It's a bit histrionic and pretentious and in the end I didn't
really care about the characters.
Although it is well acted, I didn't
really care about the characters, many of whom looked alike.
Plot points were rushed, and I never got to
really care about the characters.
The Mass Effect trilogy for its amazing universe, story, and dialogue...
you really cared about the characters and their motivations and choices.
Uncanny X-Men # 35 is a good read and one that benefits from a writer who
really cares about its characters.
The permadeath aspect also added a great element to the game, making
you really care about each character you play as.
Not exact matches
but, im ok with this vardy transfer... it shows us many things: 1) wenger is changing, something some of us have been demanding for a long time; 2) it shows that wenger is taking risks: think
about it, he is buying a men for a not cheap price, knowing he could not getting anything after, with a future sell i mean... this is an act that shows wengers intentions to win something, the buy is not motivated by any financial or economic reason but only for a «get the f epl once again» reason... this is an act that shows us hungry, even if we fail, we could said we try... first ever, we
really try; 3) finally but very important... vardy is the kind of player we need... he is a warrior, a fighter... he has
character... look at how he celebrate his goals... full of energy... he, like alexis, can motivate the team when the things are not going in our way (something wenger cant do because of his age and because he has never been an active coach on the pitch)... the vardy transfer, if it finish well, is a demostration of a change, and a good one... lets take
care of winning things and do nt look the economic side for once... vardy is a bit old, but we can give a chance to welbeck after maybe, or akpom... u are not thinking
about the future when we talk
about ibra... guys: u complain when wenger do nt spend or because he is always looking for the bargain when u are the guys who has to pay the very expensive tickets... u complain when wenger buy the always for the future guy... like morata... stop to complain for everything and be consequent with yourself... i would love auba, but it is not going to happen... lukaku is awesome but the asking price is stupid... lets try with vardy, give us the throphy..
Unfortunately, lack of
character depth keeps us from
really caring about these individuals.
I don't
really care about any of the
characters after watching all 13 episodes and I
This is a movie where a bunch of action I don't
care about is held together by
characters I
really don't like.
To get a
really good and entertaining film, you need: 1)
characters you
care about 2) a plot that is more than twenty words when boiled down 3) stunning action (on which Transformers delivers 4) believability and credibility And all Transformers has is eye candy.
Some of the
characters are pretty thin, but then he gives you a few that are
really developed, and you come to
care about them greatly, even if some are «protagonists» or «antagonists».
One never
really finds a reason to
care about any person on the screen and the bad guy is the most interesting
character.
As it stands the constant need to be offbeat distances us from the
characters and events, to the point where we can never
really get into the story, not
really finding the proper foothold to
care about the case against Mrs. Harris one way or another, or to feel the profundity the murder so desperately needs to properly keep us on the edge.
Same thing
about characters really caring about each other.
This film does it because it
really cares about where the
characters are going.
If the choreographed sex scenes break into the pedestrian plot and dialogue of Body of Evidence like numbers in a musical comedy, that's because they appear to be the only scenes the filmmakers
really care about; otherwise the
characters and story can go straight to hell, one feels, as they eventually do.
I
really cared about what happened to both
characters.
That is what happens when I do not
really care about any of the
characters.
So it is great for my daughter, since she doesn't
care about new stories and just loves seeing pictures of her favorite
characters and hearing fun stories but not
really super exciting for daddy, who is looking for something new and original.
The biggest problems with the film involve the way it sometimes feels «tacky», almost as if he doesn't
care that we know these sets are fake, because at the end of the day it's
about knowing these
characters, not believing that they
really recreated old New York.
I don't
really care about any of the
characters or story beats, and I'm only marginally interested to see how the book progresses.
This film develops and handles the relationships between these
characters very well, and we
really do
care about them by the end of this movie.
I get the feeling that most people who do not like the twist dislike it because it turns the
characters into something they don't
really care about anymore.
For some reason, Deadpool, who has never
really cared about anybody but his girlfriend (Morena Baccarin), takes a sympathetic interest in the young man, despite the kid's being a pretty nasty
character.
The
characters are fairly stereotypical and bland, so at no point did I become attached to any of them, or
really care about their survival.
There's a certain paint - by - numbers approach that makes «Infinity War» feel like the latest model off the assembly line, especially for casual moviegoers who don't
really know or
care about the
characters in the first place.
Eddie Redmayne and a slightly underused Maisie Williams hit every necessary beat as the principal
characters, although it's the likes of Timothy Spall in the supporting cast who you'll
really care about.
Specifically, do we
really care about the life of one of the all - time most famous video game
characters, before she was super-cool?
Johnson's
character is key to proceedings though, and his relationship with George is paramount to the movie working, and although there's the visible destruction of cities and no doubt thousands of human fatalities, it is this man and this silverback who we
really care about.
-- It's a random part in the game that would be
REALLY nice if you knew who the hell these
characters are /
cared about them.
The main reason it does not work is because the audience is never
really forced to
care about or relate to Gyllenhaal's
character, instead he just comes off as a smug, rich jerk who never loved his wife.
I'm
REALLY enjoying this game, beautiful graphics, and fun battles and magic system (almost as good as the Chrono Trigger combine system)... The only drawback is I couldn't
care less
about these
characters or this story.
Finally, we get more of the only Justice League
character we
really care about.
If we are infusing
character education into the subject and
really take the time to
care about our students and model those traits, then we can turn [negative behavior] around.
But what
really sets the Q5 apart from many other crossovers is a distinct
character that endears it to the people who
care about driving.
Once again, Atkinson carefully builds up her
characters until the reader is invested in them and
really cares about their fate.
Because as most of you know, the people who have the most progressive minds are
really our kids -LSB-...] Kids like to read stories
about characters they
care about,
characters they want to be friends,
characters with a strong moral compass like Kevin Keller.
Other than the size difference, we're going to see the usual cast of
characters as far as updates are concerned: faster processor, better camera, possibly lighter, maybe a battery with more juice... but those aren't things people tend to
really care much
about.
The animation is lively and unusual, and the script is full of grace notes and genuinely funny moments, but what
really makes the movie work is the
characters, who are voiced with such intelligence, compassion, and deadpan humor that I found myself truly
caring about them and whether or not they would survive their adventures.
The
characters (especially the love relationship) were never built up, I didn't
really care about any of them.
I don't mind reboots or showing
characters in a different light, but I
really didn't
care for the way Watsuki went
about Kenshin's reboot.
I did not believe the
characters, especially Soo - Ja, not did I
really care about the plot line.
It is beautifully constructed, with
characters you
really come to know and
care about.
The
characters were perfectly «fleshed out» — you
really care about all of them!
The main flaw though was probably the author's failure to make any of the
characters (as kids or adults) particularly charismatic or compelling and so for a reader it was
really difficult to
care about their story.
And I
really came to
care about not only the
characters on the page, but their struggle to save humanity (sometimes from itself).
Also, with the jumping back and forth from
character to
character, I didn't feel that it stayed with any one long enough for me to
really connect with them and to start to
care about the
character.
What they do
care about is the fact that you wrote a
really steamy scene
about a
character but you won't tell them which one.
As you play this game you
really become attached to this little
character and
care about his plight.