Sentences with phrase «really built characters»

It would have been nice to have deeper trees so we could have really built characters up and combined their abilities.
Those close ballgames really build character among a Team and these guys just keep finding ways to Win close ones..
Does it really build character to keep staying with someone we no longer love?

Not exact matches

The only saving grace is that dealing with no - win situations can reveal what you're really made of and help build character.
You've got to have the right skills to make the cut, but you're not really welcome if you don't have the character and the values that the company was built on from the beginning.
«What young people really need is not more talk about the mechanics of sex and contraception, but encouragement to develop the character qualities of stability, faithfulness and commitment - the qualities they will need to build a strong and lasting marriage based on something that runs deeper than feelings and physical attraction.»
It was a lovely old building, really full of character (and also supposedly housing a grey lady ghost!)
It's really geared to younger kids in terms of storyline and character, so while he thought the objects - built - out - of - letters concept was cool, and liked the animation, it lost him at a certain point.
«I think they get into their 20s and 30s and they really feel lost — they feel like they never had those character - building experiences as adolescents, as kids, that really make a difference when they get to adulthood.»
But a visit to the Peary - MacMillan Arctic Museum on the campus of Bowdoin College in Brunswick, Maine, reminds those of us who live in the North that frigid weather really does build character, and southerners really are sissies.
«It's character building, it really is,» said Garg, a molecular pathologist at Massachusetts General Hospital and a postdoc at MIT's Koch Institute for Integrative Cancer Research.
But the character of the person is what will really build that first contact past the first date and into something real.
Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really building towards the climax as we go deeper and deeper down the rabbit hole.
I don't mind short games but at two hours (including puzzle solving) the game doesn't leave much room for storytelling, character and world building, compelling puzzles, or much of anything really.
The creepy atmosphere, new designs for everything from weapons to characters and buildings really make this DLC feel different.
Sheen is pretty gripping as the main character, and the movie keeps moving along at a brisk pace, changing locations to keep things interesting and really building towards the climax as we go deeper and
Among all the chess - piece players on the board, the star is the only one who really builds a solid emotional foundation for his character.
didn't really where they'd take the story, the first season set a high standard in execution and this carries forward into this season, everything you expect from the first is in this second with the dial turned up, with the characters developed from the first season this season just allows the writers to build up on that, the story is well crafted, less of Rinoa Rhyer's over the top screaming which did amazing things for my ears and sanity, great story progression, although slow at the start it ended with a bang.
didn't really where they'd take the story, the first season set a high standard in execution and this carries forward into this season, everything you expect from the first is in this second with the dial turned up, with the characters developed from the first season this season just allows the writers to build up on that, the story is well crafted, less of Rinoa Rhyer's over the top
I appreciate that Marvel had the decency to introduce him in Captain America: Civil War, but I still feel like Black Panther spent too much time on character - building that didn't really lend a hand to the characters or the greater story.
Everything was clear yet the «onion» development and building up of the story and characters were really smooth.
«Don Cheadle» and «Bruce Greenwood» also give reasonable performances with the material they are given but never really permitted the time to build any real substance to their characters.
What surprised me most was how much the show builds from episode to episode, as you get to know and really genuinely like these three characters.
I really think that this team can tackle the character, keeping him darker, grittier, and building him up in a way that Affleck has done in the past with his other films.
Through this experience, I recognized what an extraordinary set of personality traits it takes to be able to succeed in that world, and I was really drawn to the character work we could build with actors as a result.»
Even though this is the last MCU film building up to Avengers: Infinity Wars, there are no signs of infinity stones, no other superhero character cameos, no mention of a larger world at all really.
After directing X-Men (2000), X-Men 2 (2003) and Days of Future Past (2014), Bryan Singer settles in here for a predictable feature that is too busy introducing new characters to really build momentum for this story.
As each character reaches some kind of emotional (and more often than not, amusing) realisation, the mix of humour, music and spectacle build into something really quite special.
It really did a great job building Diana / WW's character and motivations, and balancing the serious & sincere message with plenty of humor.
but I don't believe for a moment that Montand is really in love with Streisand's character — except maybe for when he sings from the top of the Pan Am building over New York — and therefore when the film isn't singing its little heart out, it feels faraway and frivolous.
There wasn't a good and equal balance between CGI and character development (especial in light that this movie really should build a foundation for a prospective trilogy).
As their characters are not really built up to any degree, the appearance of these stars is mostly to lend a certain marketability to the project, as there are few genuinely remarkable performances to be found in the film.
This lack of profundity is what keeps The Good Girl from being a good film, because for all the well - drawn characters, good performances, and entertaining interaction, by the end you realize that the film was nothing but build up to something that never really seems to develop.
Lurking behind this lack of telling detail seems to be an incuriosity about how the world actually works: Would a State Department employee theoretically stationed in Vienna (a character played listlessly by the usually excellent Peter Sarsgaard) really be able to spend all his time at his bayside mansion in Marin County — and would he genuinely imagine that serving as a European diplomat would be the ideal building block for a congressional run?
Niccol seems to understand that what we see and how we think is all predicated on illusion, an illusion created in an industry built on making us believe that a work of fiction is really the truth and that the actors are really the characters they portray.
From this whipsmart opening, Whedon builds to a brutal second act that mercilessly piles on the hurt, with each character — even Scarlett — given some really bad business to deal with in an extended mid-air action sequence of such sustained and wrung - out tension that it has the unintended effect of rendering the final showdown just a little limp by comparison.
I loved how director Gavin O'Connor, who made the equally fine Warrior, reveals the film's secrets gradually, and builds on the characters enough that when they're put in jeopardy, their lives really mean something.
She could really be used to build character and interest.
The control knob itself is quite large now and features a touchpad built into its face that allows the driver to draw letters with a fingertip when inputting addresses or search terms into the navigation system, which at times seems faster than inputting characters by twisting the knob and features really accurate recognition of my chicken scratch finger scrawls.
Built with quattro ® rear sport differential and sport suspension and featuring Black optic detailing, Audi Sport 5 - double - spoke design wheels, Red brake calipers, S line ® bumpers and S sport seats, the available A7 competition package injects Audi Sport character to really get pulses racing.
Built with quattro ® rear sport differential and sport suspension and featuring Black optic detailing, Audi Sport 5 - double - spoke design wheels, red brake calipers, S line bumpers and S sport seats, the available A7 3.0 T competition package injects Audi Sport character to really get pulses racing.
Once again, Atkinson carefully builds up her characters until the reader is invested in them and really cares about their fate.
The characters (especially the love relationship) were never built up, I didn't really care about any of them.
Sometimes it can be a powerful way to find out what the characters are really feeling, and in turn how to move the story forward, building from that place.
That's one of the best ways to learn the craft: by studying how really good writers use description and dialogue and build character and plot.
As part of their toolkit, ToyTalk has created a method for writing character dialogue that contains a considerable library of possible responses to the types of things kids might say or answers to the questions they may ask — and they plan to share this technology with children's story writers (instead of just app developers) Jacobs is excited by the work they are doing, explaining that «speech recognition for kids has really not been built by anybody, so part of what we're doing — what are partners are developing — is developing the language and acoustic models for children to open up that space.»
This is where character is built; this is where you find out what you're really made of.
Furthermore each skill has a basic and ace version, and to ace an entire tree would cost more points than you can actually gain, promoting the idea that you really to stop and consider how you want to build your character.
Again, though, there's really just not much time for building up these characters, and so sadly the result is that Sophia is largely forgettable.
The first Motorstorm didn't do a whole lot to build character with the drivers or really anyone in the game whatsoever.
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