sad, and unemployed... think i could make some bucks with it?
Of course, there's a
big gray area between those extremes, so
painting is a
really subjective decision.
If you have a
big project or several pieces to
paint at once it can
really speed up your project quite ALOT!
Since then there have been lots and lots of lowriders that are way more advanced, with modern hydraulics, chopped tops, suicide doors,
big V - 8s,
really elaborate mural
paintings.
These can be simple gigs that can be worth a lot when you add up what you have saved:
painting homes on the weekend, taking in orders for a dish that you make that's
really popular for people, hosting a
big garage sale of things that you no longer need, offering to troubleshoot other people's computers for a minimal fee, etc..
No one
really expected Splatoon, a third - person shooter about splattering your enemies with
paint and capturing as much territory as possible, to be a
big success, but here we are two years later, waiting for the highly anticipated sequel.
My
biggest issue with Treasure Seekers II: The Enchanted Canvases was that the game started and BAM you are exploring
paintings — it
really made no sense and took me a bit of time to get past.
It was probably just a trend that was happening in Ohio, but it kind of fitted
really well with this idea of a
painting as a
big heavy object.
The most obvious thing to report is that the
paintings are
really,
really big (144 ″ x 138 ″).
Later in life he rid himself of his constant itch to
paint and repaint and produced much freer and often
bigger paintings that
really were a sight for sore eyes.
Hi Pete Your
paintings are
really good I love them and you are a
big source of inspiration to me.
That's when the
paintings got
really big.
The
big paintings swallow you up, and you become
really small.
When she began
painting in the 1950s, she was
really into Franz Kline and the
big, gestural Expressionist
paintings that became signifiers for the male artist.
But anyway, abstract expressionism was the
big thing, and yet in — the instruction that I was getting in
painting really didn't take into account what was happening at the time.
At his atelier in the working class reaches of northern Paris, Maguire has just completed a series of
paintings on the migrant crisis, because «what an artist has to do is reflect their time... That's
really what I'm trying to do, to reflect what is for me the
biggest story in Europe — those deaths in the Mediterranean.»
Honestly, I've never been a
big fan of Cobra and their brand of playful semi-figuration, although that is primarily due to me not
really being a
painting guy (to stay within the movement, I'd take one of Robert Jacobsen's primitivism - infused industrial artifacts over a Karel Appel
painting any day).
There are two
paintings in the front room [When Time Ran Out and Beach Blanket Babylon] that are lower than the ones in the main gallery, but those are so
big — they're so high — that you don't
really see it.
This is the
biggest exhibit of my work all in one place outside of my annual October Open Studio Tour, and it's very exciting for me to put together favorite works that
really demonstrate my sense of being called to
paint our rural and wild places.
Most people who know him at all only know the
big desert pieces, so to contextualize his whole career was
really fascinating, to show that he was working with Plexiglas and
paint and a lot of specific cultural references, that is
really important.
A
big question becomes, therefore, is this
really a random object Dreher is
painting?
Up close, you can see that Stella's
big paintings are
really colalages on canvas.
I also made a
big point of having the blurriness there which I have to
paint, not like Gerhard Richter, I don't erase it, I
paint the blurriness, which is
really sharp in a sense.
Seliger: Marian Willard's husband kept telling me to get a
big brush and
really paint.
«
Painting Big» has visual impact and is
really a joy to view.
Seeing this show allows me to go to my studio and make
really small
paintings in between
really big drawings.
Technology may remove a specific barrier to entry — the way photography did to portraiture over oil
paint, for example — but the good stuff, the stuff people are willing to pay
BIG MONEY for, still remains
really,
really hard.
When I first started showing I made these
really simple
paintings on white ground by not using a brush, just using stains, pours, which was inspired by a
big Morris Louis show at MoMA in 1986.
I not
really a
big fan of
painting things with a different brush than they deserve.
Few people have any idea just how
big this
painting really is.
While Google wanted to
paint this
big picture of what the company envisions for the next few years and beyond, it saved some of the stuff that's actually
really cool today for other events at the conference.
And both create an illusion that «everything is great,» when
really it's a festering pile of cow shit with
big red hearts
painted on it.
We are in need of help with our kitchen (I'm scared, but I know the cabinets should be
painted), and living room (
really big, but with 2 sets of french doors, 2 large radiators, a fireplace and an entry way, we have no idea how to arrange the place)!!
I used to have my own decorative
painting business when that was
really big (think the» 90's) and I turned that into an Interior Decorating Business.
I do tend to be ahead of trends, I've had my kitchen cabinets
painted gray for years and now the gray trend is
really catching on... maybe blue will make a
big comeback!
Well, I have a
big bedroom that needs
painting really bad, but I think I would start with my hunter green walls in my dining room first.
Looking back, one week of priming (oil - based Kilz) and
painting (Sherwin Williams «Natural Choice»)
really wasn't that
big of a deal in the grand scheme of things.
Oooohh Be sure to tell her the «
big city» designers are saying Brass is making it's come back & that is
really nice esp now that you've
painted the top piece bronze.
I'm definitely going to buy quality
paint for those applications if it
really does make that
big if a difference in the way it holds up to abuse.
And it was as open a floorplan as I'd ever want (living room / dining room) and so airy, with a host of clever features (like a two - sided cabinet that had a door in the kitchen in which to store the clean dishes and a glass door in the dining room from which you could easily set the table), but my
biggest favorite were the plank walls, nothing
really,
really fancy but in every room of the house and each room
painted a soft pastel color.
The white
paint really made a
big difference.
Painting the kitchen cabinets
really does make a
big impact for a low cost!
I had purchased a dresser at Goodwill and
painted it for GD's present — it wasn't particularly fancy, but it did
really turn out well and made a
big hit.
«In William Palin's Spitalfields house every single room is
painted in one colour only — I love it, the rooms are so strong and
really calm and they look much
bigger than they are.»
This is a trial run with diy chalk
paint before moving on to
bigger things like our piano and I'm not
really happy with the turnout... more of a frustration.
The
biggest transformation I think are the
painted cupboards and added glass to the doors, but
really all the changes together makes this a beautiful designer kitchen, but a very comfortable to live in space.
If you have a
big project or several pieces to
paint at once it can
really speed up your project quite ALOT!
love it, moody bohemian gets 2
big thumbs up from me, as does the idea of
painting the whole room black — we have a charcoal bedroom and I love how dark it is, it's like a cocoon — I would
really like to
paint a room black, but not sure which one yet.
All you're
really doing here is applying 2 - 3 coats of
paint to a smooth, flat surface... no
big deal.